Greenbelt is always a sea of surprises and stimulating encounters... 2010 was another great year and re-inforces my determination to never miss it!
Here are my initial responses:
Highlights:
1) Fr. Richard Rohr on the church
2) Watching the preview of the film 'Africa United'
3) Revd. Dr John Smith's talks which emphatically restated Greenbelt's original vision(s)
4) Shlomo's mainstage mini-set
5) The start and end of the communion service (i.e. unaccompanied singing with no band)
Surprises:
1) Giles Fraser on The English Civil War and the future of the Church of England
2) Martyn Atkins on Methodism and discipleship
3) Foy Vance bumped up to a mainstage set
4) How many talks I managed to attend!
5) Bumping into Clare Short and having a good chinwag
Lowlights:
1) The weather prior to the festival during set-up and the cold in the evenings!
2) Rock band style music in parts of the communion service
3) Many of the mainstage music acts
4) Confetti cannon during the communion service
5) Sensing 'beer and hymns' becoming more organised
Despite being involved as a contributor this year I did manage to attend a couple of Tweetups and was delighted to commune with some of my virtual 'friends' yet missed others altogether. Otherwise it was great to bump into friends from across the years and actually meet, for the first time, folk that I knew about and that knew me too, but until now...!
However, I do think Greenbelt needs to look carefully to ensure that aspects of the original vision that are still valid and distinctly 'Greenbelt' as some of this is in danger of being sidelined. I don't doubt the Greenbelt 'powers' will already be aware of this so I am not going to witter on here!
Greenbelt is for everybody... unless they're not keen on a bit of heaven?
Here's a perspective from a first time visitor: Do Christian Music Festivals Make You Want to Switch Religions?
And on the Greenbelt Blog today a gorgeous poem: 'If heaven (2)' by Rosie Miles
Showing posts with label Bible. Show all posts
Showing posts with label Bible. Show all posts
Thursday, 2 September 2010
Thursday, 19 August 2010
Sola Scriptura - Biblical Marriage...
America's Best Christian, Mrs Betty Bowers, takes time to explain to less informed Christians (i.e. Fundamentalists) the curious details of the Biblical approach to marriage.... h/t Zach Lind
P
P
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Friday, 30 July 2010
Lord save us from Your followers...
Author of the excellent 'Blue Like Jazz', Don Miller, has posted a challenging story today. Don is one of the speakers at the Echo Conference (A media and mech conference for creative church leaders) and, along with other speakers, has been given a seriously luxury hotel suite to stay in. Don's immediate thought was to gather up the 'brains' to blue sky together to change the world. The next day the conversation with the organiser went like this:
Scott McLellan, the big man who runs the conference and I started talking and I told him thanks for all the square footage because I like to run wind sprints. He said when Dan Merchant walked into the room, the first thing he thought was that he should go gather up a group of homeless guys to stay there for the night. That made me feel like crap.Dan Merchant is the guy responsible for the film above...
PB
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Thursday, 17 June 2010
Redemptive Rock and Spiritual Songs...
The announcement that this band, 30 Seconds To Mars, are going to be visiting these shores again this Autumn I thought I would post some thoughts I have been mulling over for a wee while. Part of this is a reaction to the support I've had when I've stuck my head above the parapet and slagged off the dreadful Worship Music scene and genre. I hope this post gives some supporting evidence to explain why my views are more about substance than just taste driven opinions...
I have a relatively broad taste in music ranging from not too high brow classical, through ethnic / indigenous music to pop and stadium rock. I like pieces which have spirit, integrity, passion and believability regardless of whether it is technically impressive or flawed. I love hearing a song that makes you want to learn more about it, glean what's behind the lyrics and the artist.
Now this song is not particularly original and could be criticised for being derivative of other bands' earlier work. However, there is a certain comfort in a bit of familiarity when hearing something for the first time. This song, combined with the video, is such a great piece of art that issues challenges and hope! If anything it is the optimism musically and lyrically that I find so enthralling... and the depth of what the storyline covers is not lost on the band's followers, check out some of the comments on Youtube:
Can we all get the message? Eternal inspiration (song). No stupid fashion or trends (clothing). No damn pollution (bikes). No hate (car accident). Continuous miracles (white horse and resurrection). The good and true path (all going in the same direction because they know thats The way). True life (no death and no impossibilities).
unfortunatelly i don´t know if will have learned our lesson either, with all these things hapenning a lot of people are still destroying the nature, only thinking about money.
