Steve Earle taking a whirl...

Love all the noodling around on the mandolin before Steve launches into the song fully... we now have this as one of the Café Musica repertoire, thanks to a good call by James.

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Fats Domino v Café Musica mashup...

Part of the joy of playing acoustically is the re-discovery of pieces you probably would never consider in an 'amplified' band line-up. Here buddy James and yours truly give Fats Domino's piece 'Be My Guest' the Café Musica treatment at our first ever house gig a few days ago...

And here we play our version of After The Fire's punk anthem 'Time to Think', from ATF's Laser Love album, originally released in 1979.

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Peter Gabriel talks New Blood orchestra

Peter Gabriel gives an overview of his recently released orchestral project, New Blood, and gives insight into the extensive creative process involved. I was privileged to attend the Hammersmith Apollo for the recording of the DVD, which I reviewed here. Have only been able to listen the previews because the deluxe edition I've ordered includes the DVD which has a release date of 24th October whilst the CD came out on 10th October - the extra wait is proving a tad trying...

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Paul Simon makes inspiration blossom...

Sometimes inspiration bears fruit in extraordinary ways! At Paul Simon's recent Toronto concert on May 7th a fan, Rayna Ford, who'd travelled all the way from Newfoundland, shouted out a request for the song 'Duncan' adding that it had inspired her to learn guitar. What follows is one of those special moments that you'd really wish you'd been there to be part of. Regardless, this bit of footage captures the joy and tears all round, especially during the verse:

Oh, oh, what a night
Oh, what a garden of delight
Even now that sweet memory lingers
I was playing my guitar
Lying underneath the stars
Just thanking the Lord
For my fingers,
For my fingers

Fuller story here on NPR Music

P h/t @solobasssteve

The Gospel of the Blues...

Film trailer of acclaimed Canadian blues singer Rita Chiarelli's journey of discovery within the intimidating walls of Louisiana State's maximum security prison entitled Music From the Big House. Stunningly shot with an intriguing mix of both Gospel music and the Blues... official wording reads:

From acclaimed director Bruce McDonald, teaming with an Emmy and Oscar nominated documentary producer, comes a rare and exclusive musical journey. Rita Chiarelli, an award-winning recording artist, has decided to take a pilgrimage to the birthplace of the blues - Louisiana State Maximum Security Penitentiary a.k.a Angola Prison. She never imagined that her love of the blues would lead her to play with inmates serving life sentences for murder, rape and armed robbery.

In what was once the bloodiest prison in America, inmates relatives will be invited to listen alongside other prisoners, to hear remarkable voices singing stories of hope and redemption. Let yourself be swept away by one of Blues' most soulful pilgrim daughters who is finding out if music really is an escape.

P h/t The Wedlocks

When Goldie met Prince (Harry)...

Caught the final edition of this excellent three part series fronted by drums n bass artist Goldie which gives a seriously fresh look at music in Britain today. Whilst all the young musicians were linked by sharing various challenges in their lives, the synergy as the band gels together to play their own material with such diverse cultural styles and in front of Prince Harry at Buck House was truly inspiring.

In addition to the band's journey, with realistically forthright criticism at the hands of their mentors, which included producer Guy Chambers (who co-wrote the Robbie Williams anthem 'Angels'), Soweto Kinch, Cerys Matthews and Ms Dynamite-eee, there were some stunning individual performances too. The really engaging aspect was the authenticity of the writing and composition styles ranging from classical music and musical story telling to, frankly, painful autobiographical disclosures.

There are a few days to watch again using the BBC iPlayer, give yourself a treat!

PB

Peter Gabriel - New Blood in two halves

No one could ever accuse Peter Gabriel of not being adventurous and the second outing for the New Blood Orchestra provided some unexpected surprises. I caught the previous tour at the 02 back in early 2010, effectively promoting his Scratch My Back orchestral covers album which I reviewed in some depth here. This show (Wed 23rd March 2011) at the Hammersmith Apollo mainly featured orchestral versions of his own extensive repertoire.

The first surprises were in the first set. To kick off with 'Intruder' seemed a strange choice with all its dissonance and harshness. However, on reflection, it was a good choice to both enable any settling down to take place and keep any hiccups hidden behind the sonic assault the piece has. However, that didn't work as the next song, 'Wallflower' PG actually had to stop after a disastrous start. Even after the restart things still sounded awry with tuning problems and PG's voice barely audible. It seemed the cellos were not playing from the same score, such a massive shame as they stole the show during the 2nd set with a stunning rhythmic part for 'Red Rain'. I sunk into my seat both with embarrassment for the man himself and also in case my good buddies were wondering why on earth I had encouraged them so enthusiastically to accompany me into London for the day!

