Icons that rock...

It's taking me a while to understand how religious icons could enhance the mystical experience of worship... the question is does this help or hinder any progress in my thinking?!

h/t Father Simon

We Might As Well Be Strangers...

Last night's episode of the BBC mini series Nativity where the tension betwixt Mary and Joseph is both at breaking point and breaking down as the awareness that Mary's innocence is true grows.

Despite the literary license used to flesh out the narrative, which Biblical purists find uncomfortable, I find it totally riveting, beautifully artistic, sensitively produced and, at times, intensely moving...

P

The Farmer's Prayer...

A distraught farmer finds all his cows frozen in the snow. He prays to God for help. A woman appears, puts her arms over his icy cows. They immediately defrost and start walking again. "Thank you so much", said the farmer, "you must be an angel sent by God?". "No", she said, "I'm Thora Hird"...

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Awesome Advent from Sufjan Stevens

A stunning version of my fave Advent hymn, love both the apparently haphazard and over the top production! This piece is on an amazing five CD collection Songs for Christmas. The enigmatic Sufjan also produced an incredible CD by another Greenbelt Festival favourite band who played there in 2009, The Welcome Wagon.

Welcome to Advent 2010!

PB

Creative Covenant Conclusions...

Richard Twiss (above) of Wiconi International was one of the speakers at the recent Emergent Village Theological Conversation which evoked an incredible blog post from Julie Clawson. This paragraph jumped out at, giving me a gentle sense of joy with its resonance to my concerns for the church, particularly all the turmoil over the Anglican Covenant:

The speakers had led us to see how the Bible is used as a colonizing text and how the rituals and trapping of the Western church have colonized the minds of indigenous peoples. Their dream is to find ways to do distinctly indigenous theology and develop spiritual practices that are native to who they are. They pleaded with us to stop seeing Western theology, philosophy, academia, and liturgy as the norm that all others must aspire to or at least subjugate their spiritual language to. And above all to not just allow native peoples space to pursue those paths, but to join in with them valuing their voices just as much as we value Western voices.

Let's face it, The Anglican Covenant is simply an ecclesiastical straight-jacket, therefore I support and endorse the #nocovenant campaign.

It will be interesting to see what 'action' comes out of the Emergent Village Theological Conversation... At Greenbelt 2100 Richard Rohr said 'The best criticism of the bad is the practice of the better'.

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Fruits of Greed...

Colchester Mercury Theatre's stunning production of Steinbeck's classic 'Grapes of Wrath' could not be better timed as a counterfoil to today's spending review. I was completely blown away by this production, even having read the book. Of course, readers will know the story is dark and yet redemptive through the sacrifices of some of the key characters.

I confess I am not a regular theatre goer, however this sensitive and highly creative interpretation really hooked me in. In fact I remember failing to watch the movie version all the way through as it seemed to contradict the images my imagination had drawn in my mind's eye. The combination of the physical boundaries of the theatre and the gentle pace meant this play still allowed me to both keep intact those images and to add to them. In fact that conclusion made me realise why film versions of previously read books don't come up to the mark with their literal, photo realistic interpretations which tend to restrict our own imagination so much as we are, actually, watching someone else's imagination instead.

I cannot stress enough if you are in the area do make the effort to go, it is so fantastic in every respect. Brilliant acting, production and staging plus special mention of the musicians who doubled up as actors too. The music was totally live featuring a brilliant fiddle player, multi instrumentalist guitar / banjo / mandolin / slide guitar player, double bass and some occasional percussion. The style was quoted as Bluegrass yet also included a vibrant Hoe Down sequence and incredibly haunting and moving instrumentals.

The closing sequence was breathtaking - simple, redemptive, challenging - not a dry eye in the house! It's on until the 30th October, make the time!

P

So Human, so divine...

 

For the next couple of days the painstaking task of bringing the Chilean miners to the surface goes on... it is impossible not to be deeply moved by the sight of the rescue capsule 'Fenix' appearing out of the top of the metal encased shaft with its precious cargo on board.

