Happy St Patrick's Day...

Try singing along to one of the greatest hymns ever (if you can keep up!!)

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Keeping up with Balthazar’s Epiphany...

It was most unusual, to say the least. We so seldom agreed on anything. But this time we all felt something sinister was afoot and were of one mind. Of course, we had to go through the ‘right’ channels, Caspar always insisted we must, he’s driven us nuts with his attention to detail all along. Our journey would have taken half the time if he hadn't meticulously checked and double checked everything. But now he has come up trumps, we all agreed, we simply didn't trust Herod and there was no way we would be advising Herod’s henchmen when we found our ultimate destination.

I must mention this incredible star. It was so vivid, so extraordinarily bright and everywhere we went it appeared to be ahead of us. Believe me, Caspar had ensured our ‘forward’ motion had covered all points of the compass and yet this star was always there. I cannot emphasise how bright it was, enough to light our way and yet it also became the source of our biggest falling out. We kept arguing over and over whether it was following us or we were following it. I always thought it led the way, however, being the youngest I wasn’t considered wise yet. I do acknowledge they had a point though; why hadn't Herod’s astronomers spotted it, surely it would have been easy for them to track? Then I received a right telling off when I simply suggested that Herod’s men could have just followed us, seemed obvious to me! I should say that Melchior had been surprisingly discreet. He managed to keep quiet about the star when we were with Herod, despite making a fool of himself rabbiting on about all the evidence we had amassed to plan our expedition which Herod’s legal team then confiscated.

Anyway, we have reached our destination. Actually, the last bit of our epic journey didn’t take long at all, as you can imagine, even Caspar was keen to leave Herod’s palace as soon as we could. And now it was my turn to be proven right. Despite my earlier pleas to not expect too much they were still taken aback. But I knew what living in an occupied territory was like, my suggestions that the special one would reside in modest accommodation had been repeatedly dismissed with generous contempt.

Mr Joseph opened the door of his humble dwelling appearing completely unphased by our substantial entourage. ‘We’ve been expecting you’ was what he said, with a broad smile, welcoming us over the threshold. And Mrs Joseph, Mary, greeted us. She seemed shy, demure and yet serene. Caspar and Melchior pushed their way forward into the living room and missed seeing the energetic toddler behind Mary. He was playing with some expertly carved wooden pieces. Mr Joseph explained his work included creating scale models for approval by the Temple authorities who kept rejecting them because they were ‘such a fussy bunch’. ‘This is my firstborn’, Mr Joseph proudly added, ‘and my boy keeps finding better ways to make these!’. The shekel dropped, ‘the firstborn’, I felt my heart race.

Anyway, Mr Joseph stoops and prompted the child who then followed him to the where Caspar and Melchior, now seated, were looking both bemused and impatient. Mr Joseph then presented the special one. Now it was the the Joseph family’s turn to be bemused by my fellow travellers’ antics! Of course their gifts, Gold and Frankincense, were exquisitely and expensively wrapped and handed over with much bowing and scraping. Mine, well, yes, I was the youngest so I had the ‘awkward’ present. I turned toward the parents and they sensed my discomfort. Mary looked pensive, gently accepting my tiny phial of Myrrh. And as she turned away I heard her whisper, ‘it’s ok, I know, Blessed be the Lord’.

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Coldplay - tearing me apart...

And I don't care... if you think I'm uncool, bah, I simply love this, so there...!

This touches me on so many levels, those who know me well may figure it out, a big clue is one of the tags below... and it is about time I posted again!

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Good tidings from Hope and Social...

Hope and Social's Seasonal and mellifluous contribution to the Leeds based charity for the homeless 'Simon On The Streets'. This is part of a Christmas compilation of 14 other festive songs which can be purchased for a 'pay what you like' contribution from justgiving.com/anthologieschristmas2012.

Happy Christmas everyone!

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Rational certainty versus Blessed assurance...

The enigmatic Dr Cornel West discussing writing his memoir with Craig Ferguson on the Late Late Show... and quoting the words of one of my favourite old hymns!

P h/t @iancron

Jubilate everybody...

This is the incredible Geoffrey Gurrumul Yunupingu who stole everyone's hearts when featured in Gary 'Take That' Barlow's documentary programme about the creation of the rather splendid 'Sing', a Commonwealth anthem for the Diamond Jubilee...

