Showing posts with label War. Show all posts
Showing posts with label War. Show all posts

Tuesday, 28 August 2012

Greenbelt wisdom in the mud...

Ben Griffin and Ciaron O'Reilly preaching faith, justice and peace across the Sea of Galilee...

Prompted by one of those amazing moments when a chance encounter (with a GB angel!) at this year's Greenbelt Festival meant I landed up listening to Ben's incredible story yesterday morn. With only a handful of intrepid souls making it up across the marsh and slurry there are at least another 22,000 who should listen to this one talk above all others IMNSHO...

The Greenbelt programme blurb reads as follows:
Ben Griffin (Veterans For Peace UK) served with the SAS in Baghdad, handing Iraqi civilians to the US for advanced interrogation. Ciaron O'Reilly with the Pitstop Ploughshares community broke into a hangar at Shannon Airport and disabled a US warplane en route to Iraq. They share their experiences and reflect on war, faith and non-violent resistance.
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Sunday, 13 November 2011

We remember them - may angels lead you in


May angels lead you in,
Hear you me my friends,
On sleepless roads the sleepless go,
May angels lead you in.

From the song Hear You Me by Jimmy Eat World

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Friday, 15 July 2011

Wellington Bomber raid October 1941

Oh God our help in ages past, Our hope - this unfinished line of the popular hymn is written in pencil in the back of my dad's journal which he kept when starting training with Bomber Command early in World War Two. Despite his deep concern about the political decisions being taken and pacifist leanings this account of one of his first ever raids, pretty much written in real time, is most revealing. I have only edited some spelling and minor grammatical errors.

Feltwell – Harwell 10-10-1941

It is just past midnight. We are droning away towards the East. Behind us, slightly to starboard, small spasmodic pin-points of light denote the bursting of flak over Heligoland. But we are not looking back, we are looking ahead. Already the front gunner has remarked on the presence of a huge red glow ahead to which we seem to get no nearer.

I return to the set (radio) and see if the generator is still charging. Then I switch the set off and, for something to do, earth the aerials. The navigator taps me on the shoulder, he jerks his thumb backwards in a suggestive manner. Automatically my left hand jerks away my helmet plug whilst my right twists off the oxygen connection and, hardly pausing, I plunge back over the navigator's back. I charge at the main spar and sweep past the 2nd pilot who's in the astrodome. At the 'K' guns, although barely 15 feet away, I am breathing heavily, owing to my exertions.

I plug in and a babel of voices greets my ears. '500 yards, Starboard quarter, own level' raps out the rear gunner. 'I've got him' yells the 2nd stooge. The oxygen plug must have moved, for my fingers, gloved and clumsy, can't find it. Ah, here it is, in goes the bayonet joint and turn on the juice. I grasp the gun firmly and rest my chin on my left hand. The draught whips at my face. It is icy cold and seems to pry open my eyes as I sweep the moonlit sky.

We appear to be suspended in space, away down is a bank of clouds, above, the stars. Just behind us is a dim, unrecognisable shape, oscillating up and down and forging slowly ahead. I swing the gun onto this shape and yell 'I can see him, slightly below'. It drifts nearer and as I glimpse the shark like tail the 2nd pilot and rear gunner both yell 'it's a Wimp'... The tension is broken. Our comrade loses height and drifts away below us and is soon swallowed up in the mist.

We have crossed the coast now, I am back in the astrodome resting on the arms of the supports. The 2nd pilot is pumping oil. Behind us some searchlights are wavering over the sky. Ahead there is a gigantic fire on our port bow. Searchlights are coning and heavy flak is bursting lavishly and vehemently around the cones. The light flak coming up in a shoal of multi-coloured trace: Red, Green, Yellow, a fascinating sight.

We are turning in, running North. The fires have split into three distinct groups. The largest and most savage on the East side, two smaller but, nevertheless still very large, on the West. A heavy pall of black smoke is seeping up and drifting North East, covering the inlet. There are three cones now, one is following a kite out to the west. Heavy flak is bursting with horrible accuracy, bang in the cone. The cone gets lower. It is further away still from the target. There is a brilliant flash, a slight trail of flame. The searchlights douse suddenly, as an object, like a comet, blazes a trail to earth. The searchlights come up over the town again.

Will we never reach the target? It seems ages...

