Emmanuel Jal - Savvy Peace Soldier...

Last night I was privileged to attend the Get the Youth Talking event in Camden, organised by a handful of charities linked together by the extraordinary and charismatic singer Emmanuel Jal. The evening was effectively in four parts commencing with a lively panel discussion on how to engage the far flung young and exiled Sudanese to work together to stimulate peace in their troubled land. As well as Emmanuel the contributors included representatives from Amnesty International (student section) and Jeremy Gilley from Peace One Day.

The video above can only give some idea of the fragile situation in Sudan since South Sudan declared independence last year on 9th July, hence the mobilisation to engineer the rallies outside embassies on the anniversary in one week's time on Monday. The panel and audience discussions were revealing, encouraging and sought to gain positive ground with insightful and well informed views.

Part two of the evening was spend enjoying East African cuisine from one of the sponsors, restaurateurs Abyssinia, and very splendid it was too!

Before the host took to the stage the seating was cleared away and Congolese poet JouJou Bola painted a moving picture of reality in African countries plundered for their conflict minerals.

One of the first surprises was to see a full band in action behind Emmanuel rather than the usual decks and tracks accompaniment. Emmanuel appeared at the back of the venue, clambered through the expectant audience bounced and onto stage before proceeding to lead the band through a seriously energetic performance. The set list comprised a selection picked mainly from War Child and his forthcoming CD, See Me Mama, the latter scheduled for an August release.

Throughout the set high energy levels were maintained, the band cooked, the drummer being the star player, and everyone couldn't help dancing to the groove. It was exuberant, colourful, moving and anthemic with the musical direction tipping a big nod towards reggae rather than solely hip-hop or rap. To Emmanuel's surprise and delight the audience was mainly Sudanese, whereas he usually plays to predominantly European or American punters.

After the show I was able to grab a few moments with him and he stressed the We Want Peace movement is an ongoing initiative despite the immediate focus on the worldwide rallies on July 9th and the follow up concert in South Sudan linking in with the Peace One Day 2012 on 21st September. Emmanuel is known worldwide as an activist, he now wants to mobilise people with the same vision as 'Peace Soldiers'. The downside is that all this activism is mainly self financed which has prompted him to start ringfencing his music work, his own label Gatwitch Records has been formed to consolidate this.

See Me Mama will be his fourth full CD album, he categorised his previous work as follows:

1. Gua (2005) - Expression to God, giving thanks
2. Ceasefire (2005) - exactly that (also a collaboration across religious divides)
3. Warchild (2008) - telling my story and developing as an artist

Undoubtedly War Child is his best known album as that was created once sufficient time and healing had elapsed for his remarkable story to be revealed, the song Forced to Sin effectively encapsulating it in a deeply moving, hip hop elegy. As well as the radio friendly title track another song about his late rescuer, Emma McCune, received recognition as it was introduced at Nelson Mandela's 90th birthday gig by kindred spirit, non other than the venerable Peter Gabriel.

Emmanuel's music deserves much more commercial success, one of the down sides of achieving almost cult status as an outspoken activist is that does not translate into sales. However, listening to the advance copy of the new CD on the way back the move toward the sing-along, anthemic style is a potential winner along with the grooves and unique voice. Furthermore, the growing interest from his fellow countryfolk may mean he can overcome the challenge of being a prophet in his own land...

Other important Emmanuel Jal links to check out:

Gua Africa
Lose to Win
Blog post on We Want Peace video

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Bruce Springsteen from boy to Soul and Spirit...

An insightful (and rare) interview with 'The Boss', who talks about the influence of his childhood house and Catholic upbringing in relation to his brilliant Wrecking Ball album. For Apple viewers here's some text but video may still be Flash :-(

P h/t Martyn Joseph

Fathoming Francis... Savvy Saint

My attention was first drawn to Ian Morgan Cron's (IMC) literary output when the Greenbelt highlighted a review he had made about the 2010 Festival which I blogged about here. Subsequently his 'memoir of sorts' Jesus, My Father, the CIA, and Me was praised by friends such as Maggi Dawn and Martin Wroe so I felt compelled to purchase, despite the J word in the title! To say I enjoyed it is an understatement, it was one of my top reads last year and one I heartily recommend. I was also aware of IMC's earlier book, Chasing Francis: A Pilgrim's Tale, a novel about a pastor of an evangelical 'megachurch' in New England who struggles with a crisis of faith, so when given the opportunity to review it I was delighted.