This song would be best suited to the part where someone makes a massive life-changing decision or turning point in their life.
We are born into a world at war for our hearts, and we are desperate for God. He wants us to become the "Kings and Queens" we were mean't to be. This can only be done by not making ourselves the focus of everything, and becomeing the "lesser god" that the song says.and prompted this joined-up response:
This really does make me think of the oil spill in the Gulf. If honestly makes me what to cry. How much more are we going to punish the earth? I ask myself when will it be enough, to satisfy us selfish humans. It makes me so angry, but also at myself because I can't really do anything about it.Here's one that suggests corporate singing still moves peeps:
i love this entire song, but especially the chanting "oh oh ohhhh" part! there's something about chants that always makes me go wow. it just sounds so cool when there's hundreds of voices blending together. =)I love the shots in the video of the basic band, the flight cases, backs of guitar amps, it depicts the tools of the trade of a rockin' band, that's what it really looks like! That moves into images of redemption, the shining cross in the cityscape, the white horse...
Some will also be cynical of this band's rise to fame as singer Jared Leto was already a successful actor. Yet they have cemented relationships with their fanbase by inviting them to be part of the video as above and to take part in the recordings. Wikipedia quotes the band:
'How great would it be to invite the world to come and be a part of the next 30 Seconds to Mars album? There were some things [we tried] that were left-field sound experiments — using the group, the collective, as a musical instrument. We did everything from percussive expression to whispering to things that were a little bit more familiar, like inviting the 1,000 people that were there to sing the chorus of a song. And those people who were a part of it all will be a part of the next 30 Seconds to Mars album. It was quite simply one of the best things we've done as a band.'So the chants are already congregational and not simply multi-tracked backing vocals!
This aptly demonstrates Seth Godin's notion of Tribes, where there are leaders but collaboration and inspiration are key. Obviously this band has a totally commercial purpose but their passionate and committed approach is definitely working... real music, heartfelt lyrics that listeners relate too, wonderful!
For the connoisseurs of amazing recording detail, check out the vocals only version here (starts 30s).
P
Monday, 14 June 2010
Bastions of Boredom
It seems the world of blogging which ordained folk have so taken to heart is populated by alarming entries wondering what the church can do to arrest the problem of declining numbers and also delusions that sermons are actually good because a survey revealed they were the least unpopular moments in a service!
Whilst it is always easier to suggest solutions rather than fully defining what the problems are, it is becoming increasingly obvious that letting go of traditions, rituals and preferences (and all the etcs.) that, in the main, are held onto by clergy, is actually both the problem and the solution.
So many of the issues with church come down to the 'what' and 'how' we do things rather than the real meaning contained in the 'Why'. A key lies in re-developing a sense of curiosity and imagination in all of us that longs to share Why?
P
Friday, 28 May 2010
Sometimes it makes you wonder...
The latest campaign by the infamous anti-gay Westboro Baptist Church is to picket singer Ronnie James Dio's funeral with another potentially offensive protest. This has come to light in the NME, MOG and on the AV Club news pages. Looking at one of the most distasteful Westboro Baptist Church websites, godhatesfags, they list the funerals and locations they will be 'protesting' at...
Let there be love shared among us?
P
Let there be love shared among us?
P
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Sunday, 2 May 2010
Thursday, 22 April 2010
Allotment pre-production line...
P
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Sunday, 11 April 2010
O for a shout of sacred joy
The last verse of Isaac Watts hymn: -
The British islands are the Lord’s,
There Abraham’s God is known;
While powers and princes, shields and swords,
Submit before His throne.
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Thursday, 1 April 2010
Tuesday, 23 February 2010
Let me through, I'm an Anglican...