How cool is it that the Chilean Navy torpedo experts went to work to design and build the capsules? How special is it to see rescue teams using lifelong manual skills working in conjunction with some basic Newtonian Mechanics restoring families and stimulating prayers of thanks and joy?

May the process continue in safety and reach the conclusion that everyone longs for.

The first cut is the deepest...

One of my fave blogs, Lesley's Blog, recently carried a much discussed post on male circumcision... seeing this video on Brian McLaren's blog prompted me to re-post it! Great punchline ;-)

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Jeff Buckley - BBC Soul Music Take 2

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BBC Soul Music - Dido's Lament

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Sadly music mega-corp Sony has removed the YouTube video of Jeff Buckley I had included on my earlier post about the BBC Radio 4 series Soul Music. Checking the visitor stats for this Blog it is clear the post that featured anecdotes about Dido's Lament, including the legendary performance by Jeff Buckley, still has plenty of visits.

However, the really great news is the BBC has increased the duration of the archived pieces from Soul Music and have included this edition along with many others, link above.

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The Gospel of Cognitive Surplus...

Clay Shirky has just become a bit of a UK Blog Buzz after an article about him was published in the Guardian last Monday, one in the usual round of interviews when an author's latest book is published. He has been using the phrase 'Cognitive Surplus' for a while in his talks including drawing the analogy to the recovery from drowning sorrows in gin when trying to cope with the trauma of transformation from rural to urban life early in the last century.

In a 2008 talk he makes this point:

If I had to pick the critical technology for the 20th century, the bit of social lubricant without which the wheels would've come off the whole enterprise, I'd say it was the sitcom. Starting with the Second World War a whole series of things happened--rising GDP per capita, rising educational attainment, rising life expectancy and, critically, a rising number of people who were working five-day work weeks. For the first time, society forced onto an enormous number of its citizens the requirement to manage something they had never had to manage before - free time.

And what did we do with that free time? Well, mostly we spent it watching TV.

And it's only now, as we're waking up from that collective bender, that we're starting to see the cognitive surplus as an asset rather than as a crisis. We're seeing things being designed to take advantage of that surplus, to deploy it in ways more engaging than just having a TV in everybody's basement.

We have a positive way of making a difference, by not wasting more of the precious resource of time. It is clear how this applies to charities as well as businesses and particularly to the church. It is interesting to see that Mr Shirky is not so active online himself and along with David Keen's 'final' blog entry today issues a further challenge to be considered...

P

Bastions of Boredom

Was reminded of this Video recently from 'Work of the People' and so post it to respond to Lesley's post earlier today: 'What do you think of Jesus and the church'. Also, in some way, to give some background to another reason why people land up leaving church, when they just give up on attempting to contribute. This adds to Suem's post a little while ago on the 'Leaving Church' topic.

It seems the world of blogging which ordained folk have so taken to heart is populated by alarming entries wondering what the church can do to arrest the problem of declining numbers and also delusions that sermons are actually good because a survey revealed they were the least unpopular moments in a service!

Whilst it is always easier to suggest solutions rather than fully defining what the problems are, it is becoming increasingly obvious that letting go of traditions, rituals and preferences (and all the etcs.) that, in the main, are held onto by clergy, is actually both the problem and the solution.

So many of the issues with church come down to the 'what' and 'how' we do things rather than the real meaning contained in the 'Why'. A key lies in re-developing a sense of curiosity and imagination in all of us that longs to share Why?

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The Anglican Matrix

Some of the things I'm beginning to learn about the Church of England with help from various sages:

clergy	jews
laity	gentiles
choirmaster	god
choir	trying
robes	robes
flower guild	see above
psalter	rare book
book of common prayer	red book
common worship	read book
hymn book	new book
sunday school	lambs
baptised (C of E only)	sheep
the rest of us	goats
administrator	donkey
treasurer	bankrupt
PCC	deluded
eastenders	never watch it
cleaners	angels
wardens	heroes

With respect to the lamented Beaker Folk of Husborne Crawley

P

Back to Pub Sunday...