The book is prefaced with a firmly worded disclaimer that Chase Falson is not IMC in disguise... Ha, I expect I will not be the only one determined to find cracks in that defence! It then opens with Chase arriving in Italy to visit his Uncle Kenny after bucking the trend in church by saying what he really thinks and, as an outcome, being given an immediate sabbatical by the church elders (the Sanhedrin?!). The key characters in the church are introduced before the action happens as Chase is 'nudged' to call this enigmatic Uncle, a Franciscan monk / priest, who has persuaded Chase to drop everything and fly to Europe forthwith.

What then ensues is somewhat of a whirlwind exploration of both the physical church connections and the theology of Saint Francis of Assisi in the company of a bunch of lairy guys who are able to impart wisdom through both their love and behaviour. So our erstwhile pastor is thrown into a bewildering world of relatively orthodox Roman Catholic rituals and edifices in the company of these 'disciples' as they unpack the history of St. Francis. As a result Chase starts to write his journal entries directly to St. Francis, another literary medium to impart some deeply personal thoughts about his pilgrimage. There are some notable counterpoints, too, as St. Francis' advanced thinking is explored, for example, I couldn't help notice the narrative as red wine was poured into plastic cups whilst simultaneously discussing how St. Francis was effectively the first Christian enviromentalist. Furthermore, during one of the services of Mass there are disctinct similarities between the young IMC and the adult Chase. Ian, you've been sussed!

Now, just as I was starting to get a little uncomfortable thinking that the answer to all my spiritual quests could only be answered by attending Mass and/or church even more, half way through the book Chase is on his own and lands up encountering Carla, a gifted and beautiful cellist. Subsequently they share a meal with a top notch musicologist who has a major effect on them both.

From then on I was hooked. Ok, music may be home territory for me, but I found myself reflecting that perhaps, as a reader, I need to cover all the same ground as Chase, to be a pilgrim too? From then on I found myself reading purposefully, allowing myself to be absorbed as even more stunning surprises were revealed before the build up to the challenging conclusion, which is neither one of received wisdom or what you might expect. This is then developed in greater detail in the excellent and comprehensive study guide included as an appendix.

Interestingly his two books appear to be directed at different audiences. Chasing Francis is much more of a book for a Christian, churchy type whilst I could certainly give Jesus, My Father, The CIA and me to anyone, regardless of their faith journey or affiliation. As a UK citizen who just has to drive across this country to experience the relatively radical teaching that forms the core of the Greenbelt Festival ethos, I feel much of the theology in Chasing Francis was comforting rather than revolutionary. However, I equally found that an important aspect of this book is the encouragement and endorsement it provides, particularly concerning the arts and, for me, music. One minor warning for non North Amercian readers is some of the language and acronyms may remain a total mystery! IMC's later book translates better in that respect.

Readers will really appreciate IMC's turn of phrase, he has a enchanting writing style that makes this book very enjoyable and, as I said earlier, a great encouragement. More significant are the layers in the narrative that give the reader the opportunity to mine the text for interpretations that match their current condition, which migrates this work from purely fiction. IMC refers to this as 'wisdom literature' in the introduction, an apposite description. And what's really intriguing is the loose ends with many of the characters, roll on the sequel...!

Ian Morgan Cron is one of the speakers this year at Greenbelt 2012

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I see the Power of Music...

Another great TED talk from Abigail Washburn with some powerful quotes:

I see the power of music to connect cultures. I see it when I stand on a stage at a bluegrass festival … and I bust out into a song in Chinese, and everybody's eyes just pop wide open.

I see the power of music to connect hearts...

DO watch all the way through. Thank you TED

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Bishop's Got Talent - NT Does Dylan

N.T. Wright Sings Bob Dylan from Thomas McKenzie on Vimeo

Former Bishop of Durham ends talk with Dylan, wonder if he will do this at Greenbelt this year?!

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We all give God the blues...

From the album Mercyland: Hymns For The Rest Of Us, a collection of 12 songs curated by Phil Madeira by various artists. As well as this song in the style of the Blues there are contributions ranging from traditional, Country and Rottsy folk songs.

This Nashville Scene article explains more, a couple of sentences that challenge are:

a devotional album without all the religious and commercial hoopla

"I think the most visible expressions of Christian faith are very exclusive, and I think that has been a real struggle for me."

P h/t @iancron

Bruce Springsteen taking care...