If, like me, you are NOT a member of the Anglican / C of E clergy, a fairly stalwart church goer, even serving on various committees, then I expect you are pretty fed-up with most of what is going on in Anglican world. Part of the trouble is that it all seems so inward looking and therefore exactly opposite to how we are supposed to be as followers of Jesus, caring for the poor and challenging the status quo... I, along with many others, simply don't get what's happening!
Today I heard a friend recite the famous poem, 'The Vicar of Bray' which implies that fickleness has been around for a while amongst clergyfolk and I will return to that later.
I am now struggling to recall the innocence of my faith... at the moment so much of what has just transpired in the recent Synod seems to bear little relationship to real church. Additionally, the recent research which revealed the sermon is the 'best bit' of a church service even skirts the point that church services, generally, are very, very naff!
I know there are some churches that are exploring new ways of enhancing worship (Fresh Expressions being one such initiative) and I think that is brilliant, however, where the church is really part of (or becomes) the surrounding community that is what really encourages me to think all hope is not lost. Ok, there was a Synod presentation about Mission covering Fresh Expressions and there was Revd David Gamble's interesting 'offer' from the Methodists, which actually hid both a reproach and a challenge of priorities.
But whilst endless debates continue about all the current obsessions (whichever way you look) then us 'lay' folk lose more faith, both in the established church and the clergy. The trouble is the whole system is run by differing strata of... yet more clergy, ranging from humble deacons to Archbishops. That immediately means there are issues to deal with including:
At the risk of sounding old (rather than mature, of course!) I used to love going to conferences and gatherings where we listened to a proper preacher and sang our hearts out! I now learn the evangelical nature of those meetings is seriously frowned upon by Anglo-Catholics and Liberals... it seems faith has to be liberalised, have more doubt, more skepticism, no longer enjoyed, kept to one denomination and it seems we are not even allowed to describe ourselves as a 'Christian' anymore. Don't completely dis the evangelicals, though, they come in many shapes and sizes!
This leads me to my final point: why is the church so demonstrably partisan? It seems the C of E thinks it is different to 'free' churches and the mounting divide between those declaring Catholic 'tendencies' and steadfast C of E communicants is hardly new? The Vicar of Bray actually kept his post through a series of major varieties of governance, perhaps, after all, he was more of a servant to his flock than the humour in the poem implies as he 'cheerfully' reversed his principles?
I have never felt I was one denomination or another, despite worshipping in various denominations as geography dictated. I cannot understand why some folk filling forms with 'C of E' in the 'Religion' field? Surely we are simply Christians? So why does it feel as though I have to declare I am Anglican / C of E? Nope, that is never going to happen!!!
P
Today I heard a friend recite the famous poem, 'The Vicar of Bray' which implies that fickleness has been around for a while amongst clergyfolk and I will return to that later.
I am now struggling to recall the innocence of my faith... at the moment so much of what has just transpired in the recent Synod seems to bear little relationship to real church. Additionally, the recent research which revealed the sermon is the 'best bit' of a church service even skirts the point that church services, generally, are very, very naff!
I know there are some churches that are exploring new ways of enhancing worship (Fresh Expressions being one such initiative) and I think that is brilliant, however, where the church is really part of (or becomes) the surrounding community that is what really encourages me to think all hope is not lost. Ok, there was a Synod presentation about Mission covering Fresh Expressions and there was Revd David Gamble's interesting 'offer' from the Methodists, which actually hid both a reproach and a challenge of priorities.
But whilst endless debates continue about all the current obsessions (whichever way you look) then us 'lay' folk lose more faith, both in the established church and the clergy. The trouble is the whole system is run by differing strata of... yet more clergy, ranging from humble deacons to Archbishops. That immediately means there are issues to deal with including:
- Inequality: This is usually manifest in the clergy / non clergy divide.
- Superiority: Why do C of E clergy give out the impression they are 'above' other ordained clergy/pastors in other denominations (except, maybe, Catholics priests?!!)?
