Showing posts with label Liturgy. Show all posts
Showing posts with label Liturgy. Show all posts
Thursday, 13 April 2017
Sorrow in my heart - Garden of Gethsemane
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Monday, 11 June 2012
Fathoming Francis... Savvy Saint
The book is prefaced with a firmly worded disclaimer that Chase Falson is not IMC in disguise... Ha, I expect I will not be the only one determined to find cracks in that defence! It then opens with Chase arriving in Italy to visit his Uncle Kenny after bucking the trend in church by saying what he really thinks and, as an outcome, being given an immediate sabbatical by the church elders (the Sanhedrin?!). The key characters in the church are introduced before the action happens as Chase is 'nudged' to call this enigmatic Uncle, a Franciscan monk / priest, who has persuaded Chase to drop everything and fly to Europe forthwith.
What then ensues is somewhat of a whirlwind exploration of both the physical church connections and the theology of Saint Francis of Assisi in the company of a bunch of lairy guys who are able to impart wisdom through both their love and behaviour. So our erstwhile pastor is thrown into a bewildering world of relatively orthodox Roman Catholic rituals and edifices in the company of these 'disciples' as they unpack the history of St. Francis. As a result Chase starts to write his journal entries directly to St. Francis, another literary medium to impart some deeply personal thoughts about his pilgrimage. There are some notable counterpoints, too, as St. Francis' advanced thinking is explored, for example, I couldn't help notice the narrative as red wine was poured into plastic cups whilst simultaneously discussing how St. Francis was effectively the first Christian enviromentalist. Furthermore, during one of the services of Mass there are disctinct similarities between the young IMC and the adult Chase. Ian, you've been sussed!
Now, just as I was starting to get a little uncomfortable thinking that the answer to all my spiritual quests could only be answered by attending Mass and/or church even more, half way through the book Chase is on his own and lands up encountering Carla, a gifted and beautiful cellist. Subsequently they share a meal with a top notch musicologist who has a major effect on them both.
From then on I was hooked. Ok, music may be home territory for me, but I found myself reflecting that perhaps, as a reader, I need to cover all the same ground as Chase, to be a pilgrim too? From then on I found myself reading purposefully, allowing myself to be absorbed as even more stunning surprises were revealed before the build up to the challenging conclusion, which is neither one of received wisdom or what you might expect. This is then developed in greater detail in the excellent and comprehensive study guide included as an appendix.
Interestingly his two books appear to be directed at different audiences. Chasing Francis is much more of a book for a Christian, churchy type whilst I could certainly give Jesus, My Father, The CIA and me to anyone, regardless of their faith journey or affiliation. As a UK citizen who just has to drive across this country to experience the relatively radical teaching that forms the core of the Greenbelt Festival ethos, I feel much of the theology in Chasing Francis was comforting rather than revolutionary. However, I equally found that an important aspect of this book is the encouragement and endorsement it provides, particularly concerning the arts and, for me, music. One minor warning for non North Amercian readers is some of the language and acronyms may remain a total mystery! IMC's later book translates better in that respect.
Readers will really appreciate IMC's turn of phrase, he has a enchanting writing style that makes this book very enjoyable and, as I said earlier, a great encouragement. More significant are the layers in the narrative that give the reader the opportunity to mine the text for interpretations that match their current condition, which migrates this work from purely fiction. IMC refers to this as 'wisdom literature' in the introduction, an apposite description. And what's really intriguing is the loose ends with many of the characters, roll on the sequel...!
Ian Morgan Cron is one of the speakers this year at Greenbelt 2012
P
Monday, 13 June 2011
The Peace of the Lord be...
Love it!
P
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Tuesday, 18 January 2011
Losing it in church...
Received a link to this video today and felt considerable resonance to thoughts concerning church worship and services that I have been struggling to articulate after much reflection. It seems what happens in churches is often very inflexible and Mark Pierson, author of The Art of Curating Worship: Reshaping the Role of Worship Leader
h/t Clayfire Curator
P
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Thursday, 1 April 2010
Easter suffering... fuel for forgiveness
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Saturday, 13 February 2010
All the small things... really matter
This song is a choral version of American popular teen combo Blink 182, one of many excellent musical pieces on the DVD which should be watched by every church choir, pastor and congregation. The plot covers an comprehensive array of social, religious and family issues that touch the spirit deeply... it is a tragedy that plans for a new series have been dropped... buy this gem on DVD.