From Bruce's new album 'Wrecking Ball', another anthem demonstrating his lyrical ability to provoke a challenge in a statement...

Read more from The Telegraph: Bruce Springsteen: I enjoy artists who take on the world

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Head Full Of Doubt / Road Full Of Promise

Lots to love about this video which interprets the song in both an abstract and complimentary way without resorting to literal imagery whilst still using a mainly 'traditional' approach... Also see how the video was put together here by artist Jason Mitcham who discusses the project with one of the The Avett Brothers founder members Scott Avett.

If the video above is unavailable in your country, try this link.

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God's extraordinary symphony...

Rapping theology...

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Ten Years After...

Yesterday (Sunday 11th Sept 2011) I was privileged to musically assist my buddy Rob Halligan at one of the events happening on the 10th anniversary of 9/11. Because of the extra security in Grosvenor Square for the BBC live transmission of the afternoon memorial ceremony meant I landed up having to be between the inner 'secure' area and the great outside. So I was only able to watch, from a distance, over the hedge or through the door of one of the BBC outside broadcast trucks whilst being unable to traverse either security cordon. Ironically this restriction then enabled a wider perspective on what was happening all around the square, both being able to witness the various protests and 'unrest' along with hobnobbing with the police and media personnel. At times there were some unusual juxtapositions, for example there was one period when what protestors were shouting through a megaphone blended with very audible music from the Radio 2 Hyde Park concert whilst the Thoresby Colliery Welfare Band brass band deftly played Sir Edward Elgar's sublime 'Nimrod' as the guests were gathering.

Prior to the service Rob was on the media interview 'treadmill', his responses encompassing the virtues of grace, forgiveness, hope and redemption giving the broadcasters an opportunity to explore a sea change in thinking partly fueled by a sense of 9/11 'replay' fatigue. And all this under the shadow of the massive eagle atop the foreboding American embassy to the West. Even the programmes presenter, David Dimbleby, felt some optimism replacing the usual entrenched views when chairing an intriguing Questiontime on 9/11 the preceding week.

Another of the concerns expressed by various commentators is that the repeated showing of films of from that day would inflict pain on grieving relatives all over again. However, whilst sharing one of those precious cuppa moments with Rob yesterday he said that it isn't the footage that gets to him, it is often music that's the trigger to bereavement symptoms. Some songs, some bands and even music that is not Rob's taste all have a powerful effect. Nowadays when there is such a close correlation of news footage and a typical Hollywood blockbuster perhaps we actually become inured to reality once it is repeated so many times?

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If I ever lose my faith in you...

Sounds like Sting was on a mission penning this highly prophetic masterpiece way back in 1993...

You could say I lost my faith in science and progress
You could say I lost my belief in the holy church
You could say I lost my sense of direction
You could say all of this and worse but

If I ever lose my faith in you
There'd be nothing left for me to do...

(great song, shame about the video...)

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Out of the mouths of babes...

Adele's wonderful cover of Bob Dylan's 'Make You Feel My Love' plays over the closing credits for BBC's documentary masterpiece, 'Poor Kids' broadcast last Tuesday. Filmed and directed brilliantly by Jezza Neumann, here's the official blurb:

Documentary telling the stories of some of the 3.5 million children living in poverty in the UK. It is one of the worst child poverty rates in the industrialised world, and successive governments continue to struggle to bring it into line. So who are these children, and where are they living? Under-represented, under-nourished and often under the radar, 3.5 million children should be given a voice. And this powerful film does just that.

Eight-year-old Courtney, 10-year-old Paige and 11-year-old Sam live in different parts of the UK. Breathtakingly honest and eloquent, they give testament to how having no money affects their lives: lack of food, being bullied and having nowhere to play. The children might be indignant about their situation now, but this may not be enough to help them. Their thoughts on their futures are sobering.

Sam's 16-year-old sister Kayleigh puts it all into context, as she tells how the effects of poverty led her to take extreme measures to try and escape it all.

Poor Kids puts the children on centre stage, and they command it with honesty and directness. It's time for everyone to listen.

Sadly there are only a few days left to watch on iPlayer, try and make the time...

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Bob Dylan, troubadour extraordinaire...

A passionate cover of Bob Dylan's song 'When He Returns' from the 1979 album 'Slow Train Coming' by Gospel singer Rance Allen to celebrate the bard's birthday. Of course, I adore the original, however, there is also something pretty special about this version with its blistering Hammond accompaniment and no holds barred vocal performance.

