Thursday, 28 July 2011
The latest epic video from Pop Combo OK Go who pretty much came to fame because of their energetic treadmill routine for the song 'Here It Goes Again', one of my all time favourite pop videos. Since then there visual creativity blossomed with the creation of a 'Rube Goldberg Machine' for 'This Too Shall Pass'.
A bonus in the latest creation is you can have your own message included as part of the end sequence:
Try it out for yourself right here!
Tuesday, 26 July 2011
Sounds like Sting was on a mission penning this highly prophetic masterpiece way back in 1993...
You could say I lost my faith in science and progress(great song, shame about the video...)
You could say I lost my belief in the holy church
You could say I lost my sense of direction
You could say all of this and worse but
If I ever lose my faith in you
There'd be nothing left for me to do...
Tuesday, 19 July 2011
The Bible Industry. From Geez magazine, Fall 2009.
Seems some Christibods are in a bit of a panic as this article by Canadian author Will Braun first published in Geez Magazine receives greater coverage having been re-run in Sojo.net. Not only are Zondervan the biggest publishers of the Holy Bible they also carry books by leading authors like Rob Bell and Shane Claiborne, who will both speak at the Greenbelt Festival this year. It is Shane Claiborne's wisdom that puts things in candid perspective in these couple of paragraphs:
The Zondervan advantage
'I want to have the broadest readership possible,' Claiborne says by phone, 'I don’t want to be someone who just speaks to the choir.' He says smaller publishers have their advantages but the books he has written for them cost 'two or three times' more than what they would if Zondervan published them.
To judge, or not to judgeWhilst this must be a dilemma for Claiborne, he is a great voice in the very media everyone is apoplectic about, for example, I blogged about his article in lads mag Esquire here. To conclude buying from Zondervan is contributing directly to the devil incarnate, we'd should also stop using the Interweb, oh yes, and stop going to church!
The ongoing News Corp scandal concerns him. 'The current issues ... in England raise all kinds of ethical questions,' he tells me, 'and I would hope that a company whose mission is explicitly Christian, as Zondervan’s is, would take the opportunity to bear witness and to speak into the culture which is so terribly fallen.'
Claiborne is not sure if he will write for Zondervan again. He doesn’t rule it out.
There’s good and bad in each of us, he says, 'we are called to work on the log in our own eye, and I’m sure as heck trying to work on the compromises that I make so that those are minimal when it comes to integrity.'
Friday, 15 July 2011
Feltwell – Harwell 10-10-1941
It is just past midnight. We are droning away towards the East. Behind us, slightly to starboard, small spasmodic pin-points of light denote the bursting of flak over Heligoland. But we are not looking back, we are looking ahead. Already the front gunner has remarked on the presence of a huge red glow ahead to which we seem to get no nearer.
I return to the set (radio) and see if the generator is still charging. Then I switch the set off and, for something to do, earth the aerials. The navigator taps me on the shoulder, he jerks his thumb backwards in a suggestive manner. Automatically my left hand jerks away my helmet plug whilst my right twists off the oxygen connection and, hardly pausing, I plunge back over the navigator's back. I charge at the main spar and sweep past the 2nd pilot who's in the astrodome. At the 'K' guns, although barely 15 feet away, I am breathing heavily, owing to my exertions.
I plug in and a babel of voices greets my ears. '500 yards, Starboard quarter, own level' raps out the rear gunner. 'I've got him' yells the 2nd stooge. The oxygen plug must have moved, for my fingers, gloved and clumsy, can't find it. Ah, here it is, in goes the bayonet joint and turn on the juice. I grasp the gun firmly and rest my chin on my left hand. The draught whips at my face. It is icy cold and seems to pry open my eyes as I sweep the moonlit sky.
