The Peace of the Lord be...

Well, I, for one, can't wait to see this movie based on Don Miller's cracking book 'Blue Like Jazz'. Instead of a 'coming of age' storyline it's a bit more of a re-discovery with some seriously perceptive observations of the church.

Love it!

P

I’m loving angels instead...

Sometimes when attending the theatre you feel you already know something about the story or the author and then it's a further delight the way everything is brought to life in a way you had previously never imagined. Last night's performance of the relatively unknown play 'Assumption' at Colchester's Mercury Theatre meant there were additional unknowns in the artistic equation to engage the audience en masse. Written by established playwright Simon Turley, this is a brilliant romp which manages to trash an array of sacred cows by tackling topics including religion, prejudice, hypocrisy, abuse, misogyny and Irish Roman Catholicism with a robust yet gentle comedic touch.

The script is wickedly brilliant and multi-layered. For example you could interpret the core theme of the justified dig at institutional religion as the overall message or you could readily be seduced by the revelation of something deeply spiritual and therefore more transcendental.

The plot centres on Gabriella, played by Emily Woodward, who is a straightforward, down to earth, 'girl next door' type who falls pregnant 'without having committed the requisite sin'. She then has to suffer the terror of facing up to her busybody, 'never does anything wrong' mother, to 'confess' that the father is actually an angel. Meanwhile her friend, Anna, played by Nadia Morgan, has suspicions that Gabriella is also carrying a torch for Sean (never seen on stage), whom Anna is determined to marry. As a result, during confession, she 'lets it slip' to Father Farrell (also never seen!) about Gabriella's condition. The first act revolved around setting this part of the story, with riveting performances from the compact cast of just five actresses plus a cameo from a young girl.

The pace is consistently sedate, befitting the period the costumes suggest. As always with Colchester Mercury's productions, the standard is exceptional, respect due to Dee Evans for the sensitive direction. The faultless technical production and brilliant lighting design counterbalanced what appears to be a simple set, providing both subtle surprises and one jaw dropping moment early in the 1st act that provoked a collective gasp from the audience. Whilst it is difficult to single out a single performance from the cast, as the seamless combination of them all makes this production really solid, Christine's Absalom's performance as Gabriella's mother was captivating along with Amanda Haberland as the androgynous angel. They formed a counterpoint to the hapless Gabriella who also had to contend with the Reverend Mother, played by Gilian Cally. However, it is Emily's performance as Gabriella that engenders an affection that means you long for things to work out for her and in that respect she is utterly convincing.

As for special moments, there are many. I loved the way the script is an allegory of the Christmas Nativity story and presents Gabriella with similar challenges to the Blessed Mary. The 2nd Act sees Gabriella unceremoniously despatched off to the exploitative Sisters of Mercy for 'correction' from her unspeakable sin ('for the best'). This yielded the most poignant moments, betwixt Gabriella and the subservient nun Assumpta, as the play takes on a further dimension and embeds the audience with unforgettable tenderness. This ability to combine humour and pathos to tackle essentially a religious storyline in a way that oozes charm rather than offense is so special and this production nails it.

I sit and wait
does an angel contemplate my fate
and do they know
the places where we go
when we´re grey and old
´cos I´ve been told
that salvation lets their wings unfold
so when I’m lying in my bed
thoughts running through my head
and I feel that love is dead
I’m loving angels instead

Assumption runs until Saturday 11th June 2011, it's definitely worth making the trip to Colchester to experience that something extra the Mercury's productions have, this is definitely one to see and remember.

P

The case of the Vanishing Verger...

Sometimes being human is simply not appropriate... after a good day at the office the Church of England acts quickly to cover up any exuberance ;-)

P

And the greatest of these...

LOVE WINS. from Rob Bell on Vimeo.

Seems the fundies are already up in arms... I thought we were supposed to WANT hell to be empty?! Oh well, seems I must be a post-modern, semi-evangelical, universalist something or other...

PB

If music be the food of love...

[ Click for Rob's download page ] [ Click for lyrics & chord chart ]

[ Click for After The Fire's live version of You recorded in 2008 ]

Here we go again! A MEME request has arrived from Graham Peacock, author of one of my regular blog reads, diggingalot, which means it would be rude not to respond! Although, I have to say, I was going to leave this particular debate alone for a while, despite having lots to say on the matter and much more than I will be able to here!

However, this does give me an opportunity, as I have been so warmly invited, to spell out a handful of things that seriously bug me! Graham's MEME asks for 'Your best contemporary worship song ever' but let's get some things straight first:

1. There is NO SUCH THING as Christian Music, CCM or whatever...
2. There is NO SUCH THING as Worship Music...
3. There is NO SUCH THING as Sacred Music...
4. There is NO SUCH THING as Secular Music...
5. Music itself is NOT Worship - although music can be worshipful...
6. Music IS often Spiritual - more on this in a future post...
7. There IS such a thing as a priority to care for the sick, the oppressed, the poor, the downtrodden and the immigrant...

