Showing posts with label Theology. Show all posts
Showing posts with label Theology. Show all posts

Wednesday, 30 July 2014

The greatest of these is more than music...



I so wish the Sermon on the Mount included the phrase "Blessed are the Music Makers...".

All my life I have believed that art and music can change things for the better and I still endorse that thought. However after visiting the West Bank I have been challenged to consider greater callings.

P

Wednesday, 25 June 2014

This is Holy Land...



Having returned from the trip to Bethlehem Monday 23rd I am still trying to formulate responses to all I saw, heard, tasted and experienced. However, as an introduction this video from the Holy Land Trust presented by the wonderful Greenbelt Festival speaker Sami Awad beautifully and creatively captures one of the thoughts that grew within as each day passed...

P

Friday, 12 April 2013

Turning audiences into congregations...



This video of Coldplay performing their hymn-like anthem 'Fix You' is discussed on the excellent Rock and Theology blog, curated by Dr. Tom Beaudoin. Am honoured to have been invited to write a guest post for them which includes references to that post. Additionally this gave me an opportunity to respond to both Jen Logan's post 'Music and People' on the Greenbelt Festival blog and my chum Tim Nevell's personal views on her thoughts.

Of course, I felt compelled to draw out some of the themes that Jonathan Evens and I develop in our book The Secret Chord ;-)

Read the full post here: A Matter of Time and Space

P

Thursday, 20 December 2012

That Nativity Factor...


Yep, would you Adam and Eve it, there's been a competition to find a short 3 minute film about the Nativity. You can check out all the entries on The Nativity Factor website and although, in my not always very 'umble opinion, I think some of the entries are a bit naff, I can understand why they picked the winner. However, prompted by His Opinionated Vicar(age), I tracked back the link to the original slightly longer version of the runner up, The Christmas C(h)ord, and also concur with David Keen's view that this one is a bit good! I definitely prefer this longer version, all credit due to the Going Public Theatre Co., written and performed by Dai Woolridge, flmed and edited by Andy Toovey.

Of course, there is a very strong link to another theme from our book, The Secret Chord, it would be wrong not to mention it ;-) In fact, we researched a section about the link between the word 'cord and 'chord' which was edited out, maybe in the next mini-tome?

And now for something completely different, this stunning film has so much context, clarity and authenticity it would be even more wrong not to include it:


First spotted on my buddy Phil Ritchie's blog

P

Thursday, 16 August 2012

Muamba's Miraculous Moments...

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OK, I confess this stirs a deep seated response within me... whatever our faith (or not!) I am comfortable with this 'miracle' story, especially bearing in mind the sense of this extraordinary medical community working together as one. This is about action, even without a belief (faith?) in a positive outcome. Meanwhile the hashtag, #prayformuamba, became a Twitter phenomena reflecting the reaction of players who demonstrated a fundamental instinct to fall on their knees and pray.

One thing for sure, I feel comfortable with accepting this reveals the hand of the Divine at work rather than one of those dreadful, coercive, churchy moments that are claimed to be miracles performed in God's name?

It's not a 'fairy tale' ending, like everyone, I was saddened to read Fabrice is to retire from the game. Whatever happens for him now there is no-one who would not wish him well...

P

Friday, 3 August 2012

Chariots of Fire... Let the Athletics commence...


This a re-post from way back in January 2010 of my Drama selection for the Art and Christianity meme commenced by Jonathan Evens. With the start of the Athletics at London 2012 today and the re-release of an enhanced version of the film it just seemed the right thing to do ;-)
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Drama: I have chosen the film Chariots of Fire - Pleased to say I saw it way before the Oscar nominations and other plaudits poured in, so I was an early 'adopter' of this great period piece set around the 1924 Olympics (so expect to see it on the box a few times over the next couple of years!).

There are many issues tackled in the film which revolves around the counterbalance of ambitious Englishman Harold Abrahams, who is Jewish, and Eric Liddell, an instinctive Scottish sprinter who, as a devout Christian, makes the wonderful statement 'I believe that God made me for a purpose (i.e. supporting his mission work) but He also made me fast, and when I run, I feel His pleasure.'

The story doesn't end with the film, Eric went on to become a respected missionary in China and despite his athletic physique still died at a young age during incarceration in the Japanese Weihsien Internment (read concentration) Camp from a brain tumour. However, it was the film that nudged my interest to read more about him and Sally Magnusson's excellent book, The Flying Scotsman, was where I turned first in those pre-web days.

