Wednesday, 2 March 2011

A blast from the eighties...


Was sent this youtube link by my good buddy Peter Bigg 'tother day, who commissioned me for one of my earliest music to picture jobs for The British Television Advertising Awards.

The production became a pretty collaborative process with motion control guru and director Peter Truckel of The Moving Picture Company. Unusually, no final visual element was completed before the initial music track was recorded and therefore I only had the storyboard for inspiration. All the spot sound effects, all created by synths, were then overdubbed as each piece of video was sent over. When I submitted my very first rough demo tape Peter T immediately gave my creative masterpiece the glamorous title of G-Dung!

I can still pretty much identify every instrument used including:

  • Fostex B16 track analogue tape machine
  • Soundtracs 16-8-16 mixing desk
  • Revox B77 half track tape machine (still have - serviced)
  • Yamaha CS-80 Synth (still have - mostly working)
  • Yamaha DX7 Synth (version 1) (still have - broken)
  • Yamaha RX11 drum machine (might still have!)
  • Roland SH-101 Mono Synth
  • Moog Multimoog (still have - broken)
  • Some BanksyBoy vocals! (yep, still have!)
  • Cubase on an Atari ST
  • Great British Spring reverb (still have - condition unknown!)
  • Some cheap and cheerful delay unit
  • Klark Teknik active monitors (still have - one broken)

  • Yamaha NS10 monitors

  • Auratones


It could actually be a bit of a showreel for 80s synth sounds, especially the DX7 brass! The filming and effects took absolutely ages to complete and, at the time, was all very cutting edge stuff...

P

Sunday, 27 February 2011

And the greatest of these...

Seems the fundies are already up in arms... I thought we were supposed to WANT hell to be empty?! Oh well, seems I must be a post-modern, semi-evangelical, universalist something or other...

PB

Thursday, 24 February 2011

Jesus is a Rochdale girl...


From Elbow's much heralded new album Build a Rocket Boys! comes this unplugged version of their song about love and care, sentiments described in the video by singer Guy Garvey. I love the lyrical layers, no idea if it's intentional or subliminal, sounds a lot like the passage in Matthew 10 that my buddy James The Artist (and musician!) drew attention to this week...

P

Monday, 21 February 2011

If music be the food of love...


Here we go again! A MEME request has arrived from Graham Peacock, author of one of my regular blog reads, diggingalot, which means it would be rude not to respond! Although, I have to say, I was going to leave this particular debate alone for a while, despite having lots to say on the matter and much more than I will be able to here!

However, this does give me an opportunity, as I have been so warmly invited, to spell out a handful of things that seriously bug me! Graham's MEME asks for 'Your best contemporary worship song ever' but let's get some things straight first:
  1. There is NO SUCH THING as Christian Music, CCM or whatever...
  2. There is NO SUCH THING as Worship Music...
  3. There is NO SUCH THING as Sacred Music...
  4. There is NO SUCH THING as Secular Music...
  5. Music itself is NOT Worship - although music can be worshipful...
  6. Music IS often Spiritual - more on this in a future post...
  7. There IS such a thing as a priority to care for the sick, the oppressed, the poor, the downtrodden and the immigrant...
Let's emphasise this with is an important quote in Rob Bell's book Velvet Elvis:
Something can be labeled 'Christian' and not be true or good. It is possible for music to be labeled Christian and be terrible music. Just because it is a Christian book by a Christian author and it was purchased in a Christian bookstore doesn't mean it is all true or good or beautiful. A Christian political group puts me in an awkward position: What if I disagree with them? Am I less of a Christian? What if I am convinced the 'Christian' thing to do is to vote the exact opposite?
'Christian' (the word) is a great noun but a poor adjective.
Another issue with using 'Christian' and 'Worship' as adjectives coupled with the word music has meant that both new commercial opportunities and new genres have arisen over the years. These have led to sub-standard product being peddled to churches and Christians in preference to most mainstream music on the grounds the former is more sanctified. It is not! It is simply not as good as the mainstream equivalent, often a poor quality sound-alike!

I recall Francis Schaeffer said something along the lines of 'you can have good art with good message, bad art with a good message, good art with a bad message and finally bad art with a bad message'. My opinion (yes, opinion!) is the stuff described as 'Christian Music' and 'Worship Music' falls into the latter category. Why don't we see the image of the Creator in so much of the mainstream music / art that is there ready made to utilise in church?

In a service of divine worship music needs to enhance, encourage and engage the congregation. It should not be an opportunity to proselytise, pander to personal preferences or perform for performance's sake. Music must be an integrated element of the liturgy, whatever style the latter follows. Even worse, this type of music is all too often delivered in such an inappropriate, mind numbing, ear bleeding and indecipherable form that still doesn't hide its naffness! Of course, worship does not necessarily take place within a church anyway, it can and, perhaps, should, happen everywhere... that's a debate.

Although I do not think such a thing as 'contemporary worship music' exists I will just mention contemporary hymns. I do concede that songwriter Stuart Townend has created some moving hymnody, (good art, good message), for example, 'How Deep The Father's Love', which is distinctly different from the usual modern churchy fare.

Having said all that, I have made a suggestion above, simply entitled 'You', which is a song that readily engages me in worship. It is by my buddy Rob Halligan, singer / songwriter extrordinaire and also the lead singist in After The Fire. It spells out grandness, it quotes the good book, it employs poetic imagery, it evokes discipleship and even a personal response but not as a simpering request to cuddle up to Jesus. It is just at home in the set list when we play a full on mainstream concert or in a liturgical church service, thereby breaking any divide between the sacred and secular.

I know this only just scratches the surface, my plea is to leave the veil of the Temple riven.

PB

Wednesday, 16 February 2011

The Insatiable Moon...


The trailer for the New Zealand film The Insatiable Moon about to hit the UK shores, initial run from March 4th at The Empire Leicester Square in London. A fascinating synopsis for a film which deals with mental illness, religion, communities and relationships all in one package.

Turning out to be a special time for films, I'm still recovering from the excellent multi BAFTA winning The King's Speech and prior to that the wonderful Africa United.

P

Sunday, 13 February 2011

Sunday soul soother...


An inspirational version of the song 'Railroad Man' from the enigmatic Eels performed with a string section on Later with Jools. Love the arrangement and instrumentation, simply brilliant:

And I know I can walk along the tracks, it may take a little longer but I'll know how to find my way back...

h/t Graham Peacock

P