Let's emphasise this with is an important quote in Rob Bell's book Velvet Elvis:

Something can be labeled 'Christian' and not be true or good. It is possible for music to be labeled Christian and be terrible music. Just because it is a Christian book by a Christian author and it was purchased in a Christian bookstore doesn't mean it is all true or good or beautiful. A Christian political group puts me in an awkward position: What if I disagree with them? Am I less of a Christian? What if I am convinced the 'Christian' thing to do is to vote the exact opposite?

'Christian' (the word) is a great noun but a poor adjective.

Another issue with using 'Christian' and 'Worship' as adjectives coupled with the word music has meant that both new commercial opportunities and new genres have arisen over the years. These have led to sub-standard product being peddled to churches and Christians in preference to most mainstream music on the grounds the former is more sanctified. It is not! It is simply not as good as the mainstream equivalent, often a poor quality sound-alike!

I recall Francis Schaeffer said something along the lines of 'you can have good art with good message, bad art with a good message, good art with a bad message and finally bad art with a bad message'. My opinion (yes, opinion!) is the stuff described as 'Christian Music' and 'Worship Music' falls into the latter category. Why don't we see the image of the Creator in so much of the mainstream music / art that is there ready made to utilise in church?

In a service of divine worship music needs to enhance, encourage and engage the congregation. It should not be an opportunity to proselytise, pander to personal preferences or perform for performance's sake. Music must be an integrated element of the liturgy, whatever style the latter follows. Even worse, this type of music is all too often delivered in such an inappropriate, mind numbing, ear bleeding and indecipherable form that still doesn't hide its naffness! Of course, worship does not necessarily take place within a church anyway, it can and, perhaps, should, happen everywhere... that's a debate.

Although I do not think such a thing as 'contemporary worship music' exists I will just mention contemporary hymns. I do concede that songwriter Stuart Townend has created some moving hymnody, (good art, good message), for example, 'How Deep The Father's Love', which is distinctly different from the usual modern churchy fare.

Having said all that, I have made a suggestion above, simply entitled 'You', which is a song that readily engages me in worship. It is by my buddy Rob Halligan, singer / songwriter extrordinaire and also the lead singist in After The Fire. It spells out grandness, it quotes the good book, it employs poetic imagery, it evokes discipleship and even a personal response but not as a simpering request to cuddle up to Jesus. It is just at home in the set list when we play a full on mainstream concert or in a liturgical church service, thereby breaking any divide between the sacred and secular.

I know this only just scratches the surface, my plea is to leave the veil of the Temple riven.

PB

The Insatiable Moon...

The trailer for the New Zealand film The Insatiable Moon about to hit the UK shores, initial run from March 4th at The Empire Leicester Square in London. A fascinating synopsis for a film which deals with mental illness, religion, communities and relationships all in one package.

Turning out to be a special time for films, I'm still recovering from the excellent multi BAFTA winning The King's Speech and prior to that the wonderful Africa United.

P

Liturgical music commission...

Listening to newsreader Jon Snow's Desert Island Disc selection the other day I was really struck by this stand out piece shown above which jogged a distant memory of experiencing it before...

Wikipedia reveals that witty composer Gioachino Rossini's Petite Messe Solennelle (Solemn Little Mass) received criticism from none other than Louis-Napoléon Bonaparte that it was 'neither little, solemn nor particularly liturgical'. Rossini prefaced his Mass with this play on words:

Good God—behold completed this poor little Mass—is it indeed sacred music [la musique sacrée] that I have just written, or merely some damned music [la sacré musique]? You know well, I was born for comic opera. Little science, a little heart, that is all. So may you be blessed, and grant me Paradise!

Written unusually for two pianos and a harmonium, this version has the pianos along with what sounds like a pipe organ. It is very daring to provide a musical surprise using upbeat tempo and syncopation in a setting for the Mass. So I am making this my suggestion of liturgical music that would inspire and engage even as a 'performance' choral piece in line with Kathryn's suggestion, more to follow...

P

I rest my case...

Just when you thought it was safe with so many excellent posts on the subject of CCM songs we love to hate in comes this serious contribution... h/t jesusneedsnewpr.net

However, in the fullness of time I will be posting at least one response to the various blog responses.

P

The appalling CCM songs meme...

 

This is via Rev Sam originally from Doug aka Clayboy: 'Please try to name ONE (I know, there are so many to choose from) CCM praise song that you find unbearable and at least 2-3 reasons why, pointing to specific lyrics if you must.'