This film has so many resonances for me and refreshed me when the church simply didn't or couldn't. Athletics was the sport I was best at plus I had a relatively strict upbringing which meant we kept the Sabbath (Sunday!) holy. Creatively I love the daring combination of a period drama with the symphonic and quirky synthesiser music soundtrack composed by Vangelis on devices I know my way around. However, it is the example of Jesus that Eric clearly was that is so moving and challenging that gets to me everytime.

He did not get out of China when he could because it would desert friends and family. For example he was able to support his exhausted brother in a rural mission station. He was also fiercly anti-class and to demonstrate the importance of equality shared out some extra food with everyone that had been bought by oil company inmates who'd bribed their guards.

His example was remarkable and sacrificial, despite much personal hardship he never stopped putting others first and whilst passionate about his faith he led by example rather than proselytisation or seeking any glory for himself. This was highlighted in a recent revelation that when he was offered, as a former high profile athlete, an opportunity to take part in a prisoner exchange he gave his place to a pregnant woman. During his time in the camp he even took part, as referee, in a football match on a Sunday to prevent the teams from fighting because he was trusted to be completely impartial...

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Friday, 20 July 2012

Gustavo Dudamel, let us be numinous...



The phenomena that is El Sistema, the Venezuelan 'system' that introduces young kids to playing musical instruments in an orchestral, classical music community which lands up changing their and their families lives has been well documented. Now a good few years since its inception by Maestro José Antonio Abreu, the orchestra has removed the word Youth from it's name and has become the Simón Bolívar Symphony Orchestra of Venezuela (SBSOV). Along with the world renown and highly respected conductor, Gustavo Dudamel, the combination is a powerful force that bucks the traditional enclave within the classical music world.

Even if you have the T-Shirt, watched the videos, seen the Prom broadcasts, nothing can prepare you for the experience of seeing them in action live, it is totally overwhelming, the impact it had on me is still fresh and imprinted in my consciousness. There is so much more to say and I will endeavour to explain more in due course, but the overall impact is one of an intense spiritual and worshipful moment that captivates everyone in the room. Performers, conductor and audience find themselves caught up in unison, a rare and numinously transformative place.

Whilst the orchestra's appearance in 2007 won hearts with robust performances of Bernstein and Latin composers, this recent concert in June 2012 depicted above demonstrated their ability to perform principally European works with astonishing sublimity.

However, for me the moment occurs right at the end...

Move the time bar to 1hr46mins45s, the start point for the encore, humbly introduced by Gustavo, Sir Edward Elgar's Nimrod. Then enjoy the performance, again, totally sublime, and wait to see what happens right at the end of the piece. There is a full 28 seconds of silence, a pin drop pause, a selah, before any applause starts.

Everyone is caught up in the extraordinary moment and it is so clear to see the effect it has had on orchestra and conductor. What is notable that neither Elgar's nod to his buddy Jaegar nor the subsequent notion of the piece being so linked to Churchill's funeral were anywhere in the ether, this is a new and transcendent interpretation that only comes with fresh ears and eyes...

...we have so much to learn!

P

Sunday, 15 July 2012

In Memoriam, Pete King, missed, never forgotten



Friend, brother, soulmate, kindred spirit... Pete was all these and much more. The song claims 'a good heart... is hard to find', yet the word 'good' serves insufficient justice to what an amazing person Pete was. Thoughtful, kind, generous, quick witted and humorous yet he was also one who knew his own mind, taking key decisions with confidence.

And PK (in After The Fire lingo) was, of course, a sublimely brilliant drummer. I can still recall a couple of shows where the rest of us turned round and watched in amazement as he completed a seemingly impossible fill that he'd already embarked upon!

Despite being such a strong and super fit individual it was to be cancer that was his undoing. Strangely, at an early ZipcodeS gig in 1983, when a close friend of ATF already in terminal decline from the same disease arrived in a wheelchair, PK confided in me that he foresaw himself landing up in the same state. Naturally, I dismissed it at the time, now that prophetic remark is a dark ghost in my memory bank.

He was the baby in After The Fire and we all looked out for PK as our younger brother. Yet with his stint depping in ELO and later as a full member of top flight German band BAP, he landed up becoming the most successful musician of us all.

