Thinking Naughty Thoughts... (in church!)

How could anyone resist a request to review a book on church practices entitled thus?! The byline, 'On church, and why I think we need to change', will bring groans from most clergy whilst the rest of us, that rapidly growing denomination on the edge of Exile, will celebrate. Written as a personal journey of discovery, de-discovery and re-discovery by South African author and 'thinker' Johan van der Merwe (JVDM), Thinking Naughty Thoughts covers a handful of sacred cows many Christians hold dear.

Despite the author having many close friends within the clergy, he tackles each topic, broken down per chapter, with vigour and clarity giving historical and theological context that question validity of much we accept without question. In fact, it is, indeed, written in a questioning style and although I sometimes found it a bit long winded that was only because my emerging thoughts have so much resonance with his subject matter.

JVDM covers questions such as 'Do I really have to belong to a local church?' and other thorny issues such as church leadership, tithing, church buildings and the biggie; worship. And it was when I reached the discussion on worship I was tipped over the edge, the PDF I'd been sent was no longer sufficient, I had to order the paperback!

In addition to the questions and personal conclusions there are some great quotes:

p96: ‘Christianity started out in Palestine as a fellowship; it moved to Greece and became a philosophy; it moved to Italy and became an institution; it moved to Europe and became a culture; it came to America and became an enterprise.’ (Sam Pascoe)

p226: However, now it seems that Christianity is more affected by Western culture, than Christianity is actually affecting the West. (John Michael Talbot)

p239: In my own case, the natural progression in my understanding and practice of worship went from noise and sound and lights and music to silence and solitude. Embracing silence and solitude, which Thomas Merton called 'the supreme luxuries of life,' has opened up my life to a rich and deep heritage of worship of which I was unaware in the time when my practice of worship was too one-dimensional and preoccupied with itself. (JVDM)

Some will say the practices critiqued are an easy target and I personally have some sympathy with that view, I cannot say I agree with absolutely everything JVDM says, particularly as he appears to still view through a lens tinted (tainted?) by fundamentalism, yet overall it was such a joy to read even if it serves to simply reinforce my own views. Regardless I feel hats need to be tipped in his general direction, at last someone has articulated views of all of us on that narrow edge of Exile, I rest our case...

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Gustavo Dudamel, let us be numinous...

The phenomena that is El Sistema, the Venezuelan 'system' that introduces young kids to playing musical instruments in an orchestral, classical music community which lands up changing their and their families lives has been well documented. Now a good few years since its inception by Maestro José Antonio Abreu, the orchestra has removed the word Youth from it's name and has become the Simón Bolívar Symphony Orchestra of Venezuela (SBSOV). Along with the world renown and highly respected conductor, Gustavo Dudamel, the combination is a powerful force that bucks the traditional enclave within the classical music world.

Even if you have the T-Shirt, watched the videos, seen the Prom broadcasts, nothing can prepare you for the experience of seeing them in action live, it is totally overwhelming, the impact it had on me is still fresh and imprinted in my consciousness. There is so much more to say and I will endeavour to explain more in due course, but the overall impact is one of an intense spiritual and worshipful moment that captivates everyone in the room. Performers, conductor and audience find themselves caught up in unison, a rare and numinously transformative place.

Whilst the orchestra's appearance in 2007 won hearts with robust performances of Bernstein and Latin composers, this recent concert in June 2012 depicted above demonstrated their ability to perform principally European works with astonishing sublimity.

However, for me the moment occurs right at the end...

Move the time bar to 1hr46mins45s, the start point for the encore, humbly introduced by Gustavo, Sir Edward Elgar's Nimrod. Then enjoy the performance, again, totally sublime, and wait to see what happens right at the end of the piece. There is a full 28 seconds of silence, a pin drop pause, a selah, before any applause starts.

Everyone is caught up in the extraordinary moment and it is so clear to see the effect it has had on orchestra and conductor. What is notable that neither Elgar's nod to his buddy Jaegar nor the subsequent notion of the piece being so linked to Churchill's funeral were anywhere in the ether, this is a new and transcendent interpretation that only comes with fresh ears and eyes...

...we have so much to learn!

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Losing it in church...

Received a link to this video today and felt considerable resonance to thoughts concerning church worship and services that I have been struggling to articulate after much reflection. It seems what happens in churches is often very inflexible and Mark Pierson, author of The Art of Curating Worship: Reshaping the Role of Worship Leader, unpacks that concern in a compelling and concise way...

h/t Clayfire Curator

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