Upon this Rock...

Honoured to be taking part in the Bet Lahem Live Festival this week, depping on Keyboards for the Fat Band... very much looking forward to the whole experience and meeting up with the guys in this video.

One day...? Let's hope and pray.

P

Jeff Buckley - BBC Soul Music Archive - Take 3

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BBC Soul Music - Dido's Lament

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I'm delighted to report the BBC has increased the duration of the archived pieces from Radio 4's wonderful Soul Music and have included this edition along with many others, link above.

Here's a re-post of what I wrote about this broadcast back in 2010 which includes some of the content discussed with Jonathan Evens in our book 'The Secret Chord':

BBC Radio 4's edition of 'Soul Music' which featured Dido's Lament turned out to be really special! It always gives me enormous encouragement (and pleasant surprise!) to hear top notch classical maestros admitting truths that most of their colleagues would consider heresy.

The program moved from a fairly conventional start covering thoughts from the mezzo soprano Sarah Connolly and the view of the conductor of the band at the Cenotaph for Remembrance Day.

Jeremy Summerly, the big boss of the Royal Academy of Music and a renowned conductor, issued the first challenges to conventional thinking about the approach to singing the piece. He asked how would anyone know how 17th Century singers would sound and then introduced Alison Moyet's version, praising her approach, the clarity of her timbre and the fact that every word is intelligible. For someone of Jeremy's stature in the classical world to say this is really something, especially as he stated that Purcell's masterpiece is 'the great tune of the 17th Century'.

The closing section of the programme introduced Philip Sheppard, cellist and now composer. He spoke about how he was invited along to be part of the supporting orchestra for Elvis Costello's Meltdown Festival in 1995. One of the pieces was to be Dido's Lament which would be sung by charismatic rock singer Jeff Buckley. Although Philip had never heard of Jeff Buckley before once he heard him singing it had a most profound effect on him:

He seemed to screw every ounce of meaning out of the words and physically he looked like he was wracked with pain and anguish as he was singing it. But what was coming out was beyond ethereal his voice had this quality where it meant so much more than when I had ever heard it before.

But then when he sang it it seemed to be a Lament so much more and it really went beyond what I would consider to be classical music...and to date it's actually probably the greatest musical
experience of my life, in as much as it turned my world inside out.

As a result Philip had to admit:

I know NOTHING about music - at all!

Up to that point I was a musican who played through study rather than a musician who played through feel and now I have to say I seek out people to work with who do not necessarily read music who have their first sense is one of 'ear' rather than of 'technique'...

Philip then goes on to say how this became a pivotal moment in his career which helped him to become a composer, enabling him to move away from being 'a player who just repeated other people's music'.

Jeff Buckley died in a tragic accident just two years later in 1997, sunsequently his version of Leonard Cohen's 'Hallelujah' reached number one in the US Billboard charts and is considered by many to be the definitive version.

Now Philip thinks of Jeff nearly every day and is ever grateful for the effect of the encounter, even though he only met him for around half an hour...

Listening to this has changed me forever, too, thank you so much...

P

It was thirty years ago...

As listed here: Billboard Charts from 30th April 1983

Although, technically, by 1983 After The Fire was no more we re-convened to film a video ready for the early days of MTV in the US. The first part was filmed in The Venue, Victoria, and then the crew re-created the scene on the top deck of a double decker bus. This was then driven around London during the early morning between 3:00am and 5:00am, I think it was February, with all and sundry getting very cold indeed! Ultimately the video was banned in the UK by the BBC for having the 'scary' tarantula spider. The irony was that when we were filming it was so cold the spider became ultra docile and the only way the owner could get it to stir was to heat the underside of the table with a blowtorch. Suffering for our art... (no animals or insects were harmed in the making of this video).

And we were SO broke!

P

Remembering Joe Strummer through Marley...

Bob Marley's Redemption Song sung by Joe Strummer in one of his collaborations after the heady days of The Clash. H/T to Billy Bragg for reminding us of Joe's untimely passing 10 years ago. In The Progressive Patriot Billy explains how The Clash changed his life at the 1978 Rock Against Racism (RAR) concert in Hackney:

The Clash taught me a valuable lesson that day, which I have in the back of my mind every time I write a song or step out on to a stage: although you can’t change the world by singing songs and doing gigs, the things you say and the actions you take can change the perceptions of members of the audience...

P

Rolling Sideways with Hope and Social...

Photographed by Paul Webster

There's nothing quite like a Hope & Social gig! They are total entertainment, a 'proper' band, with a capability to play either acoustically to a handful, as a full band to a noisy throng packing out a pub or rocking it up with extra players on an outdoor festival mainstage. Each show ranges from energy filled mayhem through to poignant moments which land up captivating all beholders.