P
Sunday, 10 January 2010
Art and Christianity Part Three - Music
This my third post on the Art and Christianity meme commenced by Jonathan Evens.
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Music: J S Bach - St Matthew Passion. I remember filing in the Royal Festival Hall at 10:00am on a Good Friday to experience Bach's epic Passion and wondering what to expect having been told by my hosts that we would not be leaving until 3:00pm! On advice I had managed to obtain a choir score from Upminster library to help me navigate my way through Bach's interpretation of Matthew chapters 26 and 27. Now whilst I still don't read music I would say it was pretty essential to peruse the score to be able to greater appreciate the composer's genius in using motifs and phrasing to highlight activity and mood.
I was familiar with the beautiful hymn, 'O, Sacred Head! Sore wounded', (also known as the Passion Chorale) yet as soon as the double choir launched into their opening chorale I was transported heavenwards by the breathtaking and all enveloping wall of sound undergirded by the massive double orchestra and pipe organ. There appeared to be around 10 soloist parts and I came across the word Recitative for the first time... had already heard of Arias!
However, it is not an easy piece to listen to in its entirety and despite the sublime chorales the tension Bach creates musically is tangible. Nowadays we are so used to a high solo violin scraping away to semaphore impending doom in a film or tv drama but this would have been very early examples of this sort of technique. Whenever Jesus has narrative or 'speaks' there is a 'sound' Bach has scored a special full violin section sound to emphasise what we can consider to be Jesus' 'Spirit', the pre-Pentecost Holy Ghost. This musical effect, which is referred to as Jesus' 'halo', is conspicuously absent as Christ utters 'Eli, eli, lama sabachthani' and I found this deeply moving.
Here is the moment of utter desolation (and multiple Recitative performances) that narrates 'Now the Lord is brought to rest'. Then in the finale chorale, as per the youtube example above, the choirs can be heard 'answering' one another and the stereo effect of the double orchestra can clearly be heard... as the final chord resolved and faded I do not recall whether there was applause or not as I made my way out, I had been transported to another place, I do remember tactfully averting eye contact so folk around me would not spy my wet cheeks.
It took me until Sunday to recover physically. I ached from feeling the palpable tension, from concentrating on the passage, the sense of loss as the Passion unfolded (such a vital part of the Easter weekend) and I will never, ever forget...
P
Artwork: Antony Gormley - 'Field for the British Isles'
Drama: Film 'Chariots of Fire' (1981)
Music: J S Bach - St Matthew Passion
Novel: Victoria Hislop - The Island
Poem: Wilfred Owen - The Parable of the Old Man and the Young
Music: J S Bach - St Matthew Passion. I remember filing in the Royal Festival Hall at 10:00am on a Good Friday to experience Bach's epic Passion and wondering what to expect having been told by my hosts that we would not be leaving until 3:00pm! On advice I had managed to obtain a choir score from Upminster library to help me navigate my way through Bach's interpretation of Matthew chapters 26 and 27. Now whilst I still don't read music I would say it was pretty essential to peruse the score to be able to greater appreciate the composer's genius in using motifs and phrasing to highlight activity and mood.
I was familiar with the beautiful hymn, 'O, Sacred Head! Sore wounded', (also known as the Passion Chorale) yet as soon as the double choir launched into their opening chorale I was transported heavenwards by the breathtaking and all enveloping wall of sound undergirded by the massive double orchestra and pipe organ. There appeared to be around 10 soloist parts and I came across the word Recitative for the first time... had already heard of Arias!
However, it is not an easy piece to listen to in its entirety and despite the sublime chorales the tension Bach creates musically is tangible. Nowadays we are so used to a high solo violin scraping away to semaphore impending doom in a film or tv drama but this would have been very early examples of this sort of technique. Whenever Jesus has narrative or 'speaks' there is a 'sound' Bach has scored a special full violin section sound to emphasise what we can consider to be Jesus' 'Spirit', the pre-Pentecost Holy Ghost. This musical effect, which is referred to as Jesus' 'halo', is conspicuously absent as Christ utters 'Eli, eli, lama sabachthani' and I found this deeply moving.