Like Sam I don't know any CCM (Contemporary Christian Music) stuff because I simply don't listen to it. However, anyone that goes to church often has to put up with 'praise' songs usually grouped under the 'Worship Music' category. So my example, written by 'leading worship leader Matt Redman' (and his missus) is this complete and utter drivel:

Let my words be few

You are God in heaven
And here am I on earth,
So I'll let my words be few-
Jesus I am so in love with You.

And I'll stand in awe of You,
Yes I'll stand in awe of You,
And I'll let my words be few-
Jesus I am so in love with You.

The simplest of all love songs
I want to bring to You,
So I'll let my words be few-
Jesus I am so in love with You.

The Meme requests that 2 - 3 reasons are given why it is unbearable:

1. It's total crap
2. It's unbelievably banal
3. Whenever I have heard it sung/performed the irony of a relatively short song being 'repeated ad infinitum until blessed' never seems to occur to the band!

One day I will really say what I think on the whole genre, both from a musical perspective and, particularly from the marketing side; the fleecing of Christians, temple trading... I could go on and on (until blessed!).

When these guys not only spout their 'songs' but also intersperse them with indecipherable Christianese there is a sense that actually God's name is being taken in vain. Furthermore the whole scene is so self perpetuating in that worship music propagators now organise training seminars and conferences where they train fledgling church musicians/songwriters to simply carry on producing more of the same 'spot the difference' rubbish. They could do much better by suffering (in the best sense of the word) the mentorship of genuine mainstream musicians, writers and producers but that challenges 'safeness'.

We have such a vast resource of more deeply creative and spiritual songs from the panoply of inspirational mainstream artists. Let's play them both in our pubs and churches rejoicing in the clarity of the image of the Creator in their art.

P

Also see contributions by:
Jon Evens
Phil Ritchie

I tag Tim, Sally, R J, Mike, Graham, Archdruid Eileen

The Lord's Prayer - Susan Werner style...

Remind the Pope he could have been born a girl...

is just one of the many great lines from this gem of a song by Susan M. Werner. Her publishing royalties will soon be increasing nicely as the voice that is Sir Tom Jones chose her brilliant song 'Did Trouble Me' for his remarkable album 'Praise and Blame'.

Do enjoy this more light-hearted contribution from her repertoire!

P

All things must pass...

Oh, America...

Icons that rock...

It's taking me a while to understand how religious icons could enhance the mystical experience of worship... the question is does this help or hinder any progress in my thinking?!

h/t Father Simon

In the words of the rebel Jesus...

Re-post from last year - still listening and admiring Jackson Browne nailing it...

This amazing song from Jackson Browne is one of my fave Christmas pieces with so much truth and depth compared to other commercial stuff and what we sing in church. Verse two is really hard hitting linking 'Temple Trading' to both the church and environmental issues way back in the early nineties:

Ah, they call Him by the "Prince Of Peace"
And they call Him by "The Saviour"
And they pray to Him upon the seas
And in every bold endeavor
And they fill His churches with their pride and gold
As their faith in Him increases
But they've turned the nature that I worship in
From a temple to a robber's den
In the words of the rebel Jesus

In the last verse he apologises for appearing to be judgemental (which I wonder if that's another sideswipe at the established church!) before closing the song with the fantastic proclamation:

So I bid you pleasure and I bid you cheer
From a heathen and a pagan
On the side of the rebel Jesus

P

Fruits of Greed...

Colchester Mercury Theatre's stunning production of Steinbeck's classic 'Grapes of Wrath' could not be better timed as a counterfoil to today's spending review. I was completely blown away by this production, even having read the book. Of course, readers will know the story is dark and yet redemptive through the sacrifices of some of the key characters.

I confess I am not a regular theatre goer, however this sensitive and highly creative interpretation really hooked me in. In fact I remember failing to watch the movie version all the way through as it seemed to contradict the images my imagination had drawn in my mind's eye. The combination of the physical boundaries of the theatre and the gentle pace meant this play still allowed me to both keep intact those images and to add to them. In fact that conclusion made me realise why film versions of previously read books don't come up to the mark with their literal, photo realistic interpretations which tend to restrict our own imagination so much as we are, actually, watching someone else's imagination instead.

I cannot stress enough if you are in the area do make the effort to go, it is so fantastic in every respect. Brilliant acting, production and staging plus special mention of the musicians who doubled up as actors too. The music was totally live featuring a brilliant fiddle player, multi instrumentalist guitar / banjo / mandolin / slide guitar player, double bass and some occasional percussion. The style was quoted as Bluegrass yet also included a vibrant Hoe Down sequence and incredibly haunting and moving instrumentals.