They represent one of the new paradigms of how to make a business out of a band, semi DIY and keeping control strictly in-house. Whilst the public perception may be one that borders on them being relatively corporate as a result of a highly creative and comprehensive online image, reality is a bit different. Their mission is to produce quality music, to go out and entertain by giving their all on stage and to do it all superbly. They are not phased by a lack of current worldwide success and have a refreshingly realistic attitude about the modest but desirable extra income that the band supplements with other sources of revenue. These sort of subtle distinctions set them apart and I'm confident careful analysis would reveal even more than covered here.

So despite all the full-on hard graft, the serious amount of traveling and all their crazy mishaps you come away from meeting them thinking they are actually quite happy with their lot. However, the first distinction would be to declare that 'Happy' does not convey enough about the Hope & Social (H&S) phenomenon and instead use the word 'Joy' in preference to 'Fun', and even 'Content' instead of 'Happy'. This is not to say they are not ambitious, but theirs is a compelling mix of quirkiness and contentment with a convincing lack of fear of failure.

They are quick to point out that one of the elements that helps define their musical identity is their studio, The Crypt, which is their inspirational workspace. This is mainly a private recording studio, a rented crypt(!) of a church near Leeds, which they have made their own. With recording equipment they describe as compact yet comprehensive they definitely make the most of it as listening to their recordings clearly shows. Whether the whole band or a subset are in residence there, they then becomes H&S at that moment, the music flows and develops without the potential open chequebook approach when working in a commercial studio.

There is also a candour about how the band works together. Clearly there are different skill-sets and abilities and, because other jobs get in the way, varying availability. However, there is a sense that there is not the strain of jealousy and demarcation that often is rife within other bands. They seem to operate in true community and long may it last!

Last night they nipped down to the metropolis during their current UK tour to play the iconic Union Chapel in London as part of the Greenbelt Festival's inaugral ADVENTurous day conference, of which more soon. It's inevitable that the venue adds or detracts from the performance, out in the audience last night they sounded superb, honed from their current busyness. Early on in the set singer Simon identified that the layout of the Union Chapel, with everyone seated in its formal pews, was radically different to their previous nights gig in a packed Working Men's Club in Halifax and maybe they were not quite as relaxed as usual, having to work harder to woo the seated 'congregation'.

They kicked off with a sublime version of 'Ripples Rock My Boat' from the CD 'April' and rattled through a relatively short set with favourites such as 'Pitching Far Too High' and the walk out into the audience H&S classic 'Looking For Answers'. Songs from their new album 'All Our Dancing Days' included 'Let's Be Bold' and the Springsteenesque 'One Way Home', all played with an exuberance and confidence that so characterises their shows.

H&S are an ultra hard working bunch of gifted guys who love what they do. They are proud of their material, committed to entertain as a primary artistic mission, all with the inescapable sense that the listener may take deeper meanings from the layered lyrics. They acknowledge the influence of the E Street band on some of their writing style and would be proud to wear 'What Would Bruce Do?' wristbands, yet turn out accessible music which is distinctly theirs.

These distinctions occur in the lyrics too. They maintain a balance weighed toward sentiment rather than schmaltz, whimsical rather than emotional and, as mentioned earlier, joy in addition to fun. Their songs make you smile one minute, then you're hiding the tears the next, and it is actually almost too easy to pick songs appropriate for weddings and funerals!

If success could be measured as commitment then they would rule the roost. When Hope and Social take to the stage, wherever and whatever the size, they do exactly that!

Catch them on the last few dates of their current tour:

Dec 04 - The Yorkshire House - Lancaster - buy tickets

Dec 05 - Hare & Hounds - Birmingham - buy tickets

Dec 07 - Fibbers - York - buy tickets

P

Coldplay put a smile upon his face...

Whilst the London 2012 Paralympic Closing Ceremony could be viewed as a bit old and new age what a gift Coldplay songs were for the creative team to exploit? Without their material so aptly capturing the amazing 'moment' that the games generated it would have all been a bit at the level of a expansive and dramatic variety show. It wasn't just Coldplay's music that lifted the event to a higher plane, it was their committment to the whole evening that was so laudable.

They didn't just come on and 'do' their set, they both played along with the 'superstar' guests and singer Chris Martin actually left the stage to sit amongst The British Paraorchestra for the gorgeous interpretation of Strawberry Swing. What capped it all for me was when up on the screens I spied local boy Mat Fraser, actor, drummer and Thalidomide challenged, drumming on stage with the band as per the clip above. What an incredible demonstration of their lyric 'God give me style, give me Grace'?