Here is the moment of utter desolation (and multiple Recitative performances) that narrates 'Now the Lord is brought to rest'. Then in the finale chorale, as per the youtube example above, the choirs can be heard 'answering' one another and the stereo effect of the double orchestra can clearly be heard... as the final chord resolved and faded I do not recall whether there was applause or not as I made my way out, I had been transported to another place, I do remember tactfully averting eye contact so folk around me would not spy my wet cheeks.
It took me until Sunday to recover physically. I ached from feeling the palpable tension, from concentrating on the passage, the sense of loss as the Passion unfolded (such a vital part of the Easter weekend) and I will never, ever forget...
P
Monday, 23 November 2009
I don't understand your love...
On Sunday 22nd we welcomed Lily Hope ....... into the church family through the sacrament of Holy Baptism. So why do I choose to impart this to Blogworld you may ask...? I'm very glad you did!
It was special! Not the service itself, certainly the all too well used phrase 'the worship did nothing for me' could justifiably be applied as it was relative chaos with musical mistakes aplenty (aka Jazz!) and the usual undercurrents that happen in churches all going on....
So why was it special? We started with the blockbuster 'Crown Him with many Crowns' (celebrating 'Christ The King') blasted out on the organ and I was delighted to see the Baptism family guests enthusiastically singing along for starters. As the service moved along we sang 'The River', with its provenance of inspiration from tragedy and forgiveness. The sermon was a familiar message (albeit with theology that makes me squirm somewhat) then the ceremony was lovely, kids running around, a 'Happy Christening Day' balloon floating aloft and the Junior Church singing.
For the last hymn we brought on a late sub, swapping a trad hymn for a song the baptism parents had sung at their wedding, 'Give me oil in my lamp'. Again, that was belted out with obvious joy and exuberance despite, in many quarters, being thought of as naff and passé.
Even though this family have only been coming to church relatively recently as part of their Baptism preparation they had laid on abundant munchies and cake, choosing to celebrate with our worshipping community in the church hall during our regular coffeetime... what a spread! It was during this that I was completely floored by a comment from the mum... 'this (as in 'coming to church') is my constant at the moment'... wow, suddenly that little phrase made everything worthwhile. And, unsurprisingly, it also made everything else a total nonsense, all the other church crap we worry and obsess about. Through our flawed efforts and imperfections this had become Holy!
I was recently reminded, when listening to a talk Frank Schaeffer gave at Greenbelt 2008, about how we attempt to rationalise the sacraments. Therefore we assume, in human terms, that it is not 'right' for a child to receive Holy Baptism until they can make up their own minds yet we acknowledge a mother whispering to her newly born 'I love you' is fine despite knowing the babe is unable to actually understand what is being said. It came home to me so powerfully to allow God to act in a 'mysterious way' we need to forsake our human rationality.
And God saw (to it) that it was good!
It was special! Not the service itself, certainly the all too well used phrase 'the worship did nothing for me' could justifiably be applied as it was relative chaos with musical mistakes aplenty (aka Jazz!) and the usual undercurrents that happen in churches all going on....
So why was it special? We started with the blockbuster 'Crown Him with many Crowns' (celebrating 'Christ The King') blasted out on the organ and I was delighted to see the Baptism family guests enthusiastically singing along for starters. As the service moved along we sang 'The River', with its provenance of inspiration from tragedy and forgiveness. The sermon was a familiar message (albeit with theology that makes me squirm somewhat) then the ceremony was lovely, kids running around, a 'Happy Christening Day' balloon floating aloft and the Junior Church singing.
For the last hymn we brought on a late sub, swapping a trad hymn for a song the baptism parents had sung at their wedding, 'Give me oil in my lamp'. Again, that was belted out with obvious joy and exuberance despite, in many quarters, being thought of as naff and passé.
Even though this family have only been coming to church relatively recently as part of their Baptism preparation they had laid on abundant munchies and cake, choosing to celebrate with our worshipping community in the church hall during our regular coffeetime... what a spread! It was during this that I was completely floored by a comment from the mum... 'this (as in 'coming to church') is my constant at the moment'... wow, suddenly that little phrase made everything worthwhile. And, unsurprisingly, it also made everything else a total nonsense, all the other church crap we worry and obsess about. Through our flawed efforts and imperfections this had become Holy!