There is also another incredible version, albeit gentler, from John Lee Sanders.

This aptly illustrates the concept of 'improvisation' rather than 'intervention'...

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AV for beer-ginners...

The Lord's Prayer - Susan Werner style...

Remind the Pope he could have been born a girl...

is just one of the many great lines from this gem of a song by Susan M. Werner. Her publishing royalties will soon be increasing nicely as the voice that is Sir Tom Jones chose her brilliant song 'Did Trouble Me' for his remarkable album 'Praise and Blame'.

Do enjoy this more light-hearted contribution from her repertoire!

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Peter Gabriel, Wallflower, lest we forget...

To view the song only, it is also on YouTube here: Peter Gabriel - Wallflower (piano version)

Peter Gabriel's December message in which he talks about a number of projects he has been involved such as Witness and also bigs up Emmanuel Jal's 'We want Peace' project. Towards the end of this video he performs an exclusive, informal version of his 1982 song 'Wallflower' which was inspired through seeing the work of Amnesty. This simply features PG accompanied beautifully by pianist Tom Cawley. 'Wallflower' is one of PG's songs selected for the 'New Blood' record featuring full orchestral arrangements. It is in support of Mary Robinson, one of the innovative peacemakers, The Elders.

My highlight of 2010 was experiencing PG's Scratch My Back concert which I reviewed extensively here, so inspiring, so moving and the most significant spiritual refreshment of the year...

You can still preview the whole Scratch My Back album here too

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The Deadly Diarrhoea Song...

Nope, this is not just blokey toilet humour, it is a serious campaign creatively tackled by WaterAid with the byline: Dig Toilets Not Graves...

Something to donate this weekend?

PB

The Story of Stuff...

From the excellent Story of Stuff website:

From its extraction through sale, use and disposal, all the stuff in our lives affects communities at home and abroad, yet most of this is hidden from view. The Story of Stuff is a 20-minute, fast-paced, fact-filled look at the underside of our production and consumption patterns. The Story of Stuff exposes the connections between a huge number of environmental and social issues, and calls us together to create a more sustainable and just world. It'll teach you something, it'll make you laugh, and it just may change the way you look at all the stuff in your life forever.

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Greenbelt Festival 2010 perspectives

 

Greenbelt is always a sea of surprises and stimulating encounters... 2010 was another great year and re-inforces my determination to never miss it!

Here are my initial responses:

Highlights:
1) Fr. Richard Rohr on the church
2) Watching the preview of the film 'Africa United'
3) Revd. Dr John Smith's talks which emphatically restated Greenbelt's original vision(s)
4) Shlomo's mainstage mini-set
5) The start and end of the communion service (i.e. unaccompanied singing with no band)

Surprises:
1) Giles Fraser on The English Civil War and the future of the Church of England
2) Martyn Atkins on Methodism and discipleship
3) Foy Vance bumped up to a mainstage set
4) How many talks I managed to attend!
5) Bumping into Clare Short and having a good chinwag

Lowlights:
1) The weather prior to the festival during set-up and the cold in the evenings!
2) Rock band style music in parts of the communion service
3) Many of the mainstage music acts
4) Confetti cannon during the communion service
5) Sensing 'beer and hymns' becoming more organised

Despite being involved as a contributor this year I did manage to attend a couple of Tweetups and was delighted to commune with some of my virtual 'friends' yet missed others altogether. Otherwise it was great to bump into friends from across the years and actually meet, for the first time, folk that I knew about and that knew me too, but until now...!

However, I do think Greenbelt needs to look carefully to ensure that aspects of the original vision that are still valid and distinctly 'Greenbelt' as some of this is in danger of being sidelined. I don't doubt the Greenbelt 'powers' will already be aware of this so I am not going to witter on here!

Greenbelt is for everybody... unless they're not keen on a bit of heaven?

Here's a perspective from a first time visitor: Do Christian Music Festivals Make You Want to Switch Religions?

And on the Greenbelt Blog today a gorgeous poem: 'If heaven (2)' by Rosie Miles

Remembering Live Aid...

Sometimes seems like yesterday! The 13th July 1985 was an extraordinary day and everyone who watched Live Aid was blown away by Queen's transcendent performance, re-launching them to a new audience and Freddie Mercury giving all the other bands a serious lesson in stagecraft!

Did I ever tell you about the honour of working with his Freddieship? Oh yes, so I did!