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We all give God the blues...

From the album Mercyland: Hymns For The Rest Of Us, a collection of 12 songs curated by Phil Madeira by various artists. As well as this song in the style of the Blues there are contributions ranging from traditional, Country and Rottsy folk songs.

This Nashville Scene article explains more, a couple of sentences that challenge are:

a devotional album without all the religious and commercial hoopla

"I think the most visible expressions of Christian faith are very exclusive, and I think that has been a real struggle for me."

P h/t @iancron

The end of the C of E as we know it...

'I don't care about the Church of England' is an obvious soundbite that journalists will inevitably latch onto that Bishop Stephen Cottrell proclaimed during the Chelmsford Diocesan Transforming Presence event this Saturday 21st Jan. I first encountered Bishop Stephen's inspirational style at another conference, Transforming Worship, at Chelmsford cathedral when he was still serving as the Bishop of Reading. Then he encouraged us to think much more creatively and holistically about the experience of what it's like to attend a church, explaining that planning services must go way beyond simply preparing for a liturgical, lectionary based hymn, prayer and reading sandwich.

The Transforming Presence event was convened to draw together around 1,000 people from all over the Diocese, which covers all of Essex and East London, to discuss the pressing issues facing the C of E in terms of attendance, finance and clergy. The process was one of structured discussion and feedback gathered from delegates grouped in tens around circular tables. We were guided through a creative SWOT analysis exercise, each topic culminating in filling out conclusions onto friendly and varied 'homely' forms which were collected and then displayed around the venue.

However, the overall experience was very much like church, a see-saw of good versus the uncomfortable. On arrival at the Brentwood Centre it was a joy to see the Bishops modelling high-vis fashion (see photo above) and directing the not inconsiderable traffic. Regardless of whether some thought that was, maybe, a tad contrived, it positively demonstrated the 'renewal of the mind' from the day's familiar reading, Romans 12, as a way to think in reverse of the expected.

Next one of the truly saddening moments! Depsite the church banging on about the 5th Mark of Mission drinks were served in polystyrene cups with plastic teaspoons... To some that may seem insignificant, but surely a powerful 'evangelistic' message was missed because of that lack of joining obvious dots?

Moving along the next uplifting moment was hearing Bishop Stephen's opening remarks as he unpacked the vision for the day. Sadly this was then swiftly followed swiftly by another downer as the first hymn we sang, despite having great words, was set to the wretched tune of Danny Boy. I must stress this was an exception in the day's liturgy as a whole. However, to me it was such an irony that, as the Brentwood Centre stages professional boxing tournaments, I kept imagining everyone else at the Centre, those making use of the usual sporting facilities etc., must have been left wondering why such a strait laced bunch was so robustly endorsing Fighting some sort of (good?) Fight? OK, I'll fess up, I only see and hear Barry McGuigan's dad singing whenever I hear that tune!

The main part of the day then ensued, with the aforementioned discussions. My table had a good mix, clergy were in a minority (3), our geographical locations and church types were varied. Despite having to bite my lip (a lot!) it was a good process and although, overall, I felt we were somewhat parochial, there were some surprising contributions along with some changes of heart as the day progressed. To generalise, I don't think we were realistic. For example, am I cynical to not expect an imminent revival?

This process was interspersed with other elements, including sharing lunch on the table and simply wandering around to meet acquaintances. A Twitter hastag was running, #timetotalk, which both started to produce some good comments and enabled a Tweetup moment for those of us who partake to meet in real life (ie non-virtually) ;-)

After the lunch break we were called back by singing 'Spirit of the Living God', played most sensitively by Elwin Cockett, now an archdeacon, no less! Next came a really weird moment... We were shown a new video of some relative youngsters, I assume teenagers, talking about church and what it meant to them. Frankly it was dreadful, and that is a gross understatement. It was typical of something a church / Diocesan committee would produce. Great content, awful production. In the car one of my buddies proposed that the way the contributors had delivered their pieces to camera was the result of some rendition process deep within the Guy Harlings complex! In line with the rhythm of the day, and another irony, next up was an interview by BBC Essex broadcaster Ian Wyatt who demonstrated how much better professionals handle things. Ian's programme covering the conference is on iPlayer for a few more days.