Personally, I miss him dreadfully and I am well aware I am not alone. Conversations with close friends and family regularly land up remembering him. Furthermore BAP nobly braved the potential emotional black hole by recording their deeply personal tribute, as above.

When our post funeral posse stopped off for some sea air by Sheringham waterfront 25 years ago I felt this moment when Pete whizzed past nearby 'up there', just for a split second. And I had this overwhelming sensation that he longed for us to delight in his new incarnation rather than suffer the grief of our loss...

PB

Tuesday, 10 July 2012

Serving up Dylan for Amnesty International...



Eric Burdon is one of the artistes that has contributed to Chimes of Freedom, a 4 cd album set of Bob Dylan songs supporting the 50th anniversary of Amnesty International. Some approach the songs and arrangements pretty much as an homage to the original, others, like this, have a spirit of re-invention. This song is taken from the first of Dylan's 'Christianity phase' albums, Slow Train Coming and features Mark Knopfler and Pick Withers from Dire Straits amongst the musicians on the 1979 release.

It was the 1960s hit for The Animals, 'The House of the Rising Sun', that launched Eric Burdon on his career, followed up by a string of hit singles for the band. In a recent BBC documentary about the Gospel hymn Amazing Grace the Blind Boys of Alabama sang the words to the tune of House of the Rising Sun, an apposite combination.

I've picked out the Eric Burdon track as a highlight, IMO I don't hear many other moments of inspiration and it is difficult to even imagine who this collection would appeal to. Certainly Dylan aficionados will find it painful and, ironically, the least original approaches marginally less so. Supporting Amnesty is a good thing, so cut out the middle peeps and send them some dosh direct instead!

P

Sunday, 1 July 2012

Monday, 25 June 2012

Making, playing, listening to and hearing music...



In the opening chapters of Professor Jeremy Begbie's authoritative book on Music and Theology entitled 'Resounding Truth: Christian Wisdom in the World of Music ' the author makes the distinction between music making and music hearing (p40). Whilst that may seem obvious, he then goes on to expand this further (pp 41-46) by initially pointing out that there may be a prior stage, composition, to the essential elements of performance (making) and listening (hearing). However, let's look at two additional discussions which have expanded the making and hearing aspects of music in line with Professor Begbie's theses.

Bruce Springsteen – playing versus making music:

On his We Shall Overcome - The Seeger Sessions / American Land Edition [CD+DVD] Bruce identifies the difference between performers who simply play music and those that make music together. As the interview progresses it is clear he is referring to the way some players are not content to just interpret a music score (or chord / tab chart) but have the inherent gift to gel together with their fellow musicians such that a new plane is reached where communication is instinctive rather than reactive. The group of players effectively become one and feel the groove enabling co-ordinated variations and improvisations with no pre-meditation.

Historically it is clear when either musical conventions are challenged or there is an 'ethnic' re-imagination then substantial musical developments occur. In relatively recent times we have seen the advent of Jazz, the worldwide success of songwriting bands spearheaded by The Beatles and the Punk explosion. Equally the international popularity of Reggae and Gospel Music on one hand and the UK folk music's crossover into the mainstream with groups such as The Fishermen Friends with their repertoire of traditional shanties. There is a potential division between classical and popular music performers that disappears when they have both the grace and desire to side step such differences. This can achieve a performance and response that transcend any where the artiste could have chosen to stay either entrenched or simply played safe. This was a revelation to cellist and composer Philip Sheppard when working with the late Jeff Buckley which I explored in this post. Clearly there are a vast number of additional parameters that come into play; social, geographical and chronological and this gives more to discuss and unpack to move toward a less generalised explanation of the above.

Nick Coleman– listening versus hearing music:

This former NME journalist and music lover's entertaining yet deeply moving memoir, The Train in the Night: A Story of Music and Loss , describes how his world was changed forever when he was diagnosed as having the condition Sudden Neurosensory Hearing Loss, a combination of partial deafness combined with thunderous tinnitus. He effectively has to re-learn how to hear and for some time during his recovery it is his encyclopaedic knowledge of pop, rock and classical music that sustains him as he psychologically engineers a way to replay his record collection from memory. It is only when he realises that he needs to learn how to listen to what music is saying to him that a sense of hearing is partially restored, albeit accompanied by great physical pain and discomfort. So he concludes that he has to develop a new way to listen, one that is active rather than passive.