Away on the right is another cone. Going up very, very slowly is a faint red trace. It reaches the centre of the cone and bursts. Queer, fascinating. I watch it again, very, very slow – then, poof! I must tell 'Steady, Graham, running up to the target now!' There is a steady tension, the kite steadies, the throttles are cut right back, we drift in, slower still.

Momentarily there is a blinding white light inside the aircraft. 'Searchlights dead on the tail'; 'Light flak, port quarter below'; 'Searchlights on starboard beam'; 'Heavy flak just ahead'. Crump! - 'Jack, that was close!'; 'Slightly above, heavy'. Crump... Crump! The kite shudders.

I see a flah of reddish light, from which chases away pin-points of red light in all directions. 'Just above us'; 'Left, Left'. My knees are knocking together. It's strange, I can't stop them. I'm quite ok. 'Right a bit'; 'Steady, steady'; 'Bomb doors open?'; 'Bomb doors open'. Clunk – time seems to stop still. There is a jerk and a movement under my feet. 'Bombs gone!'

We jerk around in a split turn to port. Below I see a raging inferno. Yet another stick of incendiaries are growing up into an angry red bunch of flashes on the ground guns. We are bathed in brilliant light. They are coning us... Crump, Crump, Crump! The flak is coming up pretty thick. The kite goes mad. It plunges down and turns to port, it sweeps up and over to starboard with a sudden jerk. The engines cut off, we glide. Away down we go again. I seem to be suspended in air. As the nose goes up I am pressed hard down on the floor. 'There they go'. Yellow, red flashes split the ruddy glow behind, six of them, we have left our mark. We are still weaving violently, but our cone has left us. There is still plenty of scope for them over the target. Only the outlying guns are now taking sporting pots at us.

We can see the coast ahead. The whole peninsula lies behind, dull, murky, grey-green, shrouded slightly with a faint mist. The moon on our port shows up a thin silvery trace below. The canal. A bevy of searchlights below spring and waver towards us. A light flak gun opens up. His red trace, which he splashes in all directions, is well wide of us. We laugh at his impotency. We feel supreme, masters of ourselves and sole rulers of our new sphere.

The coast has been crossed. I return to the set to send 'Operation successfully completed, returning to base'

Douglas George Banks 1920-1989 (back row - left)

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Sunday, 19 December 2010

Stand up, stand up for Emmanuel Jal...


An Advent meditation from 'ethical rap' artist Emmanuel Jal, endorsed by the peacemaking initiative The Elders, in support of We Want Peace. Emmanuel has appeared at the Greenbelt Festival twice plus the stunning biographical film about his life 'War Child' was previewed there. That turned out to be one of those Greenbelt 'moments', as, when the film show became very delayed, a member of the audience, Shaz Brown, volunteered to perform some of her stunning and earthy urban poetry while we were waiting, everybody there will remember how amazing that was...
The Spirit of the Lord God is upon me... he has sent me to bring good news to the oppressed, to bind up the brokenhearted, to proclaim liberty to the captives, and release to the prisoners.
Isaiah 61:1

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Monday, 25 January 2010

Art and Christianity Part Five - Poem


This my final post on the Art and Christianity meme commenced by Jonathan Evens.

Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young

I remember hearing this poem for the first time in an English Literature lesson. Although initially I didn't fully understand the depth of the text I could clearly tell the link to Abraham and Isaac from the Bible narrative. Then the teacher went on to explain that Owen's technique was to use both the biblical text as an analogy and also, significantly, as a subversive weapon to get his message across about the massive loss of life in the first world war. Then last year at Greenbelt 2009  Maggi Dawn, during her talk on Lent, quoted the last two lines which triggered the memory banks...

So Abram rose, and clave the wood, and went,
And took the fire with him, and a knife.
And as they sojourned both of them together,
Isaac the first-born spake and said, My Father,
Behold the preparations, fire and iron,
But where the lamb, for this burnt-offering?
Then Abram bound the youth with belts and straps,
And builded parapets and trenches there,
And stretched forth the knife to slay his son.
When lo! an Angel called him out of heaven,
Saying, Lay not thy hand upon the lad,
Neither do anything to him, thy son.
Behold! Caught in a thicket by its horns,
A Ram. Offer the Ram of Pride instead.
But the old man would not so, but slew his son,
And half the seed of Europe, one by one.

I find this deeply moving in both the way Owen adopts the language and meaning of Scripture as well as having the courage to speak out so challengingly in an era when it would have been shunned...

Text copied from here.
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