At the risk of sounding old (rather than mature, of course!) I used to love going to conferences and gatherings where we listened to a proper preacher and sang our hearts out! I now learn the evangelical nature of those meetings is seriously frowned upon by Anglo-Catholics and Liberals... it seems faith has to be liberalised, have more doubt, more skepticism, no longer enjoyed, kept to one denomination and it seems we are not even allowed to describe ourselves as a 'Christian' anymore. Don't completely dis the evangelicals, though, they come in many shapes and sizes!
This leads me to my final point: why is the church so demonstrably partisan? It seems the C of E thinks it is different to 'free' churches and the mounting divide between those declaring Catholic 'tendencies' and steadfast C of E communicants is hardly new? The Vicar of Bray actually kept his post through a series of major varieties of governance, perhaps, after all, he was more of a servant to his flock than the humour in the poem implies as he 'cheerfully' reversed his principles?
I have never felt I was one denomination or another, despite worshipping in various denominations as geography dictated. I cannot understand why some folk filling forms with 'C of E' in the 'Religion' field? Surely we are simply Christians? So why does it feel as though I have to declare I am Anglican / C of E? Nope, that is never going to happen!!!
P
Thursday, 4 February 2010
Pete Rollins... insurrectionist theology
PB
Monday, 1 February 2010
From Candleford with Love...
From the ASBOJesus Blog, inspired by the very wonderful latest BBC series of Lark Rise to Candleford. Last night's edition was quite emotionally draining yet remaining uplifting. The demonstration of the folk from socially and economically upmarket Candleford showing compassion to their neighbours and family in the adjacent hamlet of Lark Rise is a challenging example of what the church should be doing for the relative poor. It means getting our hands dirty and moving outside our comfort zones... even outside our churches, perhaps?
P
P
Monday, 25 January 2010
Art and Christianity Part Five - Poem
This my final post on the Art and Christianity meme commenced by Jonathan Evens.
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
I remember hearing this poem for the first time in an English Literature lesson. Although initially I didn't fully understand the depth of the text I could clearly tell the link to Abraham and Isaac from the Bible narrative. Then the teacher went on to explain that Owen's technique was to use both the biblical text as an analogy and also, significantly, as a subversive weapon to get his message across about the massive loss of life in the first world war. Then last year at Greenbelt 2009 Maggi Dawn, during her talk on Lent, quoted the last two lines which triggered the memory banks...
So Abram rose, and clave the wood, and went,
And took the fire with him, and a knife.
And as they sojourned both of them together,
Isaac the first-born spake and said, My Father,
Behold the preparations, fire and iron,
But where the lamb, for this burnt-offering?
Then Abram bound the youth with belts and straps,
And builded parapets and trenches there,
And stretched forth the knife to slay his son.
When lo! an Angel called him out of heaven,
Saying, Lay not thy hand upon the lad,
Neither do anything to him, thy son.
Behold! Caught in a thicket by its horns,
A Ram. Offer the Ram of Pride instead.
But the old man would not so, but slew his son,
And half the seed of Europe, one by one.
I find this deeply moving in both the way Owen adopts the language and meaning of Scripture as well as having the courage to speak out so challengingly in an era when it would have been shunned...
Text copied from here.
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
I remember hearing this poem for the first time in an English Literature lesson. Although initially I didn't fully understand the depth of the text I could clearly tell the link to Abraham and Isaac from the Bible narrative. Then the teacher went on to explain that Owen's technique was to use both the biblical text as an analogy and also, significantly, as a subversive weapon to get his message across about the massive loss of life in the first world war. Then last year at Greenbelt 2009 Maggi Dawn, during her talk on Lent, quoted the last two lines which triggered the memory banks...
So Abram rose, and clave the wood, and went,
And took the fire with him, and a knife.
And as they sojourned both of them together,
Isaac the first-born spake and said, My Father,
Behold the preparations, fire and iron,
But where the lamb, for this burnt-offering?
Then Abram bound the youth with belts and straps,
And builded parapets and trenches there,
And stretched forth the knife to slay his son.
When lo! an Angel called him out of heaven,
Saying, Lay not thy hand upon the lad,
Neither do anything to him, thy son.
Behold! Caught in a thicket by its horns,
A Ram. Offer the Ram of Pride instead.