The closing sequence was breathtaking - simple, redemptive, challenging - not a dry eye in the house! It's on until the 30th October, make the time!

P

So Human, so divine...

 

For the next couple of days the painstaking task of bringing the Chilean miners to the surface goes on... it is impossible not to be deeply moved by the sight of the rescue capsule 'Fenix' appearing out of the top of the metal encased shaft with its precious cargo on board.

How cool is it that the Chilean Navy torpedo experts went to work to design and build the capsules? How special is it to see rescue teams using lifelong manual skills working in conjunction with some basic Newtonian Mechanics restoring families and stimulating prayers of thanks and joy?

May the process continue in safety and reach the conclusion that everyone longs for.

The first cut is the deepest...

One of my fave blogs, Lesley's Blog, recently carried a much discussed post on male circumcision... seeing this video on Brian McLaren's blog prompted me to re-post it! Great punchline ;-)

P

Greenbelt Festival 2010 perspectives

 

Greenbelt is always a sea of surprises and stimulating encounters... 2010 was another great year and re-inforces my determination to never miss it!

Here are my initial responses:

Highlights:
1) Fr. Richard Rohr on the church
2) Watching the preview of the film 'Africa United'
3) Revd. Dr John Smith's talks which emphatically restated Greenbelt's original vision(s)
4) Shlomo's mainstage mini-set
5) The start and end of the communion service (i.e. unaccompanied singing with no band)

Surprises:
1) Giles Fraser on The English Civil War and the future of the Church of England
2) Martyn Atkins on Methodism and discipleship
3) Foy Vance bumped up to a mainstage set
4) How many talks I managed to attend!
5) Bumping into Clare Short and having a good chinwag

Lowlights:
1) The weather prior to the festival during set-up and the cold in the evenings!
2) Rock band style music in parts of the communion service
3) Many of the mainstage music acts
4) Confetti cannon during the communion service
5) Sensing 'beer and hymns' becoming more organised

Despite being involved as a contributor this year I did manage to attend a couple of Tweetups and was delighted to commune with some of my virtual 'friends' yet missed others altogether. Otherwise it was great to bump into friends from across the years and actually meet, for the first time, folk that I knew about and that knew me too, but until now...!

However, I do think Greenbelt needs to look carefully to ensure that aspects of the original vision that are still valid and distinctly 'Greenbelt' as some of this is in danger of being sidelined. I don't doubt the Greenbelt 'powers' will already be aware of this so I am not going to witter on here!

Greenbelt is for everybody... unless they're not keen on a bit of heaven?

Here's a perspective from a first time visitor: Do Christian Music Festivals Make You Want to Switch Religions?

And on the Greenbelt Blog today a gorgeous poem: 'If heaven (2)' by Rosie Miles

Sola Scriptura - Biblical Marriage...

America's Best Christian, Mrs Betty Bowers, takes time to explain to less informed Christians (i.e. Fundamentalists) the curious details of the Biblical approach to marriage.... h/t Zach Lind

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Cigarette Vicarage? Rev mini review...

Cartoon from The (very wonderful!) Ongoing Adventures of ASBO Jesus

Well, have to confess I really enjoyed the recent BBC series, Rev, and yet to find anyone other than 'vicarage' types that didn't which, in turn, adds to the amusement value! Of course the ending was really special and each episode had a bit more momentum as the series progressed. bearing in mind that blog discussions earlier in the year seemed to bring the sermon out as the best element of a service this was also reality check time, generally sermons are dire too, so a score of -1 would be high praise indeed!

In the last episode there was a classic representation of the church carrying on with all its frippery whilst effectively shunning the young guns cavorting around the war memorial. What an opportunity to join things up by linking the current conflicts our soldiers endure with some war history thereby making the act of commemoration meaningful for everyone rather than just themselves? That's just one example of where the series was hard hitting and justifiably so.

Anyway, a great series, lots of profound and challenging moments...

P

Lord save us from Your followers...

Author of the excellent 'Blue Like Jazz', Don Miller, has posted a challenging story today. Don is one of the speakers at the Echo Conference (A media and mech conference for creative church leaders) and, along with other speakers, has been given a seriously luxury hotel suite to stay in. Don's immediate thought was to gather up the 'brains' to blue sky together to change the world. The next day the conversation with the organiser went like this:

Scott McLellan, the big man who runs the conference and I started talking and I told him thanks for all the square footage because I like to run wind sprints. He said when Dan Merchant walked into the room, the first thing he thought was that he should go gather up a group of homeless guys to stay there for the night. That made me feel like crap.

Dan Merchant is the guy responsible for the film above...

PB