If I may suggest:

This provides a clue as to why listening and hearing are different. For example, one method I employ when trying to check something subtle but potentially troubling during a recording session is to play the piece back whilst making a cuppa when I'm not in full close up, focus mode. This synthesises the moment someone hears your work for the first time and corrections can then be effected if there is, indeed, actually an issue anyway. In a similar way there are songs that stand out on the radio as we are driving along, at times I've even stopped the car to catch who the artiste is (so annoying when the presenter doesn't say?!). My proposition is that is an example of when a piece 'speaks' to us, provoking us from a hearing only to a listening intently mode. This endorses what Coleman concludes, that hearing is passive whilst listening is deliberately active.

It is therefore safe to propose that the more acute hearing of most musicians enables them to listen better than someone less musically gifted, and, when playing in an ensemble, engages that ability to promote those special moments of making transcendent music together.

P

Monday, 11 June 2012

Fathoming Francis... Savvy Saint


My attention was first drawn to Ian Morgan Cron's (IMC) literary output when the Greenbelt highlighted a review he had made about the 2010 Festival which I blogged about here. Subsequently his 'memoir of sorts' Jesus, My Father, the CIA, and Me was praised by friends such as Maggi Dawn and Martin Wroe so I felt compelled to purchase, despite the J word in the title! To say I enjoyed it is an understatement, it was one of my top reads last year and one I heartily recommend. I was also aware of IMC's earlier book, Chasing Francis: A Pilgrim's Tale, a novel about a pastor of an evangelical 'megachurch' in New England who struggles with a crisis of faith, so when given the opportunity to review it I was delighted.

The book is prefaced with a firmly worded disclaimer that Chase Falson is not IMC in disguise... Ha, I expect I will not be the only one determined to find cracks in that defence! It then opens with Chase arriving in Italy to visit his Uncle Kenny after bucking the trend in church by saying what he really thinks and, as an outcome, being given an immediate sabbatical by the church elders (the Sanhedrin?!). The key characters in the church are introduced before the action happens as Chase is 'nudged' to call this enigmatic Uncle, a Franciscan monk / priest, who has persuaded Chase to drop everything and fly to Europe forthwith.

What then ensues is somewhat of a whirlwind exploration of both the physical church connections and the theology of Saint Francis of Assisi in the company of a bunch of lairy guys who are able to impart wisdom through both their love and behaviour. So our erstwhile pastor is thrown into a bewildering world of relatively orthodox Roman Catholic rituals and edifices in the company of these 'disciples' as they unpack the history of St. Francis. As a result Chase starts to write his journal entries directly to St. Francis, another literary medium to impart some deeply personal thoughts about his pilgrimage. There are some notable counterpoints, too, as St. Francis' advanced thinking is explored, for example, I couldn't help notice the narrative as red wine was poured into plastic cups whilst simultaneously discussing how St. Francis was effectively the first Christian enviromentalist. Furthermore, during one of the services of Mass there are disctinct similarities between the young IMC and the adult Chase. Ian, you've been sussed!

Now, just as I was starting to get a little uncomfortable thinking that the answer to all my spiritual quests could only be answered by attending Mass and/or church even more, half way through the book Chase is on his own and lands up encountering Carla, a gifted and beautiful cellist. Subsequently they share a meal with a top notch musicologist who has a major effect on them both.

From then on I was hooked. Ok, music may be home territory for me, but I found myself reflecting that perhaps, as a reader, I need to cover all the same ground as Chase, to be a pilgrim too? From then on I found myself reading purposefully, allowing myself to be absorbed as even more stunning surprises were revealed before the build up to the challenging conclusion, which is neither one of received wisdom or what you might expect. This is then developed in greater detail in the excellent and comprehensive study guide included as an appendix.

Interestingly his two books appear to be directed at different audiences. Chasing Francis is much more of a book for a Christian, churchy type whilst I could certainly give Jesus, My Father, The CIA and me to anyone, regardless of their faith journey or affiliation. As a UK citizen who just has to drive across this country to experience the relatively radical teaching that forms the core of the Greenbelt Festival ethos, I feel much of the theology in Chasing Francis was comforting rather than revolutionary. However, I equally found that an important aspect of this book is the encouragement and endorsement it provides, particularly concerning the arts and, for me, music. One minor warning for non North Amercian readers is some of the language and acronyms may remain a total mystery! IMC's later book translates better in that respect.

