The Mandela Gospel...

And the people said...

Amen

Jeff Buckley - BBC Soul Music Archive - Take 3

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BBC Soul Music - Dido's Lament

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I'm delighted to report the BBC has increased the duration of the archived pieces from Radio 4's wonderful Soul Music and have included this edition along with many others, link above.

Here's a re-post of what I wrote about this broadcast back in 2010 which includes some of the content discussed with Jonathan Evens in our book 'The Secret Chord':

BBC Radio 4's edition of 'Soul Music' which featured Dido's Lament turned out to be really special! It always gives me enormous encouragement (and pleasant surprise!) to hear top notch classical maestros admitting truths that most of their colleagues would consider heresy.

The program moved from a fairly conventional start covering thoughts from the mezzo soprano Sarah Connolly and the view of the conductor of the band at the Cenotaph for Remembrance Day.

Jeremy Summerly, the big boss of the Royal Academy of Music and a renowned conductor, issued the first challenges to conventional thinking about the approach to singing the piece. He asked how would anyone know how 17th Century singers would sound and then introduced Alison Moyet's version, praising her approach, the clarity of her timbre and the fact that every word is intelligible. For someone of Jeremy's stature in the classical world to say this is really something, especially as he stated that Purcell's masterpiece is 'the great tune of the 17th Century'.

The closing section of the programme introduced Philip Sheppard, cellist and now composer. He spoke about how he was invited along to be part of the supporting orchestra for Elvis Costello's Meltdown Festival in 1995. One of the pieces was to be Dido's Lament which would be sung by charismatic rock singer Jeff Buckley. Although Philip had never heard of Jeff Buckley before once he heard him singing it had a most profound effect on him:

He seemed to screw every ounce of meaning out of the words and physically he looked like he was wracked with pain and anguish as he was singing it. But what was coming out was beyond ethereal his voice had this quality where it meant so much more than when I had ever heard it before.

But then when he sang it it seemed to be a Lament so much more and it really went beyond what I would consider to be classical music...and to date it's actually probably the greatest musical
experience of my life, in as much as it turned my world inside out.

As a result Philip had to admit:

I know NOTHING about music - at all!

Up to that point I was a musican who played through study rather than a musician who played through feel and now I have to say I seek out people to work with who do not necessarily read music who have their first sense is one of 'ear' rather than of 'technique'...

Philip then goes on to say how this became a pivotal moment in his career which helped him to become a composer, enabling him to move away from being 'a player who just repeated other people's music'.

Jeff Buckley died in a tragic accident just two years later in 1997, sunsequently his version of Leonard Cohen's 'Hallelujah' reached number one in the US Billboard charts and is considered by many to be the definitive version.

Now Philip thinks of Jeff nearly every day and is ever grateful for the effect of the encounter, even though he only met him for around half an hour...

Listening to this has changed me forever, too, thank you so much...

P

A Lament for President Kennedy..

I doubt this tribute needs much explanation..?

I was a mere fourteen years old when President Kennedy died, our neighbours called round to tell my sans TV family the news. Whilst we have subsequently experienced other defining historical moments the shock factor and instant recall of the time and place does not fade.

Since Friday I have pondered appropriate phrases to break my blog silence to mark this particular anniversary. The words of Christ on the cross seemed to resonate along with a prayer for forgiveness. I also noticed Bishop Nick Baines blog made the same connection. So knowing these liturgical phrases would have been very familiar to the Kennedy family when inspiration came I recorded it there and then, last night 23rd November...

Father forgive them, for they know not what they've done
Father, in your mercy, hear their prayer, hear our prayer
Rest in my peace, you who have loved, you who have served
Today you're with me, in Paradise, in Paradise...

And then the official reading for today? Luke 23:33-43

P

Billy, Billy, can you hear what I say?!