So, back to our table and the mission thereon. We resumed by filling out a mythical edition of Diocese's publication 'The Month', predicting the content for the year 2020, fleshing out a Headline we had invented in the last pre-lunch session. My question here is why were we even talking about the print edition without at least acknowledging on-line or mobile / tablet apps and media that we would most likely consume in 8 years time? With converging of Internet and TV technology it is likely everyone will have access to some sort of online media, even without broadband. Of course, it is not the point that was being sought, the possible stories were, but it does show a lack of vision for it not to be even mentioned. Equally not actually having the #timetotalk hashtag displayed anywhere seemed a bit of an omission as people were trying to figure it out.

And so on to the closing remarks that Bishop Stephen gave. He started by giving his imagined headline for 'The Month': 'The Church of England ceases to exist' explaining whilst we have too many churches his solution is to actually have more. He qualified the daring opening statement in the first sentence of this post, 'I don't care about the Church of England', as he concluded, 'but what I do care about is the Gospel of Jesus Christ'. There ensued a passionate rallying call about how inevitable a terminal decline of the C of E will happen, in the short term, unless we engineer radical changes, starting now, which he summarised as 'I do not want to manage the graceful decline of the Church of England'. He added an even more daring thought when he said 'the C of E may still decline, but that's up to God'. His call is for all of us to be transformed, to let go of our preferences and desires, for the church to break from the cultural constraints that may have worked well in the past but do no longer, and to develop such that we, as both disciples and as the church corporate, are distinctively Christian.

It was a priviledge to be at the starting point of this vital and prohetic initiative. Of course, I will not be the only one to have found some niggles but if this collaborative approach is an inkling of real transformation in the way things move forward from now on, that is refreshingly good. Yes, I was pleased to feel part of the day and whilst still harbouring concerns about how big an ask this may prove to be it is one giant leap in a brave direction.

And one more thing... I had one of those weird 'moments'! Whilst visiting the rest of the Brentwood Centre complex to avail myself of the facilities I felt assailed by the loud 'piped' music. It was a strange contrast to be part of what I can only describe as a quite a noisy 'holy hubbub' yet to still find that bit of the outside world so strident when, normally, you wouldn't even notice?

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Peter Gabriel talks New Blood orchestra

Peter Gabriel gives an overview of his recently released orchestral project, New Blood, and gives insight into the extensive creative process involved. I was privileged to attend the Hammersmith Apollo for the recording of the DVD, which I reviewed here. Have only been able to listen the previews because the deluxe edition I've ordered includes the DVD which has a release date of 24th October whilst the CD came out on 10th October - the extra wait is proving a tad trying...

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Awake my Soul - The PS22 Chorus

Some inspirational singing of this superb Mumford and Sons song from the PS22 Chorus, a junior school choir from Staten Island, New York. The choir has become an internet phenomenon as well as receiving high praise from the very artists they cover...

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Bob Dylan, troubadour extraordinaire...

A passionate cover of Bob Dylan's song 'When He Returns' from the 1979 album 'Slow Train Coming' by Gospel singer Rance Allen to celebrate the bard's birthday. Of course, I adore the original, however, there is also something pretty special about this version with its blistering Hammond accompaniment and no holds barred vocal performance.

There is also another incredible version, albeit gentler, from John Lee Sanders.

This aptly illustrates the concept of 'improvisation' rather than 'intervention'...

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The Gospel of the Blues...

Film trailer of acclaimed Canadian blues singer Rita Chiarelli's journey of discovery within the intimidating walls of Louisiana State's maximum security prison entitled Music From the Big House. Stunningly shot with an intriguing mix of both Gospel music and the Blues... official wording reads:

From acclaimed director Bruce McDonald, teaming with an Emmy and Oscar nominated documentary producer, comes a rare and exclusive musical journey. Rita Chiarelli, an award-winning recording artist, has decided to take a pilgrimage to the birthplace of the blues - Louisiana State Maximum Security Penitentiary a.k.a Angola Prison. She never imagined that her love of the blues would lead her to play with inmates serving life sentences for murder, rape and armed robbery.

In what was once the bloodiest prison in America, inmates relatives will be invited to listen alongside other prisoners, to hear remarkable voices singing stories of hope and redemption. Let yourself be swept away by one of Blues' most soulful pilgrim daughters who is finding out if music really is an escape.