 

I have to confess to a bit of shyness when it comes to walking into places I am not already familiar with. It is always a joy to be made welcome and last Sunday, visiting a new Parish, I noticed I wasn't the only one who was warmly welcomed. The small team of 'Welcomers' made sure everyone was comfortable, understood what was going to happen, where the facilities were and where to get refreshments.

Throughout the evening the joy of all the key people involved in this new 'Outreach' venture was impressive and reassuring at every level even from the top. During the collection, as the bucket went round, it was made absolutely clear that donations were an extra voluntary contribution which would all go to Christian Aid along with an extra contribution from those taking part.

I was uncomfortable, though. I had a knawing sense of guilt and discomfort that actually this is exactly how churches should 'feel'? However, this wasn't even a church initiative put on in the very splendid new music venue 'The Farncombe Cavern' but one run by the Freeholder's Pub team in Surrey who chose to make their opening night a flag to indicate the start of Christian Aid Week...

The Lord be with you... and make mine a pint

Blessed are the poor...

 

Jeff Buckley - BBC Soul Music

UPDATE: Newer post includes 2nd half of this BBC Radio's Soul Music broadcast with Sarah Connolly, Jeremy Summerly, Alison Moyet and Philip Sheppard on Jeff Buckley's amazing interpretation here

BBC Radio 4's recent edition of 'Soul Music' which featured Dido's Lament turned out to be really special! It always gives me enormous encouragement (and pleasant surprise!) to hear top notch classical maestros admitting truths that most of their colleagues would consider heresy.

The program moved from a fairly conventional start covering thoughts from the mezzo soprano Sarah Connolly and the view of the conductor of the band at the Cenotaph for Remembrance Day.

Jeremy Summerly, the big boss of the Royal Academy of Music and a renowned conductor, issued the first challenges to conventional thinking about the approach to singing the piece. He asked how would anyone know how 17th Century singers would sound and then introduced Alison Moyet's version, praising her approach, the clarity of her timbre and the fact that every word is intelligible. For someone of Jeremy's stature in the classical world to say this is really something, especially as he stated that Purcell's masterpiece is 'the great tune of the 17th Century'.

The closing section of the programme introduced Philip Sheppard, cellist and now composer. He spoke about how he was invited along to be part of the supporting orchestra for Elvis Costello's Meltdown Festival in 1995. One of the pieces was to be Dido's Lament which would be sung by charismatic rock singer Jeff Buckley. Although Philip had never heard of Jeff Buckley before once he heard him singing it had a most profound effect on him:

He seemed to screw every ounce of meaning out of the words and physically he looked like he was wracked with pain and anguish as he was singing it. But what was coming out was beyond ethereal his voice had this quality where it meant so much more than when I had ever heard it before.

But then when he sang it it seemed to be a Lament so much more and it really went beyond what I would consider to be classical music...and to date it's actually probably the greatest musical
experience of my life, in as much as it turned my world inside out.

As a result Philip had to admit:

I know NOTHING about music - at all!

Up to that point I was a musican who played through study rather than a musician who played through feel and now I have to say I seek out people to work with who do not necessarily read music who have their first sense is one of 'ear' rather than of 'technique'...

Philip then goes on to say how this became a pivotal moment in his career which helped him to become a composer, enabling him to move away from being 'a player who just repeated other people's music'.

Jeff Buckley died in a tragic accident just two years later in 1997, sunsequently his version of Leonard Cohen's 'Hallelujah' reached number one in the US Billboard charts and is considered by many to be the definitive version.

Now Philip thinks of Jeff nearly every day and is ever grateful for the effect of the encounter, even though he only met him for around half an hour...

Listening to this has changed me forever, too, thank you so much...

P

To preserve or be preserved....

As I have already demonstrated I am an avid reader of Seth Godin's excellent blog... yeah, yeah, yeah, I know! This quotation from Andrew Carnegie in yesterday's entry struck me:

"Take away my people, but leave my factories and soon grass will grow on the
factory floors......Take away my factories, but leave my people and soon we will
have a new and better factory."