Readers will really appreciate IMC's turn of phrase, he has a enchanting writing style that makes this book very enjoyable and, as I said earlier, a great encouragement. More significant are the layers in the narrative that give the reader the opportunity to mine the text for interpretations that match their current condition, which migrates this work from purely fiction. IMC refers to this as 'wisdom literature' in the introduction, an apposite description. And what's really intriguing is the loose ends with many of the characters, roll on the sequel...!

Ian Morgan Cron is one of the speakers this year at Greenbelt 2012

P

Saturday, 25 February 2012

Dustin Kensrue - please come home...



Mixing a familiar parable with a narrative style lyric sung from the Father's perspective in the 1st person, an inspiring piece from Dustin Kensrue, lead singer of Thrice...

But I know what you're thinking
That you've troubled me enough
Nothing could ever separate you from my love
I still stand here waiting
With my eyes fixed on the road
And I fight back tears and I wonder
If you're ever coming home.
Don't you know, son, that I love you
And I don't care where you've been
So please come home...
P

Sunday, 22 January 2012

The end of the C of E as we know it...


'I don't care about the Church of England' is an obvious soundbite that journalists will inevitably latch onto that Bishop Stephen Cottrell proclaimed during the Chelmsford Diocesan Transforming Presence event this Saturday 21st Jan. I first encountered Bishop Stephen's inspirational style at another conference, Transforming Worship, at Chelmsford cathedral when he was still serving as the Bishop of Reading. Then he encouraged us to think much more creatively and holistically about the experience of what it's like to attend a church, explaining that planning services must go way beyond simply preparing for a liturgical, lectionary based hymn, prayer and reading sandwich.

The Transforming Presence event was convened to draw together around 1,000 people from all over the Diocese, which covers all of Essex and East London, to discuss the pressing issues facing the C of E in terms of attendance, finance and clergy. The process was one of structured discussion and feedback gathered from delegates grouped in tens around circular tables. We were guided through a creative SWOT analysis exercise, each topic culminating in filling out conclusions onto friendly and varied 'homely' forms which were collected and then displayed around the venue.

However, the overall experience was very much like church, a see-saw of good versus the uncomfortable. On arrival at the Brentwood Centre it was a joy to see the Bishops modelling high-vis fashion (see photo above) and directing the not inconsiderable traffic. Regardless of whether some thought that was, maybe, a tad contrived, it positively demonstrated the 'renewal of the mind' from the day's familiar reading, Romans 12, as a way to think in reverse of the expected.

Next one of the truly saddening moments! Depsite the church banging on about the 5th Mark of Mission drinks were served in polystyrene cups with plastic teaspoons... To some that may seem insignificant, but surely a powerful 'evangelistic' message was missed because of that lack of joining obvious dots?

Moving along the next uplifting moment was hearing Bishop Stephen's opening remarks as he unpacked the vision for the day. Sadly this was then swiftly followed swiftly by another downer as the first hymn we sang, despite having great words, was set to the wretched tune of Danny Boy. I must stress this was an exception in the day's liturgy as a whole. However, to me it was such an irony that, as the Brentwood Centre stages professional boxing tournaments, I kept imagining everyone else at the Centre, those making use of the usual sporting facilities etc., must have been left wondering why such a strait laced bunch was so robustly endorsing Fighting some sort of (good?) Fight? OK, I'll fess up, I only see and hear Barry McGuigan's dad singing whenever I hear that tune!

The main part of the day then ensued, with the aforementioned discussions. My table had a good mix, clergy were in a minority (3), our geographical locations and church types were varied. Despite having to bite my lip (a lot!) it was a good process and although, overall, I felt we were somewhat parochial, there were some surprising contributions along with some changes of heart as the day progressed. To generalise, I don't think we were realistic. For example, am I cynical to not expect an imminent revival?