But the old man would not so, but slew his son,
And half the seed of Europe, one by one.
I find this deeply moving in both the way Owen adopts the language and meaning of Scripture as well as having the courage to speak out so challengingly in an era when it would have been shunned...
Text copied from here.
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Wednesday, 20 January 2010
The Word was made into...
These guys are shipping Audio Bibles out with relief teams... not sure about the company name: Faith Comes by Hearing? What I am sure about is that engraving Bible references on guns is unbelievable.
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Sunday, 10 January 2010
Art and Christianity Part Three - Music
This my third post on the Art and Christianity meme commenced by Jonathan Evens.
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Music: J S Bach - St Matthew Passion. I remember filing in the Royal Festival Hall at 10:00am on a Good Friday to experience Bach's epic Passion and wondering what to expect having been told by my hosts that we would not be leaving until 3:00pm! On advice I had managed to obtain a choir score from Upminster library to help me navigate my way through Bach's interpretation of Matthew chapters 26 and 27. Now whilst I still don't read music I would say it was pretty essential to peruse the score to be able to greater appreciate the composer's genius in using motifs and phrasing to highlight activity and mood.
I was familiar with the beautiful hymn, 'O, Sacred Head! Sore wounded', (also known as the Passion Chorale) yet as soon as the double choir launched into their opening chorale I was transported heavenwards by the breathtaking and all enveloping wall of sound undergirded by the massive double orchestra and pipe organ. There appeared to be around 10 soloist parts and I came across the word Recitative for the first time... had already heard of Arias!
However, it is not an easy piece to listen to in its entirety and despite the sublime chorales the tension Bach creates musically is tangible. Nowadays we are so used to a high solo violin scraping away to semaphore impending doom in a film or tv drama but this would have been very early examples of this sort of technique. Whenever Jesus has narrative or 'speaks' there is a 'sound' Bach has scored a special full violin section sound to emphasise what we can consider to be Jesus' 'Spirit', the pre-Pentecost Holy Ghost. This musical effect, which is referred to as Jesus' 'halo', is conspicuously absent as Christ utters 'Eli, eli, lama sabachthani' and I found this deeply moving.
Here is the moment of utter desolation (and multiple Recitative performances) that narrates 'Now the Lord is brought to rest'. Then in the finale chorale, as per the youtube example above, the choirs can be heard 'answering' one another and the stereo effect of the double orchestra can clearly be heard... as the final chord resolved and faded I do not recall whether there was applause or not as I made my way out, I had been transported to another place, I do remember tactfully averting eye contact so folk around me would not spy my wet cheeks.
It took me until Sunday to recover physically. I ached from feeling the palpable tension, from concentrating on the passage, the sense of loss as the Passion unfolded (such a vital part of the Easter weekend) and I will never, ever forget...
P
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Music: J S Bach - St Matthew Passion. I remember filing in the Royal Festival Hall at 10:00am on a Good Friday to experience Bach's epic Passion and wondering what to expect having been told by my hosts that we would not be leaving until 3:00pm! On advice I had managed to obtain a choir score from Upminster library to help me navigate my way through Bach's interpretation of Matthew chapters 26 and 27. Now whilst I still don't read music I would say it was pretty essential to peruse the score to be able to greater appreciate the composer's genius in using motifs and phrasing to highlight activity and mood.
I was familiar with the beautiful hymn, 'O, Sacred Head! Sore wounded', (also known as the Passion Chorale) yet as soon as the double choir launched into their opening chorale I was transported heavenwards by the breathtaking and all enveloping wall of sound undergirded by the massive double orchestra and pipe organ. There appeared to be around 10 soloist parts and I came across the word Recitative for the first time... had already heard of Arias!
However, it is not an easy piece to listen to in its entirety and despite the sublime chorales the tension Bach creates musically is tangible. Nowadays we are so used to a high solo violin scraping away to semaphore impending doom in a film or tv drama but this would have been very early examples of this sort of technique. Whenever Jesus has narrative or 'speaks' there is a 'sound' Bach has scored a special full violin section sound to emphasise what we can consider to be Jesus' 'Spirit', the pre-Pentecost Holy Ghost. This musical effect, which is referred to as Jesus' 'halo', is conspicuously absent as Christ utters 'Eli, eli, lama sabachthani' and I found this deeply moving.