Whilst the proverb 'confession is good for the soul' rolls off the tongue readily best selling author and Greenbelt Festival speaker Frank Schaeffer has made it into an art form in his latest novel 'And God Said "Billy!"'. Having already given us the fictional 'Portofino' and autobiographical 'Crazy for God' confessions he now offers readers an even more compelling work, a gritty and challenging literary journey beautifully written with lashings of humour encased in layers of grace.

The characters are so authentically vivid that they spring to life within Schaeffer's colourful narrative to such an extent that I felt I, too, became part of the story, surely indicative of a great piece of writing?

Schaeffer is known for his antagonism of right wing fundamental evangelicals and they do not come off lightly in this book. Yet they are not just a soft target by any account, there is far more to this with layered themes that cover many challenges including homophobia, racism, pornography, corruption, spiritual abuse and hypocrisy. I doubt many 'evangelicals' will ever read this and if they did their prejudices about Schaeffer would be re-inforced rather than challenged, he tells it how it is in a righteous and ruthless fashion with f-bombs in the dialogue rather than tame cliché.

The irony is that the Bible is quoted frequently throughout and whilst initially the book's hapless hero justifies everything he does, including criminal acts, utilising a blatantly literal interpretation of biblical texts, as the book progresses that approach morphs into a genuine quest for the deeper meaning contained therein.

In summary it's a romp into the dark from the different darkness of assumed light and a subsequent rescue in the most unlikely of places. It's a tale of losing 'redemption' to be truly and profoundly redeemed via a heady mix of thriller, some Russian Orthodox church history and a gut wrenchingly moving ending that took me completely by surprise. I simply couldn't put it down!

P

Thinking Naughty Thoughts... (in church!)

How could anyone resist a request to review a book on church practices entitled thus?! The byline, 'On church, and why I think we need to change', will bring groans from most clergy whilst the rest of us, that rapidly growing denomination on the edge of Exile, will celebrate. Written as a personal journey of discovery, de-discovery and re-discovery by South African author and 'thinker' Johan van der Merwe (JVDM), Thinking Naughty Thoughts covers a handful of sacred cows many Christians hold dear.

Despite the author having many close friends within the clergy, he tackles each topic, broken down per chapter, with vigour and clarity giving historical and theological context that question validity of much we accept without question. In fact, it is, indeed, written in a questioning style and although I sometimes found it a bit long winded that was only because my emerging thoughts have so much resonance with his subject matter.

JVDM covers questions such as 'Do I really have to belong to a local church?' and other thorny issues such as church leadership, tithing, church buildings and the biggie; worship. And it was when I reached the discussion on worship I was tipped over the edge, the PDF I'd been sent was no longer sufficient, I had to order the paperback!

In addition to the questions and personal conclusions there are some great quotes:

p96: ‘Christianity started out in Palestine as a fellowship; it moved to Greece and became a philosophy; it moved to Italy and became an institution; it moved to Europe and became a culture; it came to America and became an enterprise.’ (Sam Pascoe)

p226: However, now it seems that Christianity is more affected by Western culture, than Christianity is actually affecting the West. (John Michael Talbot)

p239: In my own case, the natural progression in my understanding and practice of worship went from noise and sound and lights and music to silence and solitude. Embracing silence and solitude, which Thomas Merton called 'the supreme luxuries of life,' has opened up my life to a rich and deep heritage of worship of which I was unaware in the time when my practice of worship was too one-dimensional and preoccupied with itself. (JVDM)

Some will say the practices critiqued are an easy target and I personally have some sympathy with that view, I cannot say I agree with absolutely everything JVDM says, particularly as he appears to still view through a lens tinted (tainted?) by fundamentalism, yet overall it was such a joy to read even if it serves to simply reinforce my own views. Regardless I feel hats need to be tipped in his general direction, at last someone has articulated views of all of us on that narrow edge of Exile, I rest our case...

P

THAT Secret Chord!

h/t Shelley Fritz

Of course I have to mention that there's a cute wee book, The Secret Chord, available at a bookstore near you ;-)