Strangely, another surprise, it was the back to back selection of the Scratch my Back songs that eased the show back on course despite PG's vocal still being too low in the mix. The empty and plaintive 'Boy in the Bubble' was followed by the dramatic 'Après Moi', then 'The Book of Love' with 'The Power of the Heart' completing the Scratch my Back selection. Another one of PG's more strident pieces, 'Darkness', was shoehorned in before the final surprise of the first set, a brilliant and moving version of his timeless classic 'Biko'. Here the overhead and back of the stage carried a simple film of some candles burning along with a monochromatic picture of Stephen Biko himself. Until then the graphics had been noticeably out of sync with the music, a technical surprise, but once Biko had finished the sense of joy and delight that being part of the Peter Gabriel congregation had returned in abundance.

The second half was blissfully transcendent!

Peter Gabriel is an extraordinary encourager, whether that be of his noticeable support of World Music, cornerstone of The Elders peace initiative and of his music collaborations. So the romantic in me imagines a serious yet inspiring team talk at half time as the all round improvement was staggering! It seemed everything was sorted and now PG's vocal soared... clearly a gig of two halves!

The set started of with San Jacinto and moved through Digging in the Dirt, Signal to Noise, Downside Up, Mercy Street, Rhythm of the Heat, Blood of Eden, Red Rain and finishing with the evergreen favourite: Solsbury Hill. We were then treated to encores of In your Eyes and Don't Give Up with the wistful instrumental The Nest That Sailed the Sky finally sending us on our way. My posse was split on singer Ane Brun's interpretation of Kate Bush's memorable vocal on the original Don't Give Up, personally I thought the girl did great, made it her own with perfect control and diction.

In his March Full Moon video Peter says this whole New Blood project will be put to bed once the last handful of North American dates are complete. We can look forward to both the album and the DVD filmed at the Hammersmith shows, if you can make the real thing I so strongly recommend it. I had not even planned on going, it was all a last minute moment of madness and, despite the gremlins in the first part, I cannot fully express how special it was. Like many established artists PG now has less constraints to find new ways of expressing his creativity even if some think it is merely whimsical. His voice just keeps getting better, his music never ceases to amaze and now John Metcalfe's brilliant arrangements provide another dimension for our listening delight.

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Seth Lakeman, Benji and Cormac play a blinder!

Went off to Colchester Art Centre last week to see the amazing Seth Lakeman, this time in his acoustic trio line-up featuring Benji Kirkpatrick (guitars, mandolin and bouzouki) of Bellowhead and the amazing percussionist Cormac Byrne, of Uiscedwr, as above demonstrating his skill on the Bodhrán. The evening was fantastic, three superb musicians in perfect synergy made all the more special by Cormac's incredible versatility and engaging smile.

Interestingly even though these three guys have done so much to re-energise folk music they are generally frowned on by traditionalists who say they both don't play their instruments 'correctly' and they're dumbing down the genre... reminds me of something??!!

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Candlemas Rocker Service...

Clearly Archdruid Eileen of the Beaker Folk of Husborne Crawley has the gift of prophecy as the posting on Saturday 29th; 'Middle Age Rocker Service' was somewhat matched by the real thing this Sunday. In many ways 'Middle Aged' is on the gracious side for After The Fire (ATF) and our extra team of acoustic musicians (no Fender Squier but we did have a genuine Dobro) in our nine piece ensemble. Also whilst our repertoire, although ambitious and not quite as adventurous as Voodoo Chile, I must gently point out we did not actually play 'Joy' during the offertory this time...!

Here is the list of spiritual songs we played that formed the Musical Liturgy:

Sometimes - After The Fire
Help - The Beatles
How Deep the Father's Love - Hymn
Ride Back Home - John Mellencamp
Are We Alright - Steve Knightley/Show of Hands
When the Trumpet of the Lord shall Sound - Hymn
I'll Fly Away - Hymn
Dark Side, I'm not an Angel - After The Fire
Time To Think - After The Fire
Meet Me - Rob Halligan
Laser Love - After The Fire
Jesus! What a Friend for sinners - Hymn
Did Trouble Me - Susan M. Werner / Tom Jones
You - Rob Halligan
Here is Love - Hymn

If doubts overcome, then check it out! Download the whole order of service sheet here!