P

Crowdfunding classical combo ColdPlay cover...

Have recently stumbled across this extraordinary duo, The Piano Guys, a virtuoso pianist, Jon Schmidt, and cellist, Steven Sharp Nelson, playing inventive cover versions and original material. For this project they enrolled charismatic singer Alex Boye who translates the song into Swahili, English, Yoruba (his mother's native language), and his own African "scat". So the original title of ColdPlay's Paradise became 'Peponi' in this brilliant and adventurous cover.

The Piano Guys are inviting folk to join a 'Founder's Club' to help them produce more music and videos... check it out!

P

Bruce Springsteen from boy to Soul and Spirit...

An insightful (and rare) interview with 'The Boss', who talks about the influence of his childhood house and Catholic upbringing in relation to his brilliant Wrecking Ball album. For Apple viewers here's some text but video may still be Flash :-(

P h/t Martyn Joseph

We all had to start somewhere...

Along with many others I am indebted to this book which I was given with my first guitar. What a legacy Bert leaves, becoming more successful as the author of this guide than as a performer and above all for creating an initial introductory milestone for so many players.

Bert will be remembered for this book, whilst Jim Marshall will be remembered for effectively defining the rock guitar sound, both lives are to be celebrated...

PB

Does my bum look big in this?!

I recall it was all a tad stressful as our Ivor had already legged it home to watch the transmission when a technical problem was identified and we were put on standby to re-record.... Fortunately all was well!

P

Athlete's Union Chapel Anthems...

Athlete are one of those bands that, whilst successful, have not managed to scale the higher strata of music business status despite notable awards and plaudits. Indeed, although there musical output is relatively compact, it is definitely a matter of quality rather than quantity. There anthemic approach to songwriting, recording and their live performances have inspired both loyal fans and appreciative listeners. Their strength relies on producing songs that have intelligent, yet charming, lyrics and memorable melodies that readily induce the Old Grey Whistle effect.

This latest release is a snapshot of the last night of their 2011 'Stripped Down' tour, a subset of the full setlist, but all the songs have that sense of familiarity from airplay and the TV broadcasts of their festival sets. Last night I settled down, donned my headphones on and treated myself to an uninterrupted listen. Unlike many first CD auditions I found myself happily riveted, encapsulated by the mood of the event and, as each song ended, smiling broadly in appreciation.

With a consummate line-up that knows these songs every which way, it is a delight to hear the re-inventions played with such ease and feel. And there is plenty of imaginative re-invention, with drummer Stephen Roberts combining percussion with beat boxes as well as kit. The balance and sound is approached differently, too, yet nothing is out of place or overpowering. Bassman Carey Willetts has a couple of starring parts along with a little out of tune passage, which, of course, makes it all totally authentic!

Singer Joel Potts makes a point of complementing keyboard player Tim Wanstall for his contribution, rightly so, as his playing throughout is sublime (even though there's what sounds like one little fluffette just before Joel's introduction!). The vocals are excellent throughout, too, although I suspect there has been some minor tweaking as I am sure I can hear some harmonies sung by Joel ;-) Mr Potts has one of those singer's voices, very distinct, easily identifiable and the way he phrases the lyrics is special.

The CD album captures those live gig moments, introductions and banter have been left in without detracting from the overall production, the atmosphere builds as they launch into 'Flying Over Bus Stops' gently, then building with a Jónsi-esque 'Grow Til Tall' climax. This is then followed by the closing track, 'that' song, 'Wires'. As per when I enjoyed their set at the Greenbelt Festival in 2009, the song is reprised after the tumultuous applause, culminating in just the 'congregation' singing with gusto and conviction, wonderful!

ATHLETE - LIVE AT UNION CHAPEL will be released on 27th Feb 2012 - purchase direct (as I did!) from Athlete HQ here.

Joel closes his anecdotal sleevenotes with this:

It's pretty nerve wracking playing in such a setting. I mean, everyone sitting in the pews and God is somewhere at the back.

And God saw that it was good... very good...

P

Bruce Springsteen taking care...

From Bruce's new album 'Wrecking Ball', another anthem demonstrating his lyrical ability to provoke a challenge in a statement...

Read more from The Telegraph: Bruce Springsteen: I enjoy artists who take on the world

P

Just when you thought it was safe...