P h/t The Wedlocks

Springsteen's Good Friday meditation...

h/t Stiller's Blog, Zac's Place

Peter Gabriel - New Blood in two halves

No one could ever accuse Peter Gabriel of not being adventurous and the second outing for the New Blood Orchestra provided some unexpected surprises. I caught the previous tour at the 02 back in early 2010, effectively promoting his Scratch My Back orchestral covers album which I reviewed in some depth here. This show (Wed 23rd March 2011) at the Hammersmith Apollo mainly featured orchestral versions of his own extensive repertoire.

The first surprises were in the first set. To kick off with 'Intruder' seemed a strange choice with all its dissonance and harshness. However, on reflection, it was a good choice to both enable any settling down to take place and keep any hiccups hidden behind the sonic assault the piece has. However, that didn't work as the next song, 'Wallflower' PG actually had to stop after a disastrous start. Even after the restart things still sounded awry with tuning problems and PG's voice barely audible. It seemed the cellos were not playing from the same score, such a massive shame as they stole the show during the 2nd set with a stunning rhythmic part for 'Red Rain'. I sunk into my seat both with embarrassment for the man himself and also in case my good buddies were wondering why on earth I had encouraged them so enthusiastically to accompany me into London for the day!

Strangely, another surprise, it was the back to back selection of the Scratch my Back songs that eased the show back on course despite PG's vocal still being too low in the mix. The empty and plaintive 'Boy in the Bubble' was followed by the dramatic 'Après Moi', then 'The Book of Love' with 'The Power of the Heart' completing the Scratch my Back selection. Another one of PG's more strident pieces, 'Darkness', was shoehorned in before the final surprise of the first set, a brilliant and moving version of his timeless classic 'Biko'. Here the overhead and back of the stage carried a simple film of some candles burning along with a monochromatic picture of Stephen Biko himself. Until then the graphics had been noticeably out of sync with the music, a technical surprise, but once Biko had finished the sense of joy and delight that being part of the Peter Gabriel congregation had returned in abundance.

The second half was blissfully transcendent!

Peter Gabriel is an extraordinary encourager, whether that be of his noticeable support of World Music, cornerstone of The Elders peace initiative and of his music collaborations. So the romantic in me imagines a serious yet inspiring team talk at half time as the all round improvement was staggering! It seemed everything was sorted and now PG's vocal soared... clearly a gig of two halves!

The set started of with San Jacinto and moved through Digging in the Dirt, Signal to Noise, Downside Up, Mercy Street, Rhythm of the Heat, Blood of Eden, Red Rain and finishing with the evergreen favourite: Solsbury Hill. We were then treated to encores of In your Eyes and Don't Give Up with the wistful instrumental The Nest That Sailed the Sky finally sending us on our way. My posse was split on singer Ane Brun's interpretation of Kate Bush's memorable vocal on the original Don't Give Up, personally I thought the girl did great, made it her own with perfect control and diction.

In his March Full Moon video Peter says this whole New Blood project will be put to bed once the last handful of North American dates are complete. We can look forward to both the album and the DVD filmed at the Hammersmith shows, if you can make the real thing I so strongly recommend it. I had not even planned on going, it was all a last minute moment of madness and, despite the gremlins in the first part, I cannot fully express how special it was. Like many established artists PG now has less constraints to find new ways of expressing his creativity even if some think it is merely whimsical. His voice just keeps getting better, his music never ceases to amaze and now John Metcalfe's brilliant arrangements provide another dimension for our listening delight.

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If music be the food of love...

[ Click for Rob's download page ] [ Click for lyrics & chord chart ]

[ Click for After The Fire's live version of You recorded in 2008 ]

Here we go again! A MEME request has arrived from Graham Peacock, author of one of my regular blog reads, diggingalot, which means it would be rude not to respond! Although, I have to say, I was going to leave this particular debate alone for a while, despite having lots to say on the matter and much more than I will be able to here!

However, this does give me an opportunity, as I have been so warmly invited, to spell out a handful of things that seriously bug me! Graham's MEME asks for 'Your best contemporary worship song ever' but let's get some things straight first:

1. There is NO SUCH THING as Christian Music, CCM or whatever...
2. There is NO SUCH THING as Worship Music...
3. There is NO SUCH THING as Sacred Music...
4. There is NO SUCH THING as Secular Music...
5. Music itself is NOT Worship - although music can be worshipful...
6. Music IS often Spiritual - more on this in a future post...
7. There IS such a thing as a priority to care for the sick, the oppressed, the poor, the downtrodden and the immigrant...