This can clearly be applied to the church despite, it seems, obsessional efforts made to preserve our crumbling edifices... so in some ways it is brilliant that a church would readily survive their building, however, I wonder if we should challenge ourselves to question how essential 'church' buildings really are? After all the first Eucharist was celebrated in a rented room... no faculty required for that!

Check this out for inspiration! Church from Scratch Video Diary h/t Jonny Baker

From Candleford with Love...

From the ASBOJesus Blog, inspired by the very wonderful latest BBC series of Lark Rise to Candleford. Last night's edition was quite emotionally draining yet remaining uplifting. The demonstration of the folk from socially and economically upmarket Candleford showing compassion to their neighbours and family in the adjacent hamlet of Lark Rise is a challenging example of what the church should be doing for the relative poor. It means getting our hands dirty and moving outside our comfort zones... even outside our churches, perhaps?

P

Mumford and Sons - Music to mend...

Sometimes I hear something that can change me forever:

It seems that all my bridges have been burnt,
But you say that’s exactly how this grace thing works
It’s not the long walk home that will change this heart,
But the welcome I receive with the restart

From the song 'Roll away your stone' 4th track on the amazing album 'Sigh no more' from Mumford & Sons. Passionate songs to restore the spirit - vitally energetic, acoustic, anthemic, imaginative, intelligent, poetic genius...

From the title track 'Sigh no more':

Love that will not betray you
Dismay or enslave you and will set you free
Be more like the man you were made to be.
There is a design an alignment to cry,
of my heart to see,
The beauty of love as it was made to be

Wonderful!

Art and Christianity Part One - Artwork

I have been troubled that I had not responded to a couple of Meme requests back in 2009 so am now trying to catch up and Epiphany is a good day to give this post.

This Meme was started by Jonathan Evens and his proposal is here:

To list an artwork, drama, piece of music, novel, and poem that you think each express something of the essence of Christianity and for each one explain why. Then tag five other people.

Artwork: Antony Gormley 'Field for the British Isles'

I have actually been working on it for a while, it took a lot longer than I imagined when I first saw I had been tagged. Therefore I have decided to split the sections across five posts in this order:

Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young

I was privileged to stumble across Antony Gormley's 'Field for the British Isles' installation at The British Museum when my son was in theatre undergoing major surgery at Great Ormond Street hospital 7 years ago in 2002. Was just wandering around in a daze and landed up in the museum... was horrified at the vandalism our imperial nation had casued to many locations in the name of archaeology, what wicked crimes? Then there in the central Great Court was Gormley's 'Fields'... totally amazing!

I will never forget it, the sea of faces that so reflected humanity looking up at me and with the emotion of the day it all caught up with me. It felt like I was God! There I could see 'all people that on earth do dwell' and had abundant compassion and love for all of them, light clay, dark clay, large, small, friendly, angry, happy, sad, quirky, whatever. I had no favourites, in my strange mental state it was as though each were my son and not inamimate objects. Part of this was each piece was unique, individually created by a volunteer from a starting point of simply being given a ball of clay and basic instructions.

I am so grateful this moment happened, I might have steered clear of potential crowds had I known beforehand. It helped to ease the agony of wondering how my boy was at that very time, a spiritual distraction!

Read more about the 'Fields' project here.

Despite the risk he has already been nobbled I tag: Mike Todd

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Weirdos and outcasts unite...

Today we celebrate Epiphany when the 'wise men' arrived to give the baby Jesus some gifts, a combination of the valuable and scary. Checking around the various knowledgeable bloggers it's emerging these guys were pretty quirky and not the sort of folk made very welcome in the established church. Ok, they arrived late, initially nearly screwed up everything by going to the wrong place and yet they are significant. The early church re-branded them as kings because they wouldn't fit the mould of power and respectability as astrologers and possibly trans-gender eunuchs....

Weirdos that mess up and arrive late? Sounds like musicians to me!