You know what it is with some bands that get back together and come out with an album? Sometimes it is marginally less than terrible, even for blindly loyal fans, then other times they deliver something special. The latter sums up the new collection of material from rock veterans Van Halen - A Different Kind Of Truth - released tomorrow Monday 7th Feb, a cracking selection of quirky songs which take advantage of more sophisticated production techniques since their inception in the 70s... 4.5 stars!

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Making Music Matters....

From ScientificAmerican.com comes a synergetic mix of neuroscience and comic strip art giving a generalised explanation of how different styles of music affects our senses...

P

Some Van Halen Bluegrass Joy...

A brilliant Bluegrass version of Van Halen's epic song 'Jump' sung by front man David Lee Roth accompanied by The John Jorgenson Bluegrass Band on an album I've only just discovered entitled: Strummin' With the Devil: The Southern Side of Van Halen . Although the re-unions with former Van Halen bandmates still happened what is abundantly clear here is how much genuine fun Mr. Lee Roth is having! This is a delightful collaborative re-imagination of classic Van Halen tracks with various bluegrass and US folk music ensembles, love it!

P

Peter Gabriel talks New Blood orchestra

Peter Gabriel gives an overview of his recently released orchestral project, New Blood, and gives insight into the extensive creative process involved. I was privileged to attend the Hammersmith Apollo for the recording of the DVD, which I reviewed here. Have only been able to listen the previews because the deluxe edition I've ordered includes the DVD which has a release date of 24th October whilst the CD came out on 10th October - the extra wait is proving a tad trying...

P

Freddie Mercury Google Doodle

Remembering Freddie on his birthdate, who would have been 65 years old today. A rock genius... am privileged to have worked with both Queen and Freddie.

An official tribute and insight (with a smattering of rude words!) to planet Freddie here.

P

If I ever lose my faith in you...

Sounds like Sting was on a mission penning this highly prophetic masterpiece way back in 1993...

You could say I lost my faith in science and progress
You could say I lost my belief in the holy church
You could say I lost my sense of direction
You could say all of this and worse but

If I ever lose my faith in you
There'd be nothing left for me to do...

(great song, shame about the video...)

P

BBC Desert Island Discs... The Challenge

Found I couldn't resist the challenge of trying to come up with just the eight requisite number of pieces of music to post on the BBC Your Desert Island Discs page despite knowing how difficult it would prove to be. So I settled on attempting to pick pieces chronologically that had affected me in some profound way, regardless of whether they were actually real favourites. This meant there were far more that, sadly, had to be dropped and so they simply got away! The final list I submitted, after much deliberation:

The Beatles - In My Life
Wendy (was Walter, at the time) Carlos - from Switched on Bach - Brandenberg Concerto No.3 In G Major 1st Movement
Emerson, Lake and Palmer - from Pictures at an Exhibition - The Great Gate of Kiev
Queen - These Are The Days Of Our Lives
J S Bach - from the St. Matthew Passion - Wir setzen uns mit Tränen nieder
Peter Gabriel - The Power Of The Heart
Coldplay - Fix You
Sir Edward Elgar - from The Enigma Variations - Nimrod

with the Peter Gabriel track as my favourite

Now, as mentioned these all mean a great deal, even though I appreciate some are very popularist choices and will potentially bring down scorn upon my cultural taste. So to get around the strict eight disc rule here are some more from the shortlist in a similar chronological order:

Easybeats - Friday On My Mind
Fleetwood Mac - I need your love so bad
The Nice - Intermezzo from the Karelia Suite
Carl Orff - from Carmina Burana - Fortune Plango Vulnera
Bob Dylan - When He Returns
Van Halen - Jump
Imogen Heap - Hide and Seek
Arcade Fire - Intervention

Again, even this more esoteric list leaves out many I would love to feature... oh woe!

I have discovered you can see who also picked the songs you selected, quite alarming in some cases! Try out the searches in the section Find castaways and choices.

P

When Goldie met Prince (Harry)...

Caught the final edition of this excellent three part series fronted by drums n bass artist Goldie which gives a seriously fresh look at music in Britain today. Whilst all the young musicians were linked by sharing various challenges in their lives, the synergy as the band gels together to play their own material with such diverse cultural styles and in front of Prince Harry at Buck House was truly inspiring.

In addition to the band's journey, with realistically forthright criticism at the hands of their mentors, which included producer Guy Chambers (who co-wrote the Robbie Williams anthem 'Angels'), Soweto Kinch, Cerys Matthews and Ms Dynamite-eee, there were some stunning individual performances too. The really engaging aspect was the authenticity of the writing and composition styles ranging from classical music and musical story telling to, frankly, painful autobiographical disclosures.

There are a few days to watch again using the BBC iPlayer, give yourself a treat!

PB