Let's emphasise this with is an important quote in Rob Bell's book Velvet Elvis:

Something can be labeled 'Christian' and not be true or good. It is possible for music to be labeled Christian and be terrible music. Just because it is a Christian book by a Christian author and it was purchased in a Christian bookstore doesn't mean it is all true or good or beautiful. A Christian political group puts me in an awkward position: What if I disagree with them? Am I less of a Christian? What if I am convinced the 'Christian' thing to do is to vote the exact opposite?

'Christian' (the word) is a great noun but a poor adjective.

Another issue with using 'Christian' and 'Worship' as adjectives coupled with the word music has meant that both new commercial opportunities and new genres have arisen over the years. These have led to sub-standard product being peddled to churches and Christians in preference to most mainstream music on the grounds the former is more sanctified. It is not! It is simply not as good as the mainstream equivalent, often a poor quality sound-alike!

I recall Francis Schaeffer said something along the lines of 'you can have good art with good message, bad art with a good message, good art with a bad message and finally bad art with a bad message'. My opinion (yes, opinion!) is the stuff described as 'Christian Music' and 'Worship Music' falls into the latter category. Why don't we see the image of the Creator in so much of the mainstream music / art that is there ready made to utilise in church?

In a service of divine worship music needs to enhance, encourage and engage the congregation. It should not be an opportunity to proselytise, pander to personal preferences or perform for performance's sake. Music must be an integrated element of the liturgy, whatever style the latter follows. Even worse, this type of music is all too often delivered in such an inappropriate, mind numbing, ear bleeding and indecipherable form that still doesn't hide its naffness! Of course, worship does not necessarily take place within a church anyway, it can and, perhaps, should, happen everywhere... that's a debate.

Although I do not think such a thing as 'contemporary worship music' exists I will just mention contemporary hymns. I do concede that songwriter Stuart Townend has created some moving hymnody, (good art, good message), for example, 'How Deep The Father's Love', which is distinctly different from the usual modern churchy fare.

Having said all that, I have made a suggestion above, simply entitled 'You', which is a song that readily engages me in worship. It is by my buddy Rob Halligan, singer / songwriter extrordinaire and also the lead singist in After The Fire. It spells out grandness, it quotes the good book, it employs poetic imagery, it evokes discipleship and even a personal response but not as a simpering request to cuddle up to Jesus. It is just at home in the set list when we play a full on mainstream concert or in a liturgical church service, thereby breaking any divide between the sacred and secular.

I know this only just scratches the surface, my plea is to leave the veil of the Temple riven.

PB

Let us sing No Anglican Covenant...

When you, when you forget your name
When old faces all look the same
Meet me in the morning when you wake up
Meet me in the morning then you'll wake up
If only I don't bend and break
I'll meet you on the other side
I'll meet you in the light
If only I don't suffocate
I'll meet you in the morning when you wake
Bitter and hardened heart
Aching waiting for life to start
Meet me in the morning when you wake up

Bend and Break - track 2 on Keane's 2004 album Hopes and Fears

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The appalling CCM songs meme...

 

This is via Rev Sam originally from Doug aka Clayboy: 'Please try to name ONE (I know, there are so many to choose from) CCM praise song that you find unbearable and at least 2-3 reasons why, pointing to specific lyrics if you must.'

Like Sam I don't know any CCM (Contemporary Christian Music) stuff because I simply don't listen to it. However, anyone that goes to church often has to put up with 'praise' songs usually grouped under the 'Worship Music' category. So my example, written by 'leading worship leader Matt Redman' (and his missus) is this complete and utter drivel:

Let my words be few

You are God in heaven
And here am I on earth,
So I'll let my words be few-
Jesus I am so in love with You.

And I'll stand in awe of You,
Yes I'll stand in awe of You,
And I'll let my words be few-
Jesus I am so in love with You.

The simplest of all love songs
I want to bring to You,
So I'll let my words be few-
Jesus I am so in love with You.

The Meme requests that 2 - 3 reasons are given why it is unbearable:

1. It's total crap
2. It's unbelievably banal
3. Whenever I have heard it sung/performed the irony of a relatively short song being 'repeated ad infinitum until blessed' never seems to occur to the band!