Here is the moment of utter desolation (and multiple Recitative performances) that narrates 'Now the Lord is brought to rest'. Then in the finale chorale, as per the youtube example above, the choirs can be heard 'answering' one another and the stereo effect of the double orchestra can clearly be heard... as the final chord resolved and faded I do not recall whether there was applause or not as I made my way out, I had been transported to another place, I do remember tactfully averting eye contact so folk around me would not spy my wet cheeks.
It took me until Sunday to recover physically. I ached from feeling the palpable tension, from concentrating on the passage, the sense of loss as the Passion unfolded (such a vital part of the Easter weekend) and I will never, ever forget...
P
Thursday, 7 January 2010
Art and Christianity Part Two - Drama
This my second post on the Art and Christianity meme commenced by Jonathan Evens.
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Drama: I have chosen the film Chariots of Fire - Pleased to say I saw it way before the Oscar nominations and other plaudits poured in, so I was an early 'adopter' of this great period piece set around the 1924 Olympics (so expect to see it on the box a few times over the next couple of years!).
There are many issues tackled in the film which revolves around the counterbalance of ambitious Englishman Harold Abrahams, who is Jewish, and Eric Liddell, an instinctive Scottish sprinter who, as a devout Christian, makes the wonderful statement 'I believe that God made me for a purpose (i.e. supporting his mission work) but He also made me fast, and when I run, I feel His pleasure.'
The story doesn't end with the film, Eric went on to become a respected missionary in China and despite his athletic physique still died at a young age during incarceration in the Japanese Weihsien Internment (read concentration) Camp from a brain tumour. However, it was the film that nudged my interest to read more about him and Sally Magnusson's excellent book, The Flying Scotsman, was where I turned first in those pre-web days.
This film has so many resonances for me and refreshed me when the church simply didn't or couldn't. Athletics was the sport I was best at plus I had a relatively strict upbringing which meant we kept the Sabbath (Sunday!) holy. Creatively I love the daring combination of a period drama with the symphonic and quirky synthesiser music soundtrack composed by Vangelis on devices I know my way around. However, it is the example of Jesus that Eric clearly was that is so moving and challenging that gets to me everytime.
He did not get out of China when he could because it would desert friends and family. For example he was able to support his exhausted brother in a rural mission station. He was also fiercly anti-class and to demonstrate the importance of equality shared out some extra food with everyone that had been bought by oil company inmates who'd bribed their guards.
His example was remarkable and sacrificial, despite much personal hardship he never stopped putting others first and whilst passionate about his faith he led by example rather than proselytisation or seeking any glory for himself. This was highlighted in a recent revelation that when he was offered, as a former high profile athlete, an opportunity to take part in a prisoner exchange he gave his place to a pregnant woman. During his time in the camp he even took part, as referee, in a football match on a Sunday to prevent the teams from fighting because he was trusted to be completely impartial...
Today I award the Tag to: MadPriest
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Drama: I have chosen the film Chariots of Fire - Pleased to say I saw it way before the Oscar nominations and other plaudits poured in, so I was an early 'adopter' of this great period piece set around the 1924 Olympics (so expect to see it on the box a few times over the next couple of years!).
There are many issues tackled in the film which revolves around the counterbalance of ambitious Englishman Harold Abrahams, who is Jewish, and Eric Liddell, an instinctive Scottish sprinter who, as a devout Christian, makes the wonderful statement 'I believe that God made me for a purpose (i.e. supporting his mission work) but He also made me fast, and when I run, I feel His pleasure.'
The story doesn't end with the film, Eric went on to become a respected missionary in China and despite his athletic physique still died at a young age during incarceration in the Japanese Weihsien Internment (read concentration) Camp from a brain tumour. However, it was the film that nudged my interest to read more about him and Sally Magnusson's excellent book, The Flying Scotsman, was where I turned first in those pre-web days.