This process was interspersed with other elements, including sharing lunch on the table and simply wandering around to meet acquaintances. A Twitter hastag was running, #timetotalk, which both started to produce some good comments and enabled a Tweetup moment for those of us who partake to meet in real life (ie non-virtually) ;-)

After the lunch break we were called back by singing 'Spirit of the Living God', played most sensitively by Elwin Cockett, now an archdeacon, no less! Next came a really weird moment... We were shown a new video of some relative youngsters, I assume teenagers, talking about church and what it meant to them. Frankly it was dreadful, and that is a gross understatement. It was typical of something a church / Diocesan committee would produce. Great content, awful production. In the car one of my buddies proposed that the way the contributors had delivered their pieces to camera was the result of some rendition process deep within the Guy Harlings complex! In line with the rhythm of the day, and another irony, next up was an interview by BBC Essex broadcaster Ian Wyatt who demonstrated how much better professionals handle things. Ian's programme covering the conference is on iPlayer for a few more days.

So, back to our table and the mission thereon. We resumed by filling out a mythical edition of Diocese's publication 'The Month', predicting the content for the year 2020, fleshing out a Headline we had invented in the last pre-lunch session. My question here is why were we even talking about the print edition without at least acknowledging on-line or mobile / tablet apps and media that we would most likely consume in 8 years time? With converging of Internet and TV technology it is likely everyone will have access to some sort of online media, even without broadband. Of course, it is not the point that was being sought, the possible stories were, but it does show a lack of vision for it not to be even mentioned. Equally not actually having the #timetotalk hashtag displayed anywhere seemed a bit of an omission as people were trying to figure it out.

And so on to the closing remarks that Bishop Stephen gave. He started by giving his imagined headline for 'The Month': 'The Church of England ceases to exist' explaining whilst we have too many churches his solution is to actually have more. He qualified the daring opening statement in the first sentence of this post, 'I don't care about the Church of England', as he concluded, 'but what I do care about is the Gospel of Jesus Christ'. There ensued a passionate rallying call about how inevitable a terminal decline of the C of E will happen, in the short term, unless we engineer radical changes, starting now, which he summarised as 'I do not want to manage the graceful decline of the Church of England'. He added an even more daring thought when he said 'the C of E may still decline, but that's up to God'. His call is for all of us to be transformed, to let go of our preferences and desires, for the church to break from the cultural constraints that may have worked well in the past but do no longer, and to develop such that we, as both disciples and as the church corporate, are distinctively Christian.

It was a priviledge to be at the starting point of this vital and prohetic initiative. Of course, I will not be the only one to have found some niggles but if this collaborative approach is an inkling of real transformation in the way things move forward from now on, that is refreshingly good. Yes, I was pleased to feel part of the day and whilst still harbouring concerns about how big an ask this may prove to be it is one giant leap in a brave direction.

And one more thing... I had one of those weird 'moments'! Whilst visiting the rest of the Brentwood Centre complex to avail myself of the facilities I felt assailed by the loud 'piped' music. It was a strange contrast to be part of what I can only describe as a quite a noisy 'holy hubbub' yet to still find that bit of the outside world so strident when, normally, you wouldn't even notice?

P

Tuesday, 10 January 2012

Revival comes to West Mersea...



Residents of St. Peter's Road receiving the Wood of the LORD this morning.... a parishioner was encouraged by the new and charismatic preacher saying they would fit in well 'as our services are usually a bit wooden'. We're told the reading was from Isaiah 55:12 along with a relevant chorus.

The good news is the message Sufjan Stevens brings us which I wouldn't have found if I'd not searched for the obvious song!

Hands down for coffee...

P
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Thursday, 1 December 2011

Advent music with The Killers



The Killers invite Elton John and Pet Shop Boys singer Neil Tennant to provide vocals on 'Joseph, Better You Than Me' with wonderful lyrical and theological insights. Note the subtle change in the refrain as the song develops:
From the temple walls to the New York night: Our decisions rest on a child
When she took her stand did she hold your hand?
Will your faith stand still or run away? Run away?
From the temple walls to the New York night: Our decisions rest on a man
When I take the stand, When I take the stand, Will he hold my hand?
Will my faith stand still or run away?
And my favourite line linking the 40 years and 40 days wilderness times:
And the desert, It's a hell of a place to find heaven
P

Saturday, 5 November 2011

BBC's Rev Series 2... can't wait!


The new series of Rev returns to BBC2 next week... Episode 1 transmits at 9:00pm Thursday 10th November. Forthcoming episodes feature a trip to the Greenbelt Festival and none other than Ralph Fiennes as the Bishop of London.

P