One day I will really say what I think on the whole genre, both from a musical perspective and, particularly from the marketing side; the fleecing of Christians, temple trading... I could go on and on (until blessed!).

When these guys not only spout their 'songs' but also intersperse them with indecipherable Christianese there is a sense that actually God's name is being taken in vain. Furthermore the whole scene is so self perpetuating in that worship music propagators now organise training seminars and conferences where they train fledgling church musicians/songwriters to simply carry on producing more of the same 'spot the difference' rubbish. They could do much better by suffering (in the best sense of the word) the mentorship of genuine mainstream musicians, writers and producers but that challenges 'safeness'.

We have such a vast resource of more deeply creative and spiritual songs from the panoply of inspirational mainstream artists. Let's play them both in our pubs and churches rejoicing in the clarity of the image of the Creator in their art.

P

Also see contributions by:
Jon Evens
Phil Ritchie

I tag Tim, Sally, R J, Mike, Graham, Archdruid Eileen

Candlemas Rocker Service...

Clearly Archdruid Eileen of the Beaker Folk of Husborne Crawley has the gift of prophecy as the posting on Saturday 29th; 'Middle Age Rocker Service' was somewhat matched by the real thing this Sunday. In many ways 'Middle Aged' is on the gracious side for After The Fire (ATF) and our extra team of acoustic musicians (no Fender Squier but we did have a genuine Dobro) in our nine piece ensemble. Also whilst our repertoire, although ambitious and not quite as adventurous as Voodoo Chile, I must gently point out we did not actually play 'Joy' during the offertory this time...!

Here is the list of spiritual songs we played that formed the Musical Liturgy:

Sometimes - After The Fire
Help - The Beatles
How Deep the Father's Love - Hymn
Ride Back Home - John Mellencamp
Are We Alright - Steve Knightley/Show of Hands
When the Trumpet of the Lord shall Sound - Hymn
I'll Fly Away - Hymn
Dark Side, I'm not an Angel - After The Fire
Time To Think - After The Fire
Meet Me - Rob Halligan
Laser Love - After The Fire
Jesus! What a Friend for sinners - Hymn
Did Trouble Me - Susan M. Werner / Tom Jones
You - Rob Halligan
Here is Love - Hymn

If doubts overcome, then check it out! Download the whole order of service sheet here!

ATF return to the full rock edition later this month, with US made Strats, February 26th, Rock for Fairtrade, Burgess Hill and then a Water project fundraiser here on Mersea Island on 19th March.

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I Wish So Bad...

The Voice Project is a brilliant website that was setup to support Northern Ugandan women that have suffered much over the last few years. On a visit by The Voice Project the ladies sang their local songs and then asked to be taught one by their visitors. They learnt 'Suitcase', written by Joe Purdy, which was filmed as they sang it a capella. This video was eventually shown to Joe and the idea of filming artists performing, typically, an unplugged version of another artist's song which would then be then passed along as a 'baton' in a musical relay to the next artist.

As well as some rock premiership names including Peter Gabriel, which I featured here, and Mike Mills of REM who, impressively, recorded one of Billy Bragg pieces there are number of excellent lower league contributions as per the video above.

I find these very uplifting, as, taking The Shivers (above) for example, the performers clearly love the song they've chosen and their interpretation is uniquely special. They take ownership of the song giving these candid films a moment which captures the passion and emotion they pour out of their spirit.... Wonderful!

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Peter Gabriel, Wallflower, lest we forget...

To view the song only, it is also on YouTube here: Peter Gabriel - Wallflower (piano version)

Peter Gabriel's December message in which he talks about a number of projects he has been involved such as Witness and also bigs up Emmanuel Jal's 'We want Peace' project. Towards the end of this video he performs an exclusive, informal version of his 1982 song 'Wallflower' which was inspired through seeing the work of Amnesty. This simply features PG accompanied beautifully by pianist Tom Cawley. 'Wallflower' is one of PG's songs selected for the 'New Blood' record featuring full orchestral arrangements. It is in support of Mary Robinson, one of the innovative peacemakers, The Elders.

My highlight of 2010 was experiencing PG's Scratch My Back concert which I reviewed extensively here, so inspiring, so moving and the most significant spiritual refreshment of the year...

You can still preview the whole Scratch My Back album here too

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