This film has so many resonances for me and refreshed me when the church simply didn't or couldn't. Athletics was the sport I was best at plus I had a relatively strict upbringing which meant we kept the Sabbath (Sunday!) holy. Creatively I love the daring combination of a period drama with the symphonic and quirky synthesiser music soundtrack composed by Vangelis on devices I know my way around. However, it is the example of Jesus that Eric clearly was that is so moving and challenging that gets to me everytime.
He did not get out of China when he could because it would desert friends and family. For example he was able to support his exhausted brother in a rural mission station. He was also fiercly anti-class and to demonstrate the importance of equality shared out some extra food with everyone that had been bought by oil company inmates who'd bribed their guards.
His example was remarkable and sacrificial, despite much personal hardship he never stopped putting others first and whilst passionate about his faith he led by example rather than proselytisation or seeking any glory for himself. This was highlighted in a recent revelation that when he was offered, as a former high profile athlete, an opportunity to take part in a prisoner exchange he gave his place to a pregnant woman. During his time in the camp he even took part, as referee, in a football match on a Sunday to prevent the teams from fighting because he was trusted to be completely impartial...
Today I award the Tag to: MadPriest
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Wednesday, 6 January 2010
Weirdos and outcasts unite...
Today we celebrate Epiphany when the 'wise men' arrived to give the baby Jesus some gifts, a combination of the valuable and scary. Checking around the various knowledgeable bloggers it's emerging these guys were pretty quirky and not the sort of folk made very welcome in the established church. Ok, they arrived late, initially nearly screwed up everything by going to the wrong place and yet they are significant. The early church re-branded them as kings because they wouldn't fit the mould of power and respectability as astrologers and possibly trans-gender eunuchs....
Weirdos that mess up and arrive late? Sounds like musicians to me!
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Monday, 4 January 2010
Nativity! The film exposed...
Thoroughly enjoyed this gem of a British made film directed by Debbie Isitt. Martin Freeman is excellent as the weary primary teacher, Mr Maddens, who gets landed with producing this year's Nativity play for his underachieving school. His regular routines are completely disrupted by the arrival of an over exuberant teaching assistant, Mr Poppy, who unwittingly challenges the staus quo. Meanwhile in the 'posh' school down the road Mr Maddens' former drama school colleague always gets top reviews for his near perfect, yet clinical, productions.
As the story unfolds humour and pathos run hand in hand yielding tears of laughter and heartbreak in equal measure. Despite slipping into some of the ghastly music that Hollywood has shoehorned into Christmas there is an amazing scene towards the end which I felt had deep theological significance alongside the film's overall themes of restoring creativity, self-esteem, inspiration, grace, redemption and forgiveness. How institutions need a Mr Poppy!
Heartily recommended - 4 stars out of 5.
As the story unfolds humour and pathos run hand in hand yielding tears of laughter and heartbreak in equal measure. Despite slipping into some of the ghastly music that Hollywood has shoehorned into Christmas there is an amazing scene towards the end which I felt had deep theological significance alongside the film's overall themes of restoring creativity, self-esteem, inspiration, grace, redemption and forgiveness. How institutions need a Mr Poppy!
Heartily recommended - 4 stars out of 5.
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Tuesday, 29 December 2009
Caught in the thicket...
A challenging article in eXaminer.com where a church makes Mission a higher priority than Monument...
The congregation of First Baptist Church in Vermont when faced with four times the number of homeless folk to feed this year decided to put up for sale a Tiffany's stained glass window worth around $75,000 to meet the bill. This sacrificial act was noticed and drew wider attention when ABC ran a local news report. As a result the church received donations from all over the US raising enough funds for the urgent needs thereby enabling the window to be retained...
The congregation of First Baptist Church in Vermont when faced with four times the number of homeless folk to feed this year decided to put up for sale a Tiffany's stained glass window worth around $75,000 to meet the bill. This sacrificial act was noticed and drew wider attention when ABC ran a local news report. As a result the church received donations from all over the US raising enough funds for the urgent needs thereby enabling the window to be retained...
Faith in action, just like Abraham! h/t Gavin Richardson
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