ATF return to the full rock edition later this month, with US made Strats, February 26th, Rock for Fairtrade, Burgess Hill and then a Water project fundraiser here on Mersea Island on 19th March.

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I Wish So Bad...

The Voice Project is a brilliant website that was setup to support Northern Ugandan women that have suffered much over the last few years. On a visit by The Voice Project the ladies sang their local songs and then asked to be taught one by their visitors. They learnt 'Suitcase', written by Joe Purdy, which was filmed as they sang it a capella. This video was eventually shown to Joe and the idea of filming artists performing, typically, an unplugged version of another artist's song which would then be then passed along as a 'baton' in a musical relay to the next artist.

As well as some rock premiership names including Peter Gabriel, which I featured here, and Mike Mills of REM who, impressively, recorded one of Billy Bragg pieces there are number of excellent lower league contributions as per the video above.

I find these very uplifting, as, taking The Shivers (above) for example, the performers clearly love the song they've chosen and their interpretation is uniquely special. They take ownership of the song giving these candid films a moment which captures the passion and emotion they pour out of their spirit.... Wonderful!

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A secret chord...

Am tickled pink today... Wikio contacted me to say my blog had gone in to their music rankings at number 5! Plus they've given me the opportunity to publish a sneak peek before they release them:

1	Musicrooms.net
2	SoulCulture.co.uk
3	Alter The Press!
4	Lil Wayne HQ
5	St. Peter's View (BanksyBoy)
6	LondonJazz
7	Word Magazine blogs
8	Matrixsynth
9	No Rock And Roll Fun
10	Live4ever - The Brit Rock Daily
11	uncarved.org blog
12	Popjustice
13	PUT ME ON IT
14	Southern Hospitality
15	Slipped disc
16	Song, by Toad
17	We Are Pop Slags
18	On An Overgrown Path
19	Tom Service on classical music
20	The Chemistry is Dead

Music

Ranking recorded by Wikio

Music is A Voice of God...

The late Billy Preston giving a transcendent performance at possibly the very first major fund raising concert in 1971 organised by The Beatles guitarist George Harrison for the folk of Bangladesh. I was reminded of this song when a compilation program celebrating 250 great performances from 'Later... with Jools Holland' was shown recently.

On the same program DJ Trevor Nelson, when talking about Mary J Blige, used the expression 'Took it to church' to describe a particularly brilliant performance where artist and song become one entity, a special moment which transcends personal taste and totally captivates the whole audience. I immediately thought 'Took it to church' as an expression to describe something so special by linking it to 'church' was both challenging and something to always aspire to...

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Redemptive Rock and Spiritual Songs...

The announcement that this band, 30 Seconds To Mars, are going to be visiting these shores again this Autumn I thought I would post some thoughts I have been mulling over for a wee while. Part of this is a reaction to the support I've had when I've stuck my head above the parapet and slagged off the dreadful Worship Music scene and genre. I hope this post gives some supporting evidence to explain why my views are more about substance than just taste driven opinions...

I have a relatively broad taste in music ranging from not too high brow classical, through ethnic / indigenous music to pop and stadium rock. I like pieces which have spirit, integrity, passion and believability regardless of whether it is technically impressive or flawed. I love hearing a song that makes you want to learn more about it, glean what's behind the lyrics and the artist.

Now this song is not particularly original and could be criticised for being derivative of other bands' earlier work. However, there is a certain comfort in a bit of familiarity when hearing something for the first time. This song, combined with the video, is such a great piece of art that issues challenges and hope! If anything it is the optimism musically and lyrically that I find so enthralling... and the depth of what the storyline covers is not lost on the band's followers, check out some of the comments on Youtube:

Can we all get the message? Eternal inspiration (song). No stupid fashion or trends (clothing). No damn pollution (bikes). No hate (car accident). Continuous miracles (white horse and resurrection). The good and true path (all going in the same direction because they know thats The way). True life (no death and no impossibilities).

unfortunatelly i don´t know if will have learned our lesson either, with all these things hapenning a lot of people are still destroying the nature, only thinking about money.

This song would be best suited to the part where someone makes a massive life-changing decision or turning point in their life.