I was recently reminded, when listening to a talk Frank Schaeffer gave at Greenbelt 2008, about how we attempt to rationalise the sacraments. Therefore we assume, in human terms, that it is not 'right' for a child to receive Holy Baptism until they can make up their own minds yet we acknowledge a mother whispering to her newly born 'I love you' is fine despite knowing the babe is unable to actually understand what is being said. It came home to me so powerfully to allow God to act in a 'mysterious way' we need to forsake our human rationality.
And God saw (to it) that it was good!
Labels:
Baptism,
Church,
evangelism,
Faith,
Greenbelt Festival,
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music,
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Ritual,
Sacrament,
spiritual,
Spiritual Songs,
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Thursday, 12 November 2009
5 Deeply De-Christian Doctrines meme...
Thanks to Joe H for tagging me with 'List 5 doctrines that are taught within the Christian church that you believe to be deeply de-Christian'... I know only have a loose grasp of what the context of the word doctrine should be here ;-)
I think most folk have completed this so forgive repeats: Alice, Richard, Maggi and would love to know what Bishop Nick would write but Liverpool still have injury issues...!
Here are mine and must say it has taken me ages, have had to work so hard to get down to just 5(ish)!
- That Worship is more (or less!) important than Mission and justice and, even more dangerous, that by solely worshipping you are being missional by default.
- Judgementalism - seems we are trained to be experts! At a local home group when the question was posed 'why are Christians so judgemental?' a good mate piped up: 'practice'!
- Consumerism - this claim that the church teaches consumerism should not be a surprise! The first definition of consumerism I found when googling is: 'the theory that an increasing consumption of goods is economically beneficial'. How many times do we hear that by buying this CD, book, service that we support the ministry of this individual or organisation? What happened to tentmaking?!
- Sentimentality - includes the dumming down of art and music to wellmeaningless bibledygook (new words warning!) which we are told is fine because it has the word God/Jesus (but it looks like a squirrel) somewhere on/in it... (or something about setting captives free, exalting, lifting names up high, putting tongues in... sorry, I cannot go on, it is TOO upsetting!). Check out this entry from Stan the Man again which includes some language of the immortal bard!
- Discrimination - anyone in the public sector, business or society would be in serious trouble and not get away with with what the wider church teaches about women, gays and minority groups including the physically disabled. The current stuff about flying bishops (still only male) to serve twitchy C of E communion celebrants so they can receive from a man is highly de-Christian.
Oh, and something extra: Apostolic Succession - well, that's all a bit Dan Brown DaVinci Bollocks stuff isn't it?!
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Thursday, 1 October 2009
Benedictus Benedicat... Amazing Graces!
In my upbringing saying Grace before meals was never missed. I have tried to maintain the tradition and am pleased to say, on the whole, have managed to keep it going. I feel it is an important moment to take in our day as we effectively break bread together and to give thanks for our daily manna.
Love this one for brevity:
Good food, Good meat, Good Lord, Let's eat. Amen!
Good food, Good meat, Good Lord, Let's eat. Amen!
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William E. deGarthe
Tuesday, 18 August 2009
Redeeming Culture...
.
A little video explanation created by Rob Halligan of our Bradwell experience...
Thursday, 30 July 2009
ATF Pilgrimage to Bradwell
So it's nearly time for what has become After The Fire's annual visit to the tiny chapel of St Peter on the Wall, Bradwell, Essex, where we ring the changes from our usual power pop-rock output to a seriously unplugged, meditative service of worship which we gently steer. The ambience and natural acoustic of the chapel is extraordinary yet still allows our energetic approach to enable folk to express themselves in song and prayer regardless of their church preferences or faith journey. This year we are as adventurous with the repetoire of songs as usual, so if you are intrigued and have a broad taste in music raging from R.E.M. to traditional hymns (and live not too far away!) join us at 6:30pm this Sunday 2nd August!
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Sunday, 26 July 2009
A Prayer cross this evening...
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Church,
Liturgy,
Prayers,
Theology,
West Mersea
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