We appear to be suspended in space, away down is a bank of clouds, above, the stars. Just behind us is a dim, unrecognisable shape, oscillating up and down and forging slowly ahead. I swing the gun onto this shape and yell 'I can see him, slightly below'. It drifts nearer and as I glimpse the shark like tail the 2nd pilot and rear gunner both yell 'it's a Wimp'... The tension is broken. Our comrade loses height and drifts away below us and is soon swallowed up in the mist.
We have crossed the coast now, I am back in the astrodome resting on the arms of the supports. The 2nd pilot is pumping oil. Behind us some searchlights are wavering over the sky. Ahead there is a gigantic fire on our port bow. Searchlights are coning and heavy flak is bursting lavishly and vehemently around the cones. The light flak coming up in a shoal of multi-coloured trace: Red, Green, Yellow, a fascinating sight.
We are turning in, running North. The fires have split into three distinct groups. The largest and most savage on the East side, two smaller but, nevertheless still very large, on the West. A heavy pall of black smoke is seeping up and drifting North East, covering the inlet. There are three cones now, one is following a kite out to the west. Heavy flak is bursting with horrible accuracy, bang in the cone. The cone gets lower. It is further away still from the target. There is a brilliant flash, a slight trail of flame. The searchlights douse suddenly, as an object, like a comet, blazes a trail to earth. The searchlights come up over the town again.
Will we never reach the target? It seems ages...
Away on the right is another cone. Going up very, very slowly is a faint red trace. It reaches the centre of the cone and bursts. Queer, fascinating. I watch it again, very, very slow – then, poof! I must tell 'Steady, Graham, running up to the target now!' There is a steady tension, the kite steadies, the throttles are cut right back, we drift in, slower still.
Momentarily there is a blinding white light inside the aircraft. 'Searchlights dead on the tail'; 'Light flak, port quarter below'; 'Searchlights on starboard beam'; 'Heavy flak just ahead'. Crump! - 'Jack, that was close!'; 'Slightly above, heavy'. Crump... Crump! The kite shudders.
I see a flah of reddish light, from which chases away pin-points of red light in all directions. 'Just above us'; 'Left, Left'. My knees are knocking together. It's strange, I can't stop them. I'm quite ok. 'Right a bit'; 'Steady, steady'; 'Bomb doors open?'; 'Bomb doors open'. Clunk – time seems to stop still. There is a jerk and a movement under my feet. 'Bombs gone!'
We jerk around in a split turn to port. Below I see a raging inferno. Yet another stick of incendiaries are growing up into an angry red bunch of flashes on the ground guns. We are bathed in brilliant light. They are coning us... Crump, Crump, Crump! The flak is coming up pretty thick. The kite goes mad. It plunges down and turns to port, it sweeps up and over to starboard with a sudden jerk. The engines cut off, we glide. Away down we go again. I seem to be suspended in air. As the nose goes up I am pressed hard down on the floor. 'There they go'. Yellow, red flashes split the ruddy glow behind, six of them, we have left our mark. We are still weaving violently, but our cone has left us. There is still plenty of scope for them over the target. Only the outlying guns are now taking sporting pots at us.
We can see the coast ahead. The whole peninsula lies behind, dull, murky, grey-green, shrouded slightly with a faint mist. The moon on our port shows up a thin silvery trace below. The canal. A bevy of searchlights below spring and waver towards us. A light flak gun opens up. His red trace, which he splashes in all directions, is well wide of us. We laugh at his impotency. We feel supreme, masters of ourselves and sole rulers of our new sphere.
The coast has been crossed. I return to the set to send 'Operation successfully completed, returning to base'
Douglas George Banks 1920-1989 (back row - left)
Tuesday, 12 July 2011
Sunday, 3 July 2011
This little gem I picked up from Shane Hipps' Twitter stream. Shane is now partnering Rob Bell at Mars Hill, I first came across him as the author of one of my favourite books Flickering Pixels. Formerly he was at Trinity Mennonite Church in Phoenix, Arizona, a church I was privileged to offer some musical advice to recently...