We are born into a world at war for our hearts, and we are desperate for God. He wants us to become the "Kings and Queens" we were mean't to be. This can only be done by not making ourselves the focus of everything, and becomeing the "lesser god" that the song says.

and prompted this joined-up response:

This really does make me think of the oil spill in the Gulf. If honestly makes me what to cry. How much more are we going to punish the earth? I ask myself when will it be enough, to satisfy us selfish humans. It makes me so angry, but also at myself because I can't really do anything about it.

Here's one that suggests corporate singing still moves peeps:

i love this entire song, but especially the chanting "oh oh ohhhh" part! there's something about chants that always makes me go wow. it just sounds so cool when there's hundreds of voices blending together. =)

I love the shots in the video of the basic band, the flight cases, backs of guitar amps, it depicts the tools of the trade of a rockin' band, that's what it really looks like! That moves into images of redemption, the shining cross in the cityscape, the white horse...

Some will also be cynical of this band's rise to fame as singer Jared Leto was already a successful actor. Yet they have cemented relationships with their fanbase by inviting them to be part of the video as above and to take part in the recordings. Wikipedia quotes the band:

'How great would it be to invite the world to come and be a part of the next 30 Seconds to Mars album? There were some things [we tried] that were left-field sound experiments — using the group, the collective, as a musical instrument. We did everything from percussive expression to whispering to things that were a little bit more familiar, like inviting the 1,000 people that were there to sing the chorus of a song. And those people who were a part of it all will be a part of the next 30 Seconds to Mars album. It was quite simply one of the best things we've done as a band.'

So the chants are already congregational and not simply multi-tracked backing vocals!

This aptly demonstrates Seth Godin's notion of Tribes, where there are leaders but collaboration and inspiration are key. Obviously this band has a totally commercial purpose but their passionate and committed approach is definitely working... real music, heartfelt lyrics that listeners relate too, wonderful!

For the connoisseurs of amazing recording detail, check out the vocals only version here (starts 30s).

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Back to Pub Sunday...

 

I have to confess to a bit of shyness when it comes to walking into places I am not already familiar with. It is always a joy to be made welcome and last Sunday, visiting a new Parish, I noticed I wasn't the only one who was warmly welcomed. The small team of 'Welcomers' made sure everyone was comfortable, understood what was going to happen, where the facilities were and where to get refreshments.

Throughout the evening the joy of all the key people involved in this new 'Outreach' venture was impressive and reassuring at every level even from the top. During the collection, as the bucket went round, it was made absolutely clear that donations were an extra voluntary contribution which would all go to Christian Aid along with an extra contribution from those taking part.

I was uncomfortable, though. I had a knawing sense of guilt and discomfort that actually this is exactly how churches should 'feel'? However, this wasn't even a church initiative put on in the very splendid new music venue 'The Farncombe Cavern' but one run by the Freeholder's Pub team in Surrey who chose to make their opening night a flag to indicate the start of Christian Aid Week...

The Lord be with you... and make mine a pint

Some of it's just transcendental...

A little Easter Sunday treat! The Peter Gabriel cover of Lou Reed's 'Power of the heart' from the 'Scratch my Back' album... enjoy!

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Peter Gabriel Scratch My Back with New Blood

An artist of the stature of Peter Gabriel is often caught between a rock and a hard place. Even his post Genesis solo repetoire extends back to the 70s with so many massively popular songs it is inevitable that when you try something new your stalwart fans may initially be a bit puzzled. Equally, just rolling out the back catalogue you run the risk being criticised for not offering something new! His latest venture combines the two in an inspired way and manages to deflect either opinion.

His latest 'Scratch my Back' project takes other artists songs (who will, in return, record their version of a PG song) arranged for a full 54 piece orchestra (no drums and guitars!) delivered in a format that is far more akin to a classical music recital than your usual stadium rock approach. The first half comprised ALL the tracks from the CD album in the same track running order whilst the post interval 2nd half saw the orchestra playing arrangements of PG's own songs.

The songs, or pieces, were all supported by simple yet stunning 'arty' graphics which included some video elements (on an array of LEDs rather than projection screens) the focus was clearly the music, with conductor  Ben Foster at the helm, supporting vocals from Peter's daughter Melanie with a charismatic Norwegian lass, Ane Brun and a brilliant pianist Tom Cawley. The opening was David Bowies 'Heroes' which started with one of the LED screens obscuring the orchestra displaying very sparse graphics totally synchronised to the music which eventually raised to reveal the orchestra and PG himself stepping onto the front part of the stage.

As mentioned, the set list followed the running order of the Scratch my Back album, check out the player on my blog here. Highlights were the whole drama of the opening with 'Heroes', the starkness of 'Boy in the Bubble', 'The Power of the Heart' and 'Book of Love' which had a witty and self deprecating sequence on the displays killing off any thoughts of sentimentality! PG found his stride in 'The Power of the Heart' with a passionate and committed vocal performance that drew the most applause in part one. Gabriel fans are very respectful so although the response could not be called rapturous, it was polite even if sometimes puzzled.

For me personally I found it immensely stimulating and inspiring yet very much with the classical music concert similarity to the fore. Often attending classical recitals you are not as familiar with the material, so it is an adventure which may not always be delightful and can sometimes be quite arduous. The lack of familiarity, at times, didn't make for easy listening, not a bad thing in my book, regardless John Metcalfe's arrangements and orchestration throughout were brilliant! I would say the 'high brow' factor placed it somewhere twixt Classic FM and Radio 3 with PG's grace and gifts building an accessibility bridge to the essentially Radio 2 audience.

The genius was saving the familiar material, albeit with the previously unheard orchestral versions, as the whole of the second half. Again the arrangements were stunning and gave new textures to the Gabriel catalogue, with the extensive suite of texture and dynamics an orchestra can deliver new facets of PG's songs appeared. This time it was the audience who found their stride, clapping along, cheering, mimicking PG's gestures and even standing in appreciation!

'Solsbury Hill' was the clear 'clapometer' favourite and along with 'In your Eyes' plus the pre-encore set closer 'Don't Give Up' being my own personal 2nd half highlights. Selecting 'Don't Give Up' felt significant, whether by design or default I don't know. The whole of the 'Scratch My Back' CD is very much a Lament for the world (more on Steve Stockman's Blog here), where we have screwed up environmentally, ecologically, tribal / civic wars, corruption, terroism, ethnic cleansing, shock and awe etc. Therefore including 'Don't Give Up' so brilliantly gave hope and encouragement for the future.

To be nitpicky I cannot say it was all perfect. The orchestra was not tight, it did not groove and or have the feel that PG's band excels at, the sound was a bit harsh and sometimes some cues were missed. Equally these points are much more noticable in an orchestral format so overall it did not tarnish or diminish my enjoyment. I am so glad I was able to go and experience this firsthand, a very special and memorable eve. If you get the chance, there are not many dates left and only in North America, don't miss it!

Coldplay and re-imagining Culture Clash

Coldplay-Life In Technicolor ii HD
Uploaded by crytek2. - See the latest featured music videos.

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Congregational musicianship...

A great way of disposing of worship groups/bands, just give everyone a Ukulele instead!

The very wonderful Ukulele Orchestra of Great Britain in full flow at this year's Proms. Suggestion inspired by the Ongoing Adventures of ASBO Jesus 768:

Love will always make you cry...

A wonderful piece of artwork drawn at our gig last night in The Cut Theatre, Halesworth, Suffolk by the delightful Katie (yes, we do have a younger audience too!). I definitely see an album cover here?

After The Fire are now on the last leg of our 2009 mini Autumn tour, up in Cambridge tonight and finish next weekend, Saturday in Godalming and our End of Tour (free entry!) gig in Billericay on Sunday Afternoon 5pm... we'd love to see you!

Harvest Festival

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Saw the very wonderful Seth Lakeman perform last night at Harvest at Jimmy's, a new cosy and intimate festival of food and music at our customer Jimmy's Farm just down the road near Ipswich, Suffolk. Seth is a consumate professional and a seriously gifted musician - launching into his 'defining' solo fiddle and stompbox piece, Kitty Jay, as shown above. This piece illustrates that special place where musician and instrument become as one, a truly uplifting experience which I first witnessed when he headlined at the Greenbelt Festival in 2008. The band is excellent, too, with unfussy, solid drumming, great musical support on guitar from brother Sean, a new guy on guitar/mandolin/etc. and a very tall double bass player.

The event was excellent, too, bearing in mind this was the first time Jimmy's Farm had staged something of this magnitude. Another one of the irrepressible Jimmy